Psychoanalysis in Cinema and Theater: The Reverse of the Message Between the Director and the Viewer as the Antithesis of Scientific Discourse

The film or theater director finds himself traversed by the discourse of his time and era, added to the works that he has previously digested to build his scripts and particular cinematographic style. Also, it has been disrupted by the influence of its viewers as direct consumers of his work. In thi...

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Autor principal: Cabrera Kahuazango, Carlos Alexis
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2023
Materias:
Cinema
Psychoanalysis
Director
Spectator
Cine
Psicoanálisis
Espectador
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/41969
Aporte de:
Ética y Cine Journal de Universidad Nacional de Córdoba
id I10-R324-article-41969
record_format ojs
spelling I10-R324-article-419692023-07-26T22:11:37Z Psychoanalysis in Cinema and Theater: The Reverse of the Message Between the Director and the Viewer as the Antithesis of Scientific Discourse Psicoanálisis en el cine y el teatro: El revés del mensaje entre el director y el espectador como antítesis del discurso científico Cabrera Kahuazango, Carlos Alexis Cinema Psychoanalysis Director Spectator Cine Psicoanálisis Director Espectador The film or theater director finds himself traversed by the discourse of his time and era, added to the works that he has previously digested to build his scripts and particular cinematographic style. Also, it has been disrupted by the influence of its viewers as direct consumers of his work. In this sense, the filmmaker recognizes himself not only during the creative process of the film in relation to expressiveness and communication with his actors, even his goal goes beyond the construction of the film, it requires a symbolic setting to share his message and finally be able to fully recognize himself through the criticism of the Other when he projects his long-awaited "final product". On the contrary, the spectator or film buff goes in another direction, since he does not carry out a catharsis or sublimation, but rather a complementary psychic work that consists of identification, embodied in the consumption and interpretation of the films he watches, because unconsciously the subject is a vector that is represented with many tragic and dramatic activities projected on the screen or in theaters. El director de cine y de teatro se encuentra atravesado por el discurso de su tiempo y época, sumado a las obras que previamente ha digerido para construir sus guiones y estilo cinematográfico particular; también, se haya trastocado por el influjo de sus espectadores como consumidores directos de su obra. En este sentido, el cineasta se reconoce a sí mismo no solo durante el proceso creativo de la película en relación a la expresividad y comunicación con sus actores, incluso su meta va más allá que la construcción del film, requiere de un escenario simbólico para compartir su mensaje y finalmente poder reconocerse por completo a través de la crítica del Otro cuando proyecta su tan ansiado “producto final”. Contrariamente, el espectador o cinéfilo va hacia otra dirección, ya que no realiza una catarsis o sublimación, pero sí un trabajo psíquico complementario que consiste en la identificación, plasmada en el consumo e interpretación de las películas que observa, pues inconscientemente el sujeto es un vector que se encuentra representado con muchas actividades trágicas y dramáticas proyectadas en la pantalla o en los salones de teatro. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2023-07-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/41969 10.31056/2250.5415.v13.n2.41969 Ética y Cine Journal; Vol. 13 Núm. 2 (2023): Omnivoyeur. The Truman Show: 25 años después; 49-59 2250-5415 2250-5660 10.31056/2250.5415.v13.n2 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/41969/42103 Derechos de autor 2023 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-324
container_title_str Ética y Cine Journal
language Español
format Artículo revista
topic Cinema
Psychoanalysis
Director
Spectator
Cine
Psicoanálisis
Director
Espectador
spellingShingle Cinema
Psychoanalysis
Director
Spectator
Cine
Psicoanálisis
Director
Espectador
Cabrera Kahuazango, Carlos Alexis
Psychoanalysis in Cinema and Theater: The Reverse of the Message Between the Director and the Viewer as the Antithesis of Scientific Discourse
topic_facet Cinema
Psychoanalysis
Director
Spectator
Cine
Psicoanálisis
Director
Espectador
author Cabrera Kahuazango, Carlos Alexis
author_facet Cabrera Kahuazango, Carlos Alexis
author_sort Cabrera Kahuazango, Carlos Alexis
title Psychoanalysis in Cinema and Theater: The Reverse of the Message Between the Director and the Viewer as the Antithesis of Scientific Discourse
title_short Psychoanalysis in Cinema and Theater: The Reverse of the Message Between the Director and the Viewer as the Antithesis of Scientific Discourse
title_full Psychoanalysis in Cinema and Theater: The Reverse of the Message Between the Director and the Viewer as the Antithesis of Scientific Discourse
title_fullStr Psychoanalysis in Cinema and Theater: The Reverse of the Message Between the Director and the Viewer as the Antithesis of Scientific Discourse
title_full_unstemmed Psychoanalysis in Cinema and Theater: The Reverse of the Message Between the Director and the Viewer as the Antithesis of Scientific Discourse
title_sort psychoanalysis in cinema and theater: the reverse of the message between the director and the viewer as the antithesis of scientific discourse
description The film or theater director finds himself traversed by the discourse of his time and era, added to the works that he has previously digested to build his scripts and particular cinematographic style. Also, it has been disrupted by the influence of its viewers as direct consumers of his work. In this sense, the filmmaker recognizes himself not only during the creative process of the film in relation to expressiveness and communication with his actors, even his goal goes beyond the construction of the film, it requires a symbolic setting to share his message and finally be able to fully recognize himself through the criticism of the Other when he projects his long-awaited "final product". On the contrary, the spectator or film buff goes in another direction, since he does not carry out a catharsis or sublimation, but rather a complementary psychic work that consists of identification, embodied in the consumption and interpretation of the films he watches, because unconsciously the subject is a vector that is represented with many tragic and dramatic activities projected on the screen or in theaters.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2023
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/41969
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first_indexed 2024-09-03T20:51:29Z
last_indexed 2024-09-03T20:51:29Z
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