The cultural resistance: The persistence of indigenous aesthetic practices from the Mexican Northwest opposed to the Jesuit artistic practices

After de arrival of the Jesuits to what is today the Mexican Northwest in the 16th and 17th centuries, a process of cultural exchange began between the missionaries and diverse indigenous groups that inhabited the region; this process encompassed from crafts and rituals to artistic manifestations. T...

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Autor principal: Trillo Becerra, Luis Eduardo
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2022
Materias:
indigenous art
Jesuit art
aesthetics
Mexico
northwest
resistance
arte indígena
arte jesuita
estética
México
noroeste
resistencia
Acceso en línea:https://revistas.unc.edu.ar/index.php/ihs/article/view/38624
Aporte de:
Antiguos jesuitas en Iberoamérica de Universidad Nacional de Córdoba
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spelling I10-R340-article-386242022-09-12T20:24:52Z The cultural resistance: The persistence of indigenous aesthetic practices from the Mexican Northwest opposed to the Jesuit artistic practices La resistencia cultural: La persistencia de prácticas estéticas indígenas del noroeste de México contrapuestas a las prácticas artística jesuíticas Trillo Becerra, Luis Eduardo indigenous art Jesuit art aesthetics Mexico northwest resistance arte indígena arte jesuita estética México noroeste resistencia After de arrival of the Jesuits to what is today the Mexican Northwest in the 16th and 17th centuries, a process of cultural exchange began between the missionaries and diverse indigenous groups that inhabited the region; this process encompassed from crafts and rituals to artistic manifestations. This article aims to make a comparative study between the aesthetic conceptions of the Tarahumaran groups and the Jesuit missionaries as they could have been experienced up until the expulsion of the Company of Jesus from the New Spain and make a sketch of its impact on the contemporary musical practices of the rarámuri people. A la llegada de los jesuitas entre los siglos XVII y XVIII a lo que es hoy el noroeste de México, comenzó un proceso de intercambio cultural entre los misioneros y los diversos grupos indígenas que habitaban la región, el cual abarcó desde los oficios y los rituales hasta las manifestaciones artísticas. El presente artículo busca hacer un estudio comparativo entre las concepciones estéticas de los grupos tarahumaras y los misioneros jesuitas como pudieron experimentarse hasta la expulsión de la Compañía de Jesús de la Nueva España para esbozar su impacto en las prácticas musicales contemporáneas del pueblo rarámuri. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2022-09-12 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.unc.edu.ar/index.php/ihs/article/view/38624 10.31057/2314.3908.v11.38624 Antiguos jesuitas en Iberoamérica; 2022: Colegios y Misiones Jesuíticas 2314-3908 10.31057/2314.3908.v11 spa https://revistas.unc.edu.ar/index.php/ihs/article/view/38624/38637 Derechos de autor 2022 Antiguos jesuitas en Iberoamérica https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-340
container_title_str Antiguos jesuitas en Iberoamérica
language Español
format Artículo revista
topic indigenous art
Jesuit art
aesthetics
Mexico
northwest
resistance
arte indígena
arte jesuita
estética
México
noroeste
resistencia
spellingShingle indigenous art
Jesuit art
aesthetics
Mexico
northwest
resistance
arte indígena
arte jesuita
estética
México
noroeste
resistencia
Trillo Becerra, Luis Eduardo
The cultural resistance: The persistence of indigenous aesthetic practices from the Mexican Northwest opposed to the Jesuit artistic practices
topic_facet indigenous art
Jesuit art
aesthetics
Mexico
northwest
resistance
arte indígena
arte jesuita
estética
México
noroeste
resistencia
author Trillo Becerra, Luis Eduardo
author_facet Trillo Becerra, Luis Eduardo
author_sort Trillo Becerra, Luis Eduardo
title The cultural resistance: The persistence of indigenous aesthetic practices from the Mexican Northwest opposed to the Jesuit artistic practices
title_short The cultural resistance: The persistence of indigenous aesthetic practices from the Mexican Northwest opposed to the Jesuit artistic practices
title_full The cultural resistance: The persistence of indigenous aesthetic practices from the Mexican Northwest opposed to the Jesuit artistic practices
title_fullStr The cultural resistance: The persistence of indigenous aesthetic practices from the Mexican Northwest opposed to the Jesuit artistic practices
title_full_unstemmed The cultural resistance: The persistence of indigenous aesthetic practices from the Mexican Northwest opposed to the Jesuit artistic practices
title_sort cultural resistance: the persistence of indigenous aesthetic practices from the mexican northwest opposed to the jesuit artistic practices
description After de arrival of the Jesuits to what is today the Mexican Northwest in the 16th and 17th centuries, a process of cultural exchange began between the missionaries and diverse indigenous groups that inhabited the region; this process encompassed from crafts and rituals to artistic manifestations. This article aims to make a comparative study between the aesthetic conceptions of the Tarahumaran groups and the Jesuit missionaries as they could have been experienced up until the expulsion of the Company of Jesus from the New Spain and make a sketch of its impact on the contemporary musical practices of the rarámuri people.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2022
url https://revistas.unc.edu.ar/index.php/ihs/article/view/38624
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first_indexed 2024-09-03T21:22:56Z
last_indexed 2024-09-03T21:22:56Z
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