Hilda Mundy: vanguards chronicler

In 2016, Biblioteca del Bicentenario de Bolivia and the publisher La Mariposa Mundial gathered an extensive collection of scattered texts by the Bolivian writer known mainly by her heteronym Hilda Mundy. Although its production was particularly profuse in the 1930s, its critical reception is a recen...

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Detalles Bibliográficos
Autor principal: Sastre, Luciana Irene
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2018
Materias:
archive
anarchy
vanguard
Hilda Mundy
Archivo
anarquía
vanguardia
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22645
Aporte de:
Heterotopías de Universidad Nacional de Córdoba
id I10-R333-article-22645
record_format ojs
spelling I10-R333-article-226452019-12-27T16:18:56Z Hilda Mundy: vanguards chronicler Hilda Mundy: cronista de vanguardias Sastre, Luciana Irene archive anarchy vanguard Hilda Mundy Archivo anarquía vanguardia Hilda Mundy In 2016, Biblioteca del Bicentenario de Bolivia and the publisher La Mariposa Mundial gathered an extensive collection of scattered texts by the Bolivian writer known mainly by her heteronym Hilda Mundy. Although its production was particularly profuse in the 1930s, its critical reception is a recent phenomenon linked to reflections on the national literature and, in a larger context, of opening or constituting archives. In this perspective, the work of Mundy reappears in the debate about modernity and the avant-garde as a process interrupted by the Chaco War but replaced today by virtue of the current critical and editorial operations in regard to the place of women in the national literatures.In this work, I deal first of all with the forms of the law of editorial interpretation given to a poetics that the writer elaborated as a dispersion, as an anarchy or anti-archive located in a considerable variety of media, many of them journalistic, reason why I focus in certain aspects of these texts from the point of view of the chronicle. In the second part, I analyze the link with the avant-garde to observe how the same gesture of generic declassification that hinders the insertion of Mundy writings in the literary canon since most of his work was circulated in the press, is repeated when it departs from the demand for referentiality that this medium presupposes, in favor of a humorous and metaphorical exploration. Through these resources, among others, Mundy questions not only the logic of the sign and the narrative syntax but also the truth possibilities of the language system, diametrically posed by the cultural analysis regarding writing, in general, and her position as a woman in the intellectual field, in particular. En 2016, la Biblioteca del Bicentenario de Bolivia y la editorial La Mariposa Mundial reunieron una extensa colección de textos dispersos de la escritora boliviana conocida principalmente por su heterónimo Hilda Mundy. Aunque su producción fue particularmente profusa en los años ´30, su recepción crítica es un fenómeno reciente vinculado a reflexiones sobre la literatura nacional y, en un contexto mayor, de apertura o de constitución de archivos. En esta perspectiva, la obra de Mundy reaparece en el debate acerca de la modernidad y la vanguardia como un proceso interrumpido por la Guerra del Chaco, pero repuesto hoy en virtud de las actuales operaciones críticas y editoriales en lo que concierne al lugar de las mujeres en las literaturas nacionales. Facultad de Filosofía y Humanidades. Escuela de Letras 2018-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22645 Heterotopías; Vol. 1 No. 2 (2018): El archivo en la cultura contemporánea: políticas de la inscripción Heterotopías; Vol. 1 Núm. 2 (2018): El archivo en la cultura contemporánea: políticas de la inscripción 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22645/22399 Derechos de autor 2018 Heterotopías
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-333
container_title_str Heterotopías
language Español
format Artículo revista
topic archive
anarchy
vanguard
Hilda Mundy
Archivo
anarquía
vanguardia
Hilda Mundy
spellingShingle archive
anarchy
vanguard
Hilda Mundy
Archivo
anarquía
vanguardia
Hilda Mundy
Sastre, Luciana Irene
Hilda Mundy: vanguards chronicler
topic_facet archive
anarchy
vanguard
Hilda Mundy
Archivo
anarquía
vanguardia
Hilda Mundy
author Sastre, Luciana Irene
author_facet Sastre, Luciana Irene
author_sort Sastre, Luciana Irene
title Hilda Mundy: vanguards chronicler
title_short Hilda Mundy: vanguards chronicler
title_full Hilda Mundy: vanguards chronicler
title_fullStr Hilda Mundy: vanguards chronicler
title_full_unstemmed Hilda Mundy: vanguards chronicler
title_sort hilda mundy: vanguards chronicler
description In 2016, Biblioteca del Bicentenario de Bolivia and the publisher La Mariposa Mundial gathered an extensive collection of scattered texts by the Bolivian writer known mainly by her heteronym Hilda Mundy. Although its production was particularly profuse in the 1930s, its critical reception is a recent phenomenon linked to reflections on the national literature and, in a larger context, of opening or constituting archives. In this perspective, the work of Mundy reappears in the debate about modernity and the avant-garde as a process interrupted by the Chaco War but replaced today by virtue of the current critical and editorial operations in regard to the place of women in the national literatures.In this work, I deal first of all with the forms of the law of editorial interpretation given to a poetics that the writer elaborated as a dispersion, as an anarchy or anti-archive located in a considerable variety of media, many of them journalistic, reason why I focus in certain aspects of these texts from the point of view of the chronicle. In the second part, I analyze the link with the avant-garde to observe how the same gesture of generic declassification that hinders the insertion of Mundy writings in the literary canon since most of his work was circulated in the press, is repeated when it departs from the demand for referentiality that this medium presupposes, in favor of a humorous and metaphorical exploration. Through these resources, among others, Mundy questions not only the logic of the sign and the narrative syntax but also the truth possibilities of the language system, diametrically posed by the cultural analysis regarding writing, in general, and her position as a woman in the intellectual field, in particular.
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2018
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22645
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first_indexed 2024-09-03T21:09:09Z
last_indexed 2024-09-03T21:09:09Z
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