The painting "Saint Ignatius illuminating the world" of the Jesuits of Córdoba

The church of the Jesuits in Córdoba was the depository of an important sum of paintings. Few have remained after the pillage that suffered after the expulsion. One of the most significant is a representation of San Ignacio, which is today, along with another San Francisco de Borja, in the residence...

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Autor principal: Page, Carlos A.
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018
Materias:
paintings
San Ignacio
Jesuit Church of Córdoba
pinturas
iglesia jesuítica de Córdoba
Acceso en línea:https://revistas.unc.edu.ar/index.php/ihs/article/view/22958
Aporte de:
Antiguos jesuitas en Iberoamérica de Universidad Nacional de Córdoba
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spelling I10-R340-article-229582019-10-18T19:20:39Z The painting "Saint Ignatius illuminating the world" of the Jesuits of Córdoba La pintura “San Ignacio iluminando al mundo” de los jesuitas de Córdoba Page, Carlos A. paintings San Ignacio Jesuit Church of Córdoba pinturas San Ignacio iglesia jesuítica de Córdoba The church of the Jesuits in Córdoba was the depository of an important sum of paintings. Few have remained after the pillage that suffered after the expulsion. One of the most significant is a representation of San Ignacio, which is today, along with another San Francisco de Borja, in the residence of the Jesuits. This work is framed within the theological and evangelical project of the Society of Jesus, evidencing the Baroque theatricality represented by the global cuaternidad, in a symbolic and reiterated Jesuit iconography. La iglesia de los jesuitas en Córdoba fue depositaria de una importante suma de pinturas. Pocas han quedado luego del expolio que sufrió después de la expulsión. Una de las más significativas es la representación de San Ignacio, que se encuentra hoy, junto a otra de San Francisco de Borja, en la residencia de los jesuitas. Esta obra está encuadrada dentro del proyecto teológico y evangélico de la Compañía de Jesús, evidenciando la teatralidad barroca representada por la cuaternidad global, en una simbóli-ca y reiterada iconografía jesuítica. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018-12-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/ihs/article/view/22958 10.31057/2314.3908.v6.n2.22958 Antiguos jesuitas en Iberoamérica; Vol. 6 Núm. 2 (2018): Julio / Diciembre de 2018; 99-109 2314-3908 10.31057/2314.3908.v6.n2 spa https://revistas.unc.edu.ar/index.php/ihs/article/view/22958/22661
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-340
container_title_str Antiguos jesuitas en Iberoamérica
language Español
format Artículo revista
topic paintings
San Ignacio
Jesuit Church of Córdoba
pinturas
San Ignacio
iglesia jesuítica de Córdoba
spellingShingle paintings
San Ignacio
Jesuit Church of Córdoba
pinturas
San Ignacio
iglesia jesuítica de Córdoba
Page, Carlos A.
The painting "Saint Ignatius illuminating the world" of the Jesuits of Córdoba
topic_facet paintings
San Ignacio
Jesuit Church of Córdoba
pinturas
San Ignacio
iglesia jesuítica de Córdoba
author Page, Carlos A.
author_facet Page, Carlos A.
author_sort Page, Carlos A.
title The painting "Saint Ignatius illuminating the world" of the Jesuits of Córdoba
title_short The painting "Saint Ignatius illuminating the world" of the Jesuits of Córdoba
title_full The painting "Saint Ignatius illuminating the world" of the Jesuits of Córdoba
title_fullStr The painting "Saint Ignatius illuminating the world" of the Jesuits of Córdoba
title_full_unstemmed The painting "Saint Ignatius illuminating the world" of the Jesuits of Córdoba
title_sort painting "saint ignatius illuminating the world" of the jesuits of córdoba
description The church of the Jesuits in Córdoba was the depository of an important sum of paintings. Few have remained after the pillage that suffered after the expulsion. One of the most significant is a representation of San Ignacio, which is today, along with another San Francisco de Borja, in the residence of the Jesuits. This work is framed within the theological and evangelical project of the Society of Jesus, evidencing the Baroque theatricality represented by the global cuaternidad, in a symbolic and reiterated Jesuit iconography.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2018
url https://revistas.unc.edu.ar/index.php/ihs/article/view/22958
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first_indexed 2024-09-03T21:22:42Z
last_indexed 2024-09-03T21:22:42Z
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