Dwell with the circus. Spatial practices and artistic resonances from Rosario (Argentina)

This article aims to analyze the implications and scope of a case of spatial appropriation and resignification through circus practices in the city of Rosario (Argentina). From the follow-up of the development and the resonances of that artistic-dwelling experience, a traceable cartography through f...

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Autor principal: Godoy, Sebastián
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2021
Materias:
Circus
Dwell
Resonance
Spatialization
Circo
Habitar
Resonancia
Espacialización
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/34545
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-34545
record_format ojs
spelling I10-R361-article-345452023-03-04T00:08:44Z Dwell with the circus. Spatial practices and artistic resonances from Rosario (Argentina) Habitar con el circo. Prácticas espaciales y resonancias artísticas a partir de Rosario (Argentina) Godoy, Sebastián Circus Dwell Resonance Spatialization Circo Habitar Resonancia Espacialización This article aims to analyze the implications and scope of a case of spatial appropriation and resignification through circus practices in the city of Rosario (Argentina). From the follow-up of the development and the resonances of that artistic-dwelling experience, a traceable cartography through four observation scales will be drawn. First, the sociocultural dynamics converging in the occupation of the central riverbank of Rosario by circus artists in the 1990s are located. Second, the local ramifications of that experience –bifurcated between the proliferation of self-managed spaces and governmental integration– is studied. Third, the articulations of these developments with other Argentine cities are examined, taking an experience from the city of Buenos Aires as a case study. Fourth, some of the transnational itineraries of the circus arts that emerged on the Rosario riverbank are followed. The data used for this research comes from in-depth qualitative interviews carried out with the participants of the experiences with written materials. Este artículo se propone analizar las implicancias y los alcances de un caso de apropiación y resignificación espacial mediante prácticas circenses en la ciudad de Rosario (Argentina). A partir del seguimiento del desarrollo y las resonancias de esa experiencia artístico-habitacional, intentaremos trazar una cartografía rastreable a través de cuatro escalas de observación. En primer lugar, situaremos las dinámicas socioculturales que convergieron en la ocupación de la ribera central de Rosario por parte de artistas circenses en la década de 1990. En segundo lugar, estudiaremos las ramificaciones locales de esa experiencia, bifurcadas entre la proliferación de espacios autogestivos y la integración gubernamental. En tercer lugar, escrutaremos las potenciales articulaciones de ese proceso con otras ciudades argentinas, tomando un caso de la ciudad de Buenos Aires. En cuarto lugar, seguiremos algunos de los itinerarios transnacionales de las artes circenses surgidas en la ribera rosarina. Los principales insumos utilizados para la pesquisa son entrevistas cualitativas en profundidad realizadas a los participantes de las experiencias, cotejadas con documentos escritos. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2021-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/34545 10.55443/artilugio.n7.2021.34545 ark:/s2408462x/vb2x7u9u3 Artilugio; No. 7 (2021): Cartographies, Memories and Territories; 30-46 Artilugio; Núm. 7 (2021): Cartografías, memorias y territorios; 30-46 Artilugio; n. 7 (2021): Cartografías, memorias y territorios; 30-46 2408-462X 10.55443/artilugio.n7.2021 ark:/s2408462x/rkwmwvcrg spa https://revistas.unc.edu.ar/index.php/ART/article/view/34545/34996 https://revistas.unc.edu.ar/index.php/ART/article/view/34545/34997 https://revistas.unc.edu.ar/index.php/ART/article/view/34545/34998 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic Circus
Dwell
Resonance
Spatialization
Circo
Habitar
Resonancia
Espacialización
spellingShingle Circus
Dwell
Resonance
Spatialization
Circo
Habitar
Resonancia
Espacialización
Godoy, Sebastián
Dwell with the circus. Spatial practices and artistic resonances from Rosario (Argentina)
topic_facet Circus
Dwell
Resonance
Spatialization
Circo
Habitar
Resonancia
Espacialización
author Godoy, Sebastián
author_facet Godoy, Sebastián
author_sort Godoy, Sebastián
title Dwell with the circus. Spatial practices and artistic resonances from Rosario (Argentina)
title_short Dwell with the circus. Spatial practices and artistic resonances from Rosario (Argentina)
title_full Dwell with the circus. Spatial practices and artistic resonances from Rosario (Argentina)
title_fullStr Dwell with the circus. Spatial practices and artistic resonances from Rosario (Argentina)
title_full_unstemmed Dwell with the circus. Spatial practices and artistic resonances from Rosario (Argentina)
title_sort dwell with the circus. spatial practices and artistic resonances from rosario (argentina)
description This article aims to analyze the implications and scope of a case of spatial appropriation and resignification through circus practices in the city of Rosario (Argentina). From the follow-up of the development and the resonances of that artistic-dwelling experience, a traceable cartography through four observation scales will be drawn. First, the sociocultural dynamics converging in the occupation of the central riverbank of Rosario by circus artists in the 1990s are located. Second, the local ramifications of that experience –bifurcated between the proliferation of self-managed spaces and governmental integration– is studied. Third, the articulations of these developments with other Argentine cities are examined, taking an experience from the city of Buenos Aires as a case study. Fourth, some of the transnational itineraries of the circus arts that emerged on the Rosario riverbank are followed. The data used for this research comes from in-depth qualitative interviews carried out with the participants of the experiences with written materials.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2021
url https://revistas.unc.edu.ar/index.php/ART/article/view/34545
work_keys_str_mv AT godoysebastian dwellwiththecircusspatialpracticesandartisticresonancesfromrosarioargentina
AT godoysebastian habitarconelcircopracticasespacialesyresonanciasartisticasapartirderosarioargentina
first_indexed 2024-09-03T22:28:10Z
last_indexed 2024-09-03T22:28:10Z
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