The Times of the Present: A Case Against Immediacy (the definitive edition of Mariana Eva Pérez's Diary of a Montonera Princess)

In this essay, I analyse the conditions and effects of immediacy –a term conceptualized by authors as Anna Kornbluh- in certain cultural productions of the present (self-surrender, affective immersion, annulment of critical distance), and its relationship with the capitalist circulation of experienc...

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Autor principal: Laera, Alejandra
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2024
Materias:
Inmediacy;
critical distance;
second generation narrative;
Diary of a Montonera Princess
Inmediatez;
distancia crítica;
narrativa de la segunda generación;
Diario de una princesa montonera
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/45389
Aporte de:
Heterotopías de Universidad Nacional de Córdoba
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record_format ojs
spelling I10-R333-article-453892024-06-25T02:22:26Z The Times of the Present: A Case Against Immediacy (the definitive edition of Mariana Eva Pérez's Diary of a Montonera Princess) Los tiempos del presente: una causa contra la inmediatez (el caso de la edición definitiva de Diario de una princesa montonera de Mariana Eva Perez) Laera, Alejandra Inmediacy; critical distance; second generation narrative; Diary of a Montonera Princess Inmediatez; distancia crítica; narrativa de la segunda generación; Diario de una princesa montonera In this essay, I analyse the conditions and effects of immediacy –a term conceptualized by authors as Anna Kornbluh- in certain cultural productions of the present (self-surrender, affective immersion, annulment of critical distance), and its relationship with the capitalist circulation of experience. Subsequently, I propose other narrative possibilities that depart from immediacy to construct the present through specific procedures that reinscribe distance. To do this, I refer in particular to the latest and definitive edition of Diary of a Montonera Princess. 110% Truth, by Mariana Eva Perez, and I analyse it with the notions of sincerity and transtemporality. There, immediacy, instead of flattening the present through the action of the “here and now” of the self, is worked through compositional and formal tensions, which produce the necessary distance to traverse empathetic affectivity and activate questions and debates. En este ensayo realizo una lectura crítica de las condiciones y efectos de la inmediatez en cierta producción cultural del presente (entrega al yo, inmersión afectiva, anulación de la distancia crítica) y su relación con la circulación capitalista de la experiencia. A continuación, propongo otras posibilidades narrativas que parten de la inmediatez para construir el presente por medio de procedimientos específicos que reinscriben instancias distanciadoras. Para ello, me refiero en particular a la edición última y definitiva de Diario de una princesa montonera. 110% verdad, de Mariana Eva Perez, y la analizo a partir de las nociones de sinceridad y transtemporalidad. Allí, la inmediatez, en lugar de aplanar el presente por acción del aquí y ahora del yo, es trabajada por tensiones compositivas y formales, argumentales y argumentativas, que producen la distancia necesaria para atravesar la afectividad empática y activar preguntas, reflexiones y debates. Facultad de Filosofía y Humanidades. Escuela de Letras 2024-06-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/45389 Heterotopías; Vol. 7 No. 13 (2024): Writings on the edge of the abyss: How is the present constructed?; 1-20 Heterotopías; Vol. 7 Núm. 13 (2024): Escrituras al borde del abismo. ¿Cómo se construye el presente?; 1-20 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/45389/45354 Derechos de autor 2024 Heterotopías https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-333
container_title_str Heterotopías
language Español
format Artículo revista
topic Inmediacy;
critical distance;
second generation narrative;
Diary of a Montonera Princess
Inmediatez;
distancia crítica;
narrativa de la segunda generación;
Diario de una princesa montonera
spellingShingle Inmediacy;
critical distance;
second generation narrative;
Diary of a Montonera Princess
Inmediatez;
distancia crítica;
narrativa de la segunda generación;
Diario de una princesa montonera
Laera, Alejandra
The Times of the Present: A Case Against Immediacy (the definitive edition of Mariana Eva Pérez's Diary of a Montonera Princess)
topic_facet Inmediacy;
critical distance;
second generation narrative;
Diary of a Montonera Princess
Inmediatez;
distancia crítica;
narrativa de la segunda generación;
Diario de una princesa montonera
author Laera, Alejandra
author_facet Laera, Alejandra
author_sort Laera, Alejandra
title The Times of the Present: A Case Against Immediacy (the definitive edition of Mariana Eva Pérez's Diary of a Montonera Princess)
title_short The Times of the Present: A Case Against Immediacy (the definitive edition of Mariana Eva Pérez's Diary of a Montonera Princess)
title_full The Times of the Present: A Case Against Immediacy (the definitive edition of Mariana Eva Pérez's Diary of a Montonera Princess)
title_fullStr The Times of the Present: A Case Against Immediacy (the definitive edition of Mariana Eva Pérez's Diary of a Montonera Princess)
title_full_unstemmed The Times of the Present: A Case Against Immediacy (the definitive edition of Mariana Eva Pérez's Diary of a Montonera Princess)
title_sort times of the present: a case against immediacy (the definitive edition of mariana eva pérez's diary of a montonera princess)
description In this essay, I analyse the conditions and effects of immediacy –a term conceptualized by authors as Anna Kornbluh- in certain cultural productions of the present (self-surrender, affective immersion, annulment of critical distance), and its relationship with the capitalist circulation of experience. Subsequently, I propose other narrative possibilities that depart from immediacy to construct the present through specific procedures that reinscribe distance. To do this, I refer in particular to the latest and definitive edition of Diary of a Montonera Princess. 110% Truth, by Mariana Eva Perez, and I analyse it with the notions of sincerity and transtemporality. There, immediacy, instead of flattening the present through the action of the “here and now” of the self, is worked through compositional and formal tensions, which produce the necessary distance to traverse empathetic affectivity and activate questions and debates.
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2024
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/45389
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first_indexed 2024-09-03T21:10:20Z
last_indexed 2024-09-03T21:10:20Z
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