mAtriZ ColectivA, acciones buenalistas between 2019 and 2022

This paper tries to recover the actions carried out by the mAtriZ collectivA collectivA, made up of feminist artists from the city of Mar del Plata between 2019 and 2022. From a subjective perspective, told in the first person, it is an attempt to systematize actions in the public space and in forma...

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Autor principal: Brunotti, Andrea
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2023
Materias:
Artivism
class actions
Feminisms
engraving
Artivismo
acciones colectivas
feminismo
grabado
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41663
Aporte de:
Heterotopías de Universidad Nacional de Córdoba
id I10-R333-article-41663
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spelling I10-R333-article-416632023-07-01T20:38:30Z mAtriZ ColectivA, acciones buenalistas between 2019 and 2022 mAtriZ ColectivA, acciones buenalistas entre 2019 y 2022 Brunotti, Andrea Artivism class actions Feminisms engraving Artivismo acciones colectivas feminismo grabado This paper tries to recover the actions carried out by the mAtriZ collectivA collectivA, made up of feminist artists from the city of Mar del Plata between 2019 and 2022. From a subjective perspective, told in the first person, it is an attempt to systematize actions in the public space and in formal spaces of secondary and higher education. The work recovers the objectives of the first actions, the way in which the rump was formed and how it was changing in these years. It addresses the limits between engraving as a canonical discipline and the overflows that occur in the collective doing proposed by buenalist actions. It also reviews his registration in the local artivisms from Ni una Menos to date and his participation in the militancy for the ESI within secondary education. This review of the actions proposes new ways of thinking about artistic practices in relation to feminisms and the city's field of art. The proposals of the workshop in the public space question the concepts of artist and authorship and dynamize the forms of appropriation and circulation of engraving today. The chronological order reviews the fervor of the first actions, the difficulties raised in the COVID pandemic, the invention of other forms of action during 2020 and 2021 and the incorporation of writing and archival work today Este escrito intenta recuperar las acciones realizadas por la colectica mAtriZ ColectivA, conformada por artistas feministas de la ciudad de Mar del Plata entre los años 2019 y 2022. Desde una perspectiva subjetiva, contada en primera persona, es un intento de sistematizar las acciones en el espacio público y en espacio formales de educación secundaria y superior. El trabajo recupera los objetivos de las primeras acciones, el modo en que se conformó la grupa y cómo fue variando en estos años. Aborda los límites entre el grabado como disciplina canónica y los desbordes que se producen en el hacer colectivo que proponen las acciones buenalistas. También revisa su inscripción en los artivismos locales desde el Ni una Menos al día de la fecha y su participación en la militancia por la ESI dentro de la educación secundaria. Esta revisión de las acciones plantea nuevos modos de pensar las prácticas artísticas en relación con los feminismos y el campo del arte de la ciudad. Las propuestas del taller en el espacio público cuestionan los conceptos de artista y autoría y dinamizan las formas de apropiación y circulación del grabado en la actualidad. El orden cronológico repasa el fervor de las primeras acciones, las dificultades suscitadas en la pandemia del COVID, la invención de otras formas de acción durante 2020 y 2021 y la incorporación de la escritura y el trabajo de archivo en la actualidad. Facultad de Filosofía y Humanidades. Escuela de Letras 2023-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41663 Heterotopías; Vol. 6 No. 11 (2023): "Poetics of interruption: feminist aesthetic-political practices and sexual disobedience in/from the South".; 1-21 Heterotopías; Vol. 6 Núm. 11 (2023): "Poéticas de la interruqción: prácticas estético-políticas feministas y de las desobediencias sexuales en/desde el sur"; 1-21 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41663/41609 Derechos de autor 2023 Heterotopías https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-333
container_title_str Heterotopías
language Español
format Artículo revista
topic Artivism
class actions
Feminisms
engraving
Artivismo
acciones colectivas
feminismo
grabado
spellingShingle Artivism
class actions
Feminisms
engraving
Artivismo
acciones colectivas
feminismo
grabado
Brunotti, Andrea
mAtriZ ColectivA, acciones buenalistas between 2019 and 2022
topic_facet Artivism
class actions
Feminisms
engraving
Artivismo
acciones colectivas
feminismo
grabado
author Brunotti, Andrea
author_facet Brunotti, Andrea
author_sort Brunotti, Andrea
title mAtriZ ColectivA, acciones buenalistas between 2019 and 2022
title_short mAtriZ ColectivA, acciones buenalistas between 2019 and 2022
title_full mAtriZ ColectivA, acciones buenalistas between 2019 and 2022
title_fullStr mAtriZ ColectivA, acciones buenalistas between 2019 and 2022
title_full_unstemmed mAtriZ ColectivA, acciones buenalistas between 2019 and 2022
title_sort matriz colectiva, acciones buenalistas between 2019 and 2022
description This paper tries to recover the actions carried out by the mAtriZ collectivA collectivA, made up of feminist artists from the city of Mar del Plata between 2019 and 2022. From a subjective perspective, told in the first person, it is an attempt to systematize actions in the public space and in formal spaces of secondary and higher education. The work recovers the objectives of the first actions, the way in which the rump was formed and how it was changing in these years. It addresses the limits between engraving as a canonical discipline and the overflows that occur in the collective doing proposed by buenalist actions. It also reviews his registration in the local artivisms from Ni una Menos to date and his participation in the militancy for the ESI within secondary education. This review of the actions proposes new ways of thinking about artistic practices in relation to feminisms and the city's field of art. The proposals of the workshop in the public space question the concepts of artist and authorship and dynamize the forms of appropriation and circulation of engraving today. The chronological order reviews the fervor of the first actions, the difficulties raised in the COVID pandemic, the invention of other forms of action during 2020 and 2021 and the incorporation of writing and archival work today
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2023
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41663
work_keys_str_mv AT brunottiandrea matrizcolectivaaccionesbuenalistasbetween2019and2022
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first_indexed 2024-09-03T21:10:05Z
last_indexed 2024-09-03T21:10:05Z
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