Chronicle of a tragedy foretold: the Pescadero Bridge under the waters of the capitalocene and its sympoietic memories in the art of re-existence

In 2018, the Pescadero bridge, next to the Cauca river canyon (Colombia), was flooded. This territory is part of the sedimentation of layers of colonial violence, which, in successive historical-political waves, at the rate of fluctuating development cycles, has been invading pre-existing territoria...

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Detalles Bibliográficos
Autores principales: Martínez Vega, Aimée, Posada Mazo, Estela, Machado Aráoz, Horacio
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2021
Materias:
Waters
Capitalocene
Hydrocommunities
Sympoiesis
Aguas
Capitaloceno
Hidrocomunidades
Simpóiesis
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36163
Aporte de:
Heterotopías de Universidad Nacional de Córdoba
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spelling I10-R333-article-361632022-01-08T00:30:58Z Chronicle of a tragedy foretold: the Pescadero Bridge under the waters of the capitalocene and its sympoietic memories in the art of re-existence Crónica de una tragedia anunciada: el Puente Pescadero bajo las aguas del capitaloceno y sus memorias simpoiéticas en el arte de re-existir Martínez Vega, Aimée Posada Mazo, Estela Machado Aráoz, Horacio Waters Capitalocene Hydrocommunities Sympoiesis Aguas Capitaloceno Hidrocomunidades Simpóiesis In 2018, the Pescadero bridge, next to the Cauca river canyon (Colombia), was flooded. This territory is part of the sedimentation of layers of colonial violence, which, in successive historical-political waves, at the rate of fluctuating development cycles, has been invading pre-existing territorialities, destroying landscapes and creating ruins of "progress". Also, in this territory, the hydrocommunal web has been reweaving despite everything, making life re-sprout and looking for new channels. In this framework, this writing offers an analysis of the expropriation logics in the era of the Capitalocene, with the imposition of works, in front of which the riverside hydrocommunities and their memories are forced to re-exist.To do this, first, we will make a contextualization of the Cauca river canyon before the short modern life of the Pescadero bridge, built in 1963. Then, we will reconstruct the events of the '70s that, together with the energy demand, detonated this last wave of dispossession, concocted in the' 90s under the roar of political-paramilitary violence, and perpetrated in the last two decades with the imposition of the Hidroituango hydroelectric plant. The analysis seeks to account for the sociometabolic disorders caused by this work. Finally, we will share the inner horizons of the Rios Vivos Movement, as a pedagogical-political warp bent on recreating the sympoietic force of landscapes of conviviality. En el año 2018, el puente Pescadero, junto al cañón del río Cauca (Colombia), fueron inundados. Este territorio hace parte de la sedimentación de capas de la violencia colonial, que, en sucesivas oleadas histórico-políticas, al ritmo de fluctuantes ciclos desarrollistas, ha ido invadiendo las territorialidades pre-existentes, destruyendo paisajes y creando ruinas de “progreso”. También, en este territorio, la trama hidrocomunitaria se ha ido retejiendo pese a todo, haciendo re-brotar la vida y buscando nuevos cauces. En ese marco, este escrito ofrece un análisis de las lógicas expropiatorias en la era del Capitaloceno, con la imposición de obras, frente a las cuales las hidrocomunidades ribereñas y sus memorias se ven conminadas a re-existir Para ello, primero, haremos una contextualización del cañón del río Cauca antes de la corta vida moderna del puente Pescadero, construido en 1963. Luego, reconstruiremos los sucesos de los ’70 que, junto a la demanda energívora, detonó esta última oleada de despojo, pergeñada en los ’90 bajo el fragor de la violencia político-paramilitar, y perpetrada en las dos últimas décadas con la imposición de la hidroeléctrica Hidroituango. El análisis busca dar cuenta de los trastornos sociometabólicos provocados por dicha obra. Finalmente, compartiremos los horizontes interiores del Movimiento Ríos Vivos, como urdimbre pedagógico-política empeñada en recrear la fuerza simpoiética de paisajes de convivencialidad. Facultad de Filosofía y Humanidades. Escuela de Letras 2021-12-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36163 Heterotopías; Vol. 4 No. 8 (2021): “Estética, política y naturaleza: lenguajes y experiencias ecopoéticas". ; 1-34 Heterotopías; Vol. 4 Núm. 8 (2021): “Estética, política y naturaleza: lenguajes y experiencias ecopoéticas". ; 1-34 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36163/36368 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-333
container_title_str Heterotopías
language Español
format Artículo revista
topic Waters
Capitalocene
Hydrocommunities
Sympoiesis
Aguas
Capitaloceno
Hidrocomunidades
Simpóiesis
spellingShingle Waters
Capitalocene
Hydrocommunities
Sympoiesis
Aguas
Capitaloceno
Hidrocomunidades
Simpóiesis
Martínez Vega, Aimée
Posada Mazo, Estela
Machado Aráoz, Horacio
Chronicle of a tragedy foretold: the Pescadero Bridge under the waters of the capitalocene and its sympoietic memories in the art of re-existence
topic_facet Waters
Capitalocene
Hydrocommunities
Sympoiesis
Aguas
Capitaloceno
Hidrocomunidades
Simpóiesis
author Martínez Vega, Aimée
Posada Mazo, Estela
Machado Aráoz, Horacio
author_facet Martínez Vega, Aimée
Posada Mazo, Estela
Machado Aráoz, Horacio
author_sort Martínez Vega, Aimée
title Chronicle of a tragedy foretold: the Pescadero Bridge under the waters of the capitalocene and its sympoietic memories in the art of re-existence
title_short Chronicle of a tragedy foretold: the Pescadero Bridge under the waters of the capitalocene and its sympoietic memories in the art of re-existence
title_full Chronicle of a tragedy foretold: the Pescadero Bridge under the waters of the capitalocene and its sympoietic memories in the art of re-existence
title_fullStr Chronicle of a tragedy foretold: the Pescadero Bridge under the waters of the capitalocene and its sympoietic memories in the art of re-existence
title_full_unstemmed Chronicle of a tragedy foretold: the Pescadero Bridge under the waters of the capitalocene and its sympoietic memories in the art of re-existence
title_sort chronicle of a tragedy foretold: the pescadero bridge under the waters of the capitalocene and its sympoietic memories in the art of re-existence
description In 2018, the Pescadero bridge, next to the Cauca river canyon (Colombia), was flooded. This territory is part of the sedimentation of layers of colonial violence, which, in successive historical-political waves, at the rate of fluctuating development cycles, has been invading pre-existing territorialities, destroying landscapes and creating ruins of "progress". Also, in this territory, the hydrocommunal web has been reweaving despite everything, making life re-sprout and looking for new channels. In this framework, this writing offers an analysis of the expropriation logics in the era of the Capitalocene, with the imposition of works, in front of which the riverside hydrocommunities and their memories are forced to re-exist.To do this, first, we will make a contextualization of the Cauca river canyon before the short modern life of the Pescadero bridge, built in 1963. Then, we will reconstruct the events of the '70s that, together with the energy demand, detonated this last wave of dispossession, concocted in the' 90s under the roar of political-paramilitary violence, and perpetrated in the last two decades with the imposition of the Hidroituango hydroelectric plant. The analysis seeks to account for the sociometabolic disorders caused by this work. Finally, we will share the inner horizons of the Rios Vivos Movement, as a pedagogical-political warp bent on recreating the sympoietic force of landscapes of conviviality.
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2021
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36163
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