Atlas del Yukkuman: Footprints of the Memory

In this chapter we invite people to write on a computer their internal map of the dictatorship, of their personal and/or collective memories, while the writing was projected on the Wall. This process leads to a meeting between the writing and the living element that was becoming present: memory. Thi...

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Autores principales: Chemes, María Soledad, Medina, María José, Rosenzvaig, Marina, Zamora Díaz, Andrea Florencia
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2020
Materias:
memory
cartography
relational art
alternative scenes
inhabit
memoria
cartografía
arte relacional
escenas alternativas
habitar
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/30023
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-30023
record_format ojs
spelling I10-R361-article-300232023-03-02T18:38:23Z Atlas del Yukkuman: Footprints of the Memory Atlas del Yukkuman: Huellas de la memoria Chemes, María Soledad Medina, María José Rosenzvaig, Marina Zamora Díaz, Andrea Florencia memory cartography relational art alternative scenes inhabit memoria cartografía arte relacional escenas alternativas habitar In this chapter we invite people to write on a computer their internal map of the dictatorship, of their personal and/or collective memories, while the writing was projected on the Wall. This process leads to a meeting between the writing and the living element that was becoming present: memory. This collective exercise became a present that narrates, that enunciates, that creates reality. The result is a collective  text in which people have shared their voices, experiences and memories. En esta obra-capítulo invitamos a las personas a escribir su mapa interno de la dictadura a partir de sus recuerdos personales y/o colectivos en una computadora, mientras la escritura era proyectada en la pared, reencontrándose así con el elemento vivo que se hacía presente: la memoria. Este ejercicio colectivo se convirtió en presente que narra, que enuncia, que crea realidad. El resultado es un texto colectivo en el cual las personas han compartido sus voces, experiencias y recuerdos. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2020-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Single blind peer-reviewed work Trabajo revisado por pares ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/30023 10.55443/artilugio.n6.2020.30023 ark:/s2408462x/56jzy0nr6 Artilugio; No. 6 (2020): Archive and Memory; 242-254 Artilugio; Núm. 6 (2020): Archivo y Memoria; 242-254 Artilugio; n. 6 (2020): Archivo y Memoria; 242-254 2408-462X 10.55443/artilugio.n6.2020 ark:/s2408462x/u7erw86zt spa https://revistas.unc.edu.ar/index.php/ART/article/view/30023/30949 https://revistas.unc.edu.ar/index.php/ART/article/view/30023/30782 https://revistas.unc.edu.ar/index.php/ART/article/view/30023/30950 Derechos de autor 2020 María Soledad Chemes, María José Medina, Marina Rosenzvaig, Andrea Florencia Zamora Díaz https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic memory
cartography
relational art
alternative scenes
inhabit
memoria
cartografía
arte relacional
escenas alternativas
habitar
spellingShingle memory
cartography
relational art
alternative scenes
inhabit
memoria
cartografía
arte relacional
escenas alternativas
habitar
Chemes, María Soledad
Medina, María José
Rosenzvaig, Marina
Zamora Díaz, Andrea Florencia
Atlas del Yukkuman: Footprints of the Memory
topic_facet memory
cartography
relational art
alternative scenes
inhabit
memoria
cartografía
arte relacional
escenas alternativas
habitar
author Chemes, María Soledad
Medina, María José
Rosenzvaig, Marina
Zamora Díaz, Andrea Florencia
author_facet Chemes, María Soledad
Medina, María José
Rosenzvaig, Marina
Zamora Díaz, Andrea Florencia
author_sort Chemes, María Soledad
title Atlas del Yukkuman: Footprints of the Memory
title_short Atlas del Yukkuman: Footprints of the Memory
title_full Atlas del Yukkuman: Footprints of the Memory
title_fullStr Atlas del Yukkuman: Footprints of the Memory
title_full_unstemmed Atlas del Yukkuman: Footprints of the Memory
title_sort atlas del yukkuman: footprints of the memory
description In this chapter we invite people to write on a computer their internal map of the dictatorship, of their personal and/or collective memories, while the writing was projected on the Wall. This process leads to a meeting between the writing and the living element that was becoming present: memory. This collective exercise became a present that narrates, that enunciates, that creates reality. The result is a collective  text in which people have shared their voices, experiences and memories.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2020
url https://revistas.unc.edu.ar/index.php/ART/article/view/30023
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AT zamoradiazandreaflorencia atlasdelyukkumanfootprintsofthememory
AT chemesmariasoledad atlasdelyukkumanhuellasdelamemoria
AT medinamariajose atlasdelyukkumanhuellasdelamemoria
AT rosenzvaigmarina atlasdelyukkumanhuellasdelamemoria
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first_indexed 2024-09-03T22:28:06Z
last_indexed 2024-09-03T22:28:06Z
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