Hollowing out movements as a way of life in val flores and marie bardet against the feeling of the world as a catastrophe. Or the intensities of a queer/cuir inter-languaged poetics as a horizon and refuge in the dark.
Between escaping and hollowing (oneself) out, val flores and marie bardet define a poetics of the south, which in its lesbian feminist queer/cuir interlanguage opens a portal of sensibility and desperate love - both earthly and subtle - against the hostility of the world. In this becoming they alter...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2023
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| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41651 |
| Aporte de: |
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I10-R333-article-41651 |
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ojs |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
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R-333 |
| container_title_str |
Heterotopías |
| language |
Español |
| format |
Artículo revista |
| topic |
Queer/cuir feminist languages feminisms of the south poetics of the south val flores marie bardet Lenguas feministas queer/cuir feminismos del sur poéticas de los sures val flores marie bardet |
| spellingShingle |
Queer/cuir feminist languages feminisms of the south poetics of the south val flores marie bardet Lenguas feministas queer/cuir feminismos del sur poéticas de los sures val flores marie bardet Enrico, Juliana Hollowing out movements as a way of life in val flores and marie bardet against the feeling of the world as a catastrophe. Or the intensities of a queer/cuir inter-languaged poetics as a horizon and refuge in the dark. |
| topic_facet |
Queer/cuir feminist languages feminisms of the south poetics of the south val flores marie bardet Lenguas feministas queer/cuir feminismos del sur poéticas de los sures val flores marie bardet |
| author |
Enrico, Juliana |
| author_facet |
Enrico, Juliana |
| author_sort |
Enrico, Juliana |
| title |
Hollowing out movements as a way of life in val flores and marie bardet against the feeling of the world as a catastrophe. Or the intensities of a queer/cuir inter-languaged poetics as a horizon and refuge in the dark. |
| title_short |
Hollowing out movements as a way of life in val flores and marie bardet against the feeling of the world as a catastrophe. Or the intensities of a queer/cuir inter-languaged poetics as a horizon and refuge in the dark. |
| title_full |
Hollowing out movements as a way of life in val flores and marie bardet against the feeling of the world as a catastrophe. Or the intensities of a queer/cuir inter-languaged poetics as a horizon and refuge in the dark. |
| title_fullStr |
Hollowing out movements as a way of life in val flores and marie bardet against the feeling of the world as a catastrophe. Or the intensities of a queer/cuir inter-languaged poetics as a horizon and refuge in the dark. |
| title_full_unstemmed |
Hollowing out movements as a way of life in val flores and marie bardet against the feeling of the world as a catastrophe. Or the intensities of a queer/cuir inter-languaged poetics as a horizon and refuge in the dark. |
| title_sort |
hollowing out movements as a way of life in val flores and marie bardet against the feeling of the world as a catastrophe. or the intensities of a queer/cuir inter-languaged poetics as a horizon and refuge in the dark. |
| description |
Between escaping and hollowing (oneself) out, val flores and marie bardet define a poetics of the south, which in its lesbian feminist queer/cuir interlanguage opens a portal of sensibility and desperate love - both earthly and subtle - against the hostility of the world. In this becoming they alter zones of life (skin, body, language, flesh, sexuality, gender, writing, night), that resist in the face of the fatal condition of surviving with the heart in shattered, agonized pieces. The intensity of this movement manages to give a twist that breaks the oppressive heart of reality (Capitalocene, Patriarchy, Cisheterosexism), through fugitive and at the same time introspective gestures, all very deep, immersive and radically rupturist of the Western carno-phallogocentric canon (Derrida, 2010) that imposes our daily paths and senses.In this text we will introduce a reading of some of their recent writings, with special focus on a small fanzine written in the middle of the pandemic, edited and published precariously (or "domestically") in a printed version of four bifacial sheets with color covers: Modos del ahuecar/se (bardet y flores, 2021).In dialogue with the interventions of both, we will try to reflect on "the fever of a gesture" (flores, 2019) and the “claroscuridad” (bardet, 2021) that insists on interrupting any hegemonic way of becoming a body through a disembodied language (without history and without wounds), by means of affirming, text upon text, certain untamed languages crossed by lacerations and scars, but also by an abysmal pleasure and jouissance, which revitalize the skin as a sexual / textual organ. Ars disidentis (flores, 2016) or ars erotica,2 that inscribes its deviation by setting itself on fire. |
| publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
| publishDate |
2023 |
| url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41651 |
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I10-R333-article-416512023-07-01T20:38:30Z Hollowing out movements as a way of life in val flores and marie bardet against the feeling of the world as a catastrophe. Or the intensities of a queer/cuir inter-languaged poetics as a horizon and refuge in the dark. Movimientos del ahuecar/se como forma de vida en val flores y marie bardet frente al sentimiento del mundo como catástrofe. O las intensidades de una poética queer/cuir entrelenguas como horizonte y refugio en lo oscuro Enrico, Juliana Queer/cuir feminist languages feminisms of the south poetics of the south val flores marie bardet Lenguas feministas queer/cuir feminismos del sur poéticas de los sures val flores marie bardet Between escaping and hollowing (oneself) out, val flores and marie bardet define a poetics of the south, which in its lesbian feminist queer/cuir interlanguage opens a portal of sensibility and desperate love - both earthly and subtle - against the hostility of the world. In this becoming they alter zones of life (skin, body, language, flesh, sexuality, gender, writing, night), that resist in the face of the fatal condition of surviving with the heart in shattered, agonized pieces. The intensity of this movement manages to give a twist that breaks the oppressive heart of reality (Capitalocene, Patriarchy, Cisheterosexism), through fugitive and at the same time introspective gestures, all very deep, immersive and radically rupturist of the Western carno-phallogocentric canon (Derrida, 2010) that imposes our daily paths and senses.In this text we will introduce a reading of some of their recent writings, with special focus on a small fanzine written in the middle of the pandemic, edited and published precariously (or "domestically") in a printed version of four bifacial sheets with color covers: Modos del ahuecar/se (bardet y flores, 2021).In dialogue with the interventions of both, we will try to reflect on "the fever of a gesture" (flores, 2019) and the “claroscuridad” (bardet, 2021) that insists on interrupting any hegemonic way of becoming a body through a disembodied language (without history and without wounds), by means of affirming, text upon text, certain untamed languages crossed by lacerations and scars, but also by an abysmal pleasure and jouissance, which revitalize the skin as a sexual / textual organ. Ars disidentis (flores, 2016) or ars erotica,2 that inscribes its deviation by setting itself on fire. Entre fugarse y ahuecarse val flores y marie bardet definen una poética de los sures, que en su entrelenguas feminista lesbiana queer/cuir abre un portal de sensibilidad y amor desesperado - tan terrenal como sutil- contra la hostilidad del mundo. En este devenir alteran zonas de la vida (la piel, el cuerpo, la lengua, la carne, la sexualidad, el género, la escritura, la noche), resistiendo ante la condición fatal de sobrevivir con el corazón en pedazos estallados, agonizante. La intensidad de este movimiento logra dar un giro que rompe el corazón opresivo de la realidad (Capitaloceno, Patriarcado, Cisheterosexismo), mediante gestos fugitivos y a la vez introspectivos, todos muy hondos, inmersivos, expansivos y radicalmente rupturistas del canon carnofalogocéntrico occidental (Derrida, 2010) que impone nuestros caminos y sentidos cotidianos.En este texto vamos a introducir una lectura de algunas de sus escrituras recientes, con especial eje en un pequeño fanzine escrito en plena pandemia, editado y publicado precariamente (o “domésticamente”) en una versión impresa de cuatro pliegos bifaz con tapa a color: Modos del ahuecar/se (bardet y flores, 2021).En diálogo con las intervenciones de ambas, trataremos de pensar “la fiebre de un gesto” (flores, 2019) y la “claroscuridad” (bardet, 2021) que insisten en interrumpir toda forma hegemónica de hacerse cuerpo a través de un lenguaje desencarnado ( sin historia y sin heridas), afirmando texto sobre texto unas lenguas sin límites, indómitas, atravesadas por laceraciones y cicatrices, pero también por un placer y un goce abismales que revitalizan la piel como órgano sexual/textual: ars disidentis (flores, 2016) o erótica1 que inscribe su desvío incendiándose. Facultad de Filosofía y Humanidades. Escuela de Letras 2023-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41651 Heterotopías; Vol. 6 No. 11 (2023): "Poetics of interruption: feminist aesthetic-political practices and sexual disobedience in/from the South".; 1-18 Heterotopías; Vol. 6 Núm. 11 (2023): "Poéticas de la interruqción: prácticas estético-políticas feministas y de las desobediencias sexuales en/desde el sur"; 1-18 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41651/41601 Derechos de autor 2023 Heterotopías https://creativecommons.org/licenses/by-nc-sa/4.0 |