PHOTOGRAPHY AS A NEW VISUAL LANGUAGE IN REVOLUTIONARY RUSSIA. THE CASE OF GROUP LEF (1923-1928)

The article has as an object of study the conception of photography developed by the LEF Group. The study shows that its members, despite their theoretical differences, advocated for a notion of photographic image as visual text. They follow the theoretical guidelines of Constructivism not only as a...

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Autor principal: Finelli, Renata
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018
Materias:
LEF
Acceso en línea:https://revistas.unc.edu.ar/index.php/astrolabio/article/view/19867
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id I10-R348-article-19867
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spelling I10-R348-article-198672018-06-30T09:58:08Z PHOTOGRAPHY AS A NEW VISUAL LANGUAGE IN REVOLUTIONARY RUSSIA. THE CASE OF GROUP LEF (1923-1928) LA FOTOGRAFÍA COMO EL NUEVO LENGUAJE VISUAL DE LA RUSIA REVOLUCIONARIA. EL CASO DEL GRUPO LEF (1923-1928) Finelli, Renata Fotografía Revolución Rusa LEF Arte Revolucionario Estética Fotográfica. Photography Russian Revolution LEF Revolutionary Art Photographic Aesthetics. The article has as an object of study the conception of photography developed by the LEF Group. The study shows that its members, despite their theoretical differences, advocated for a notion of photographic image as visual text. They follow the theoretical guidelines of Constructivism not only as a formal artistic style but also as a constructor of the Russian Revolution. The first part of the text describes the conformation of the group and its principals theoretical foundations. The second part specifically recovers the notion of photography developed by the group and analyzes, through documents, the broad vision of the photography that the group created as a semiotic process. The purpose of this article is to promote a research field that has not yet been fully explored, the photographic aesthetics. Este artículo tiene como objeto de estudio la concepción sobre fotografía que desarrolló el grupo LEF. El estudio muestra que sus miembros, pese a sus diferencias teóricas, abogaron por una noción de la imagen fotográfica como texto visual siguiendo con los lineamientos teóricos del constructivismo como estilo artístico formal pero, también, formador de la Revolución Rusa. La primera parte desarrolla la conformación del grupo y sus principales fundamentos teóricos. La segunda parte recupera específicamente la noción de fotografía del grupo y analiza, a través de los documentos e imágenes fuentes, la visión amplia que de la fotografía tuvo el grupo como proceso semiótico. La tarea realizada tiene como fin impulsar un campo de investigación aún poco explorado, el de la estética fotográfica. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículos revisados por pares application/pdf https://revistas.unc.edu.ar/index.php/astrolabio/article/view/19867 10.55441/1668.7515.n20.19867 Astrolabio; No. 20 (2018): A CIEN AÑOS DE LA REVOLUCIÓN RUSA; 91-109 Astrolabio; Núm. 20 (2018): A CIEN AÑOS DE LA REVOLUCIÓN RUSA; 91-109 Astrolabio; n. 20 (2018): A CIEN AÑOS DE LA REVOLUCIÓN RUSA; 91-109 1668-7515 10.55441/1668.7515.n20 spa https://revistas.unc.edu.ar/index.php/astrolabio/article/view/19867/20083
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-348
container_title_str Astrolabio
language Español
format Artículo revista
topic Fotografía
Revolución Rusa
LEF
Arte Revolucionario
Estética Fotográfica.
Photography
Russian Revolution
LEF
Revolutionary Art
Photographic Aesthetics.
spellingShingle Fotografía
Revolución Rusa
LEF
Arte Revolucionario
Estética Fotográfica.
Photography
Russian Revolution
LEF
Revolutionary Art
Photographic Aesthetics.
Finelli, Renata
PHOTOGRAPHY AS A NEW VISUAL LANGUAGE IN REVOLUTIONARY RUSSIA. THE CASE OF GROUP LEF (1923-1928)
topic_facet Fotografía
Revolución Rusa
LEF
Arte Revolucionario
Estética Fotográfica.
Photography
Russian Revolution
LEF
Revolutionary Art
Photographic Aesthetics.
author Finelli, Renata
author_facet Finelli, Renata
author_sort Finelli, Renata
title PHOTOGRAPHY AS A NEW VISUAL LANGUAGE IN REVOLUTIONARY RUSSIA. THE CASE OF GROUP LEF (1923-1928)
title_short PHOTOGRAPHY AS A NEW VISUAL LANGUAGE IN REVOLUTIONARY RUSSIA. THE CASE OF GROUP LEF (1923-1928)
title_full PHOTOGRAPHY AS A NEW VISUAL LANGUAGE IN REVOLUTIONARY RUSSIA. THE CASE OF GROUP LEF (1923-1928)
title_fullStr PHOTOGRAPHY AS A NEW VISUAL LANGUAGE IN REVOLUTIONARY RUSSIA. THE CASE OF GROUP LEF (1923-1928)
title_full_unstemmed PHOTOGRAPHY AS A NEW VISUAL LANGUAGE IN REVOLUTIONARY RUSSIA. THE CASE OF GROUP LEF (1923-1928)
title_sort photography as a new visual language in revolutionary russia. the case of group lef (1923-1928)
description The article has as an object of study the conception of photography developed by the LEF Group. The study shows that its members, despite their theoretical differences, advocated for a notion of photographic image as visual text. They follow the theoretical guidelines of Constructivism not only as a formal artistic style but also as a constructor of the Russian Revolution. The first part of the text describes the conformation of the group and its principals theoretical foundations. The second part specifically recovers the notion of photography developed by the group and analyzes, through documents, the broad vision of the photography that the group created as a semiotic process. The purpose of this article is to promote a research field that has not yet been fully explored, the photographic aesthetics.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2018
url https://revistas.unc.edu.ar/index.php/astrolabio/article/view/19867
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AT finellirenata lafotografiacomoelnuevolenguajevisualdelarusiarevolucionariaelcasodelgrupolef19231928
first_indexed 2024-09-03T21:38:37Z
last_indexed 2024-09-03T21:38:37Z
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