Repetitions, twists and various attempts to tie things on paper
This text was generated from our participation in “Relación IV/ Sistemas, yuxtaposiciones obras”, a training seminar that took place in September 2017, which proposed to explore the notion of documentation in performance from the role of guided viewers. The four meetings were organized around the co...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/25327 |
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I10-R361-article-25327 |
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I10-R361-article-253272023-03-02T18:59:43Z Repetitions, twists and various attempts to tie things on paper Repeticiones, torceduras y variados intentos de atar cosas en un papel Barbeito, Guiomar Luna, Aylén Bartolino arte de acción escritura registro archivo repetición performance writing documentation archive repetition This text was generated from our participation in “Relación IV/ Sistemas, yuxtaposiciones obras”, a training seminar that took place in September 2017, which proposed to explore the notion of documentation in performance from the role of guided viewers. The four meetings were organized around the coexistence of two trajectories associated in a differentiated way to the methodology of "systems": that of the Efimerodramas team and that of Martín Molinaro.This activity was organized by the research and creation team that integrates the project “Escritura performática: cuerpo y acción en efimerodramas”, based on the Center for Production and Research in Arts (CePIA), belonging to the Faculty of Arts of the National University of Córdoba. The members use the Repetitive Minimalist Systems as a basis for their work and investigate the relationship between writing and action art, pondering from within artistic practice and in connection with the ideas of abstraction, repetition, recording and archiving. Este texto se generó a partir de nuestra participación en Relación IV / Sistemas, yuxtaposiciones, obra, un seminario de formación ocurrido en septiembre del 2017, que proponía explorar la noción de registro en la performance desde el rol de espectadoras pautadas. Los cuatro encuentros se articularon en torno a la convivencia de dos trayectorias asociadas de manera diferenciada a la metodología de “sistemas”: la del equipo Efimerodramas y la de Martín Molinaro.Esta actividad fue organizada por el equipo de investigación y creación que integra el Proyecto Escritura performática: cuerpo y acción en efimerodramas, radicado en el Centro de Producción e Investigación en Artes (CePIA), perteneciente a la Facultad de Artes de la Universidad Nacional de Córdoba. Les integrantes utilizan los Sistemas Minimalistas Repetitivos como base para su trabajo e indagan en las relaciones entre escritura y arte de acción, reflexionando desde la práctica artística y en vínculo con las ideas de abstracción, de repetición, de registro y de archivo. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2019-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Non-arbitrated article Artículo no arbitrado application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/25327 10.55443/artilugio.n5.2019.25327 Artilugio; No. 5 (2019): Temporality, Context and Imaginary Frameworks; 213-224 Artilugio; Núm. 5 (2019): Temporalidad, contexto y entramados imaginarios; 213-224 Artilugio; n. 5 (2019): Temporalidad, contexto y entramados imaginarios; 213-224 2408-462X 10.55443/artilugio.n5.2019 spa https://revistas.unc.edu.ar/index.php/ART/article/view/25327/24601 https://revistas.unc.edu.ar/index.php/ART/article/view/25327/24620 https://revistas.unc.edu.ar/index.php/ART/article/view/25327/24649 Derechos de autor 2019 Guiomar Barbeito, Aylén Bartolino Luna http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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Universidad Nacional de Córdoba |
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I-10 |
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R-361 |
| container_title_str |
Artilugio |
| language |
Español |
| format |
Artículo revista |
| topic |
arte de acción escritura registro archivo repetición performance writing documentation archive repetition |
| spellingShingle |
arte de acción escritura registro archivo repetición performance writing documentation archive repetition Barbeito, Guiomar Luna, Aylén Bartolino Repetitions, twists and various attempts to tie things on paper |
| topic_facet |
arte de acción escritura registro archivo repetición performance writing documentation archive repetition |
| author |
Barbeito, Guiomar Luna, Aylén Bartolino |
| author_facet |
Barbeito, Guiomar Luna, Aylén Bartolino |
| author_sort |
Barbeito, Guiomar |
| title |
Repetitions, twists and various attempts to tie things on paper |
| title_short |
Repetitions, twists and various attempts to tie things on paper |
| title_full |
Repetitions, twists and various attempts to tie things on paper |
| title_fullStr |
Repetitions, twists and various attempts to tie things on paper |
| title_full_unstemmed |
Repetitions, twists and various attempts to tie things on paper |
| title_sort |
repetitions, twists and various attempts to tie things on paper |
| description |
This text was generated from our participation in “Relación IV/ Sistemas, yuxtaposiciones obras”, a training seminar that took place in September 2017, which proposed to explore the notion of documentation in performance from the role of guided viewers. The four meetings were organized around the coexistence of two trajectories associated in a differentiated way to the methodology of "systems": that of the Efimerodramas team and that of Martín Molinaro.This activity was organized by the research and creation team that integrates the project “Escritura performática: cuerpo y acción en efimerodramas”, based on the Center for Production and Research in Arts (CePIA), belonging to the Faculty of Arts of the National University of Córdoba. The members use the Repetitive Minimalist Systems as a basis for their work and investigate the relationship between writing and action art, pondering from within artistic practice and in connection with the ideas of abstraction, repetition, recording and archiving. |
| publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/ART/article/view/25327 |
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2024-09-03T22:28:03Z |
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