Poetry and Litoral. Subjects, affectivity and landscapes
The poetics of the Litoral in the second half of the 20th century have had and still have a strong impact on the national and Latin American literary field. Through perception, contemplation and life experience in space, different modes of configuration have been generated with respect to nature and...
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Facultad de Filosofía y Humanidades. Escuela de Letras
2022
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I10-R333-article-381592022-07-01T15:10:36Z Poetry and Litoral. Subjects, affectivity and landscapes Poesía y Litoral. Sujetos, afectividad y paisajes Aguirre, Ariel poetry landscape nature Litoral subjectivity poesía paisaje naturaleza Litoral subjetividad The poetics of the Litoral in the second half of the 20th century have had and still have a strong impact on the national and Latin American literary field. Through perception, contemplation and life experience in space, different modes of configuration have been generated with respect to nature and landscape, constituting a central topos in the literary system. Furthermore, this landscape -in concrete and material terms- serves as a setting in which the personal and affective relationships between the authors form an amalgam of networks where poetry and friendship merge with gestures of continuity and aesthetic ruptures. The purpose of this work is to trace a route of key authors of the Litoral region -Juan L. Ortiz, Saer, the objectivist poets of Rosario from the 90s, until reaching the recent productions, Cecilia Moscovich and Daiana Henderson-. The objective is to investigate the ways in which representations of nature and subjective construction are configured in relation to said environment, at the same time as to attend to the ecological, environmental and political consequences that each aesthetic proposal concerns. From the comparative study, the aim is to answer the central question that structures this work: how do we get from a sacred landscape, linked to the idyllic in Juan L. Ortiz, with symbolist characteristics, although stained with injustices, to a landscape where the same nature is corrupted? Las poéticas del Litoral en la segunda mitad del siglo XX han tenido y tienen un gran impacto en el campo literario nacional y latinoamericano. A través de la percepción, la contemplación y la experiencia vital en el espacio se han generado diferentes modos de configuración con respecto a la naturaleza y el paisaje, constituyendo un topos central en el sistema literario. Además, este paisaje –en términos concretos y materiales– sirve como un escenario en el cual las relaciones personales y afectivas entre los autores forman una amalgama de redes donde poesía y amistad se funden con gestos de continuidad y rupturas estéticas. El propósito del presente trabajo consiste en trazar un recorrido por autores claves de la poesía litoraleña que tematizaron, a partir de los años sesenta, principalmente, la región del Litoral –Juan L. Ortiz, Saer, los poetas objetivistas rosarinos de los 90, hasta llegar a producciones recientes, Cecilia Moscovich y Daiana Henderson–. El objetivo es indagar sobre las formas que configuran las representaciones de la naturaleza y la construcción subjetiva en relación con dicho entorno; al mismo tiempo, reparar en las consecuencias ecológicas, ambientales y políticas que conciernen a cada propuesta estética. Por medio del estudio comparado se pretende dar respuesta al interrogante central que estructura este trabajo: ¿cómo se llega desde un paisaje sacralizado, ligado a lo idílico en Juan L. Ortiz, con características simbolistas, aunque manchado de injusticias, a un paisaje donde la misma naturaleza está corrompida? Facultad de Filosofía y Humanidades. Escuela de Letras 2022-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/38159 Heterotopías; Vol. 5 No. 9 (2022): "Aesthetics, politics and nature: languages and ecopoetic experiences" Volume II "Bord(e)ados de vida. Marks of condition of existence in times of extractive violence"; 1-21 Heterotopías; Vol. 5 Núm. 9 (2022): “Estética, política y naturaleza: lenguajes y experiencias ecopoéticas" Tomo II "Bord(e)ados de vida. Marcas de condiciones de existencia en tiempos de violencias extractivas"; 1-21 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/38159/38026 https://creativecommons.org/licenses/by-nc-sa/4.0 |
institution |
Universidad Nacional de Córdoba |
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I-10 |
repository_str |
R-333 |
container_title_str |
Heterotopías |
language |
Español |
format |
Artículo revista |
topic |
poetry landscape nature Litoral subjectivity poesía paisaje naturaleza Litoral subjetividad |
spellingShingle |
poetry landscape nature Litoral subjectivity poesía paisaje naturaleza Litoral subjetividad Aguirre, Ariel Poetry and Litoral. Subjects, affectivity and landscapes |
topic_facet |
poetry landscape nature Litoral subjectivity poesía paisaje naturaleza Litoral subjetividad |
author |
Aguirre, Ariel |
author_facet |
Aguirre, Ariel |
author_sort |
Aguirre, Ariel |
title |
Poetry and Litoral. Subjects, affectivity and landscapes |
title_short |
Poetry and Litoral. Subjects, affectivity and landscapes |
title_full |
Poetry and Litoral. Subjects, affectivity and landscapes |
title_fullStr |
Poetry and Litoral. Subjects, affectivity and landscapes |
title_full_unstemmed |
Poetry and Litoral. Subjects, affectivity and landscapes |
title_sort |
poetry and litoral. subjects, affectivity and landscapes |
description |
The poetics of the Litoral in the second half of the 20th century have had and still have a strong impact on the national and Latin American literary field. Through perception, contemplation and life experience in space, different modes of configuration have been generated with respect to nature and landscape, constituting a central topos in the literary system. Furthermore, this landscape -in concrete and material terms- serves as a setting in which the personal and affective relationships between the authors form an amalgam of networks where poetry and friendship merge with gestures of continuity and aesthetic ruptures.
The purpose of this work is to trace a route of key authors of the Litoral region -Juan L. Ortiz, Saer, the objectivist poets of Rosario from the 90s, until reaching the recent productions, Cecilia Moscovich and Daiana Henderson-. The objective is to investigate the ways in which representations of nature and subjective construction are configured in relation to said environment, at the same time as to attend to the ecological, environmental and political consequences that each aesthetic proposal concerns. From the comparative study, the aim is to answer the central question that structures this work: how do we get from a sacred landscape, linked to the idyllic in Juan L. Ortiz, with symbolist characteristics, although stained with injustices, to a landscape where the same nature is corrupted? |
publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
publishDate |
2022 |
url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/38159 |
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AT aguirreariel poetryandlitoralsubjectsaffectivityandlandscapes AT aguirreariel poesiaylitoralsujetosafectividadypaisajes |
first_indexed |
2024-09-03T21:09:53Z |
last_indexed |
2024-09-03T21:09:53Z |
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