Social boundaries of hunter gatherer groups in the Parana´s lower basin. A stylistic analysis of pottery.

The hunter-gatherer groups that had inhabite the Paraná´s lower basin have produced a large number of ceramic vessels used for cooking, storing and transporting food. These pieces have been reconstructed as bowls with open shapes and simple contours. Although the way of manufacture has reflected sha...

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Autor principal: Ali, Sheila
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudios Históricos. UA CONICET 2021
Materias:
Hunter gatherers, pottery, style, social boundaries
cazadores-recolectores, cerámica, estilo, límites sociales
Acceso en línea:https://revistas.unc.edu.ar/index.php/comechingonia/article/view/28983
Aporte de:
Comechingonia. Revista de Arqueología de Universidad Nacional de Córdoba
id I10-R319-article-28983
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-319
container_title_str Comechingonia. Revista de Arqueología
language Español
format Artículo revista
topic Hunter gatherers, pottery, style, social boundaries
cazadores-recolectores, cerámica, estilo, límites sociales
spellingShingle Hunter gatherers, pottery, style, social boundaries
cazadores-recolectores, cerámica, estilo, límites sociales
Ali, Sheila
Social boundaries of hunter gatherer groups in the Parana´s lower basin. A stylistic analysis of pottery.
topic_facet Hunter gatherers, pottery, style, social boundaries
cazadores-recolectores, cerámica, estilo, límites sociales
author Ali, Sheila
author_facet Ali, Sheila
author_sort Ali, Sheila
title Social boundaries of hunter gatherer groups in the Parana´s lower basin. A stylistic analysis of pottery.
title_short Social boundaries of hunter gatherer groups in the Parana´s lower basin. A stylistic analysis of pottery.
title_full Social boundaries of hunter gatherer groups in the Parana´s lower basin. A stylistic analysis of pottery.
title_fullStr Social boundaries of hunter gatherer groups in the Parana´s lower basin. A stylistic analysis of pottery.
title_full_unstemmed Social boundaries of hunter gatherer groups in the Parana´s lower basin. A stylistic analysis of pottery.
title_sort social boundaries of hunter gatherer groups in the parana´s lower basin. a stylistic analysis of pottery.
description The hunter-gatherer groups that had inhabite the Paraná´s lower basin have produced a large number of ceramic vessels used for cooking, storing and transporting food. These pieces have been reconstructed as bowls with open shapes and simple contours. Although the way of manufacture has reflected shared practices, the decoration presents a greater variability. In this work, the objective is to analyze how the style has acted in pottery among the hunter-gatherer groups, taking into account the model proposed for the area that sustain a demographic increase that began approximately 1100 years ago, which  encouraged a further social fragmentation. The main hypothesis propose that the most visible aspects of the vessels, such as iconographic representations, can be used to reflect the establishment of stricter social boundaries. In this sense, the ceramic collections of four sites (Médanos de Escobar, Túmulo de Campana 2, Anahí, Punta Canal) are compared, which allows us to broach an extended chronological range to analyze decorative techniques and stylistic motifs throughout this process. It is expected to find, from the 1100 years AP, a greater standardization of decorative techniques and the presence of more complex motifs with the objetive of building a homogeneous and distinctive style.
publisher Centro de Estudios Históricos. UA CONICET
publishDate 2021
url https://revistas.unc.edu.ar/index.php/comechingonia/article/view/28983
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first_indexed 2024-09-03T20:44:07Z
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spelling I10-R319-article-289832023-03-21T16:35:05Z Social boundaries of hunter gatherer groups in the Parana´s lower basin. A stylistic analysis of pottery. Los límites sociales de cazadores recolectores de la cuenca inferior del río Paraná. Un análisis estilístico de la alfarería Os limites sociais dos caçadores-colectores na bacia do baixo rio Paraná. Uma análise estilística da cerâmica Ali, Sheila Hunter gatherers, pottery, style, social boundaries cazadores-recolectores, cerámica, estilo, límites sociales The hunter-gatherer groups that had inhabite the Paraná´s lower basin have produced a large number of ceramic vessels used for cooking, storing and transporting food. These pieces have been reconstructed as bowls with open shapes and simple contours. Although the way of manufacture has reflected shared practices, the decoration presents a greater variability. In this work, the objective is to analyze how the style has acted in pottery among the hunter-gatherer groups, taking into account the model proposed for the area that sustain a demographic increase that began approximately 1100 years ago, which  encouraged a further social fragmentation. The main hypothesis propose that the most visible aspects of the vessels, such as iconographic representations, can be used to reflect the establishment of stricter social boundaries. In this sense, the ceramic collections of four sites (Médanos de Escobar, Túmulo de Campana 2, Anahí, Punta Canal) are compared, which allows us to broach an extended chronological range to analyze decorative techniques and stylistic motifs throughout this process. It is expected to find, from the 1100 years AP, a greater standardization of decorative techniques and the presence of more complex motifs with the objetive of building a homogeneous and distinctive style. Los grupos cazadores recolectores que habitaron la cuenca inferior del río Paraná han producido una gran cantidad de vasijas cerámicas usadas para cocinar, almacenar y transportar alimentos. Estas piezas han sido reconstruidas como cuencos o escudillas de formas abiertas y contornos simples. Si bien la forma de manufactura ha reflejado prácticas compartidas, la decoración presenta una mayor variabilidad. En este trabajo el objetivo es analizar cómo ha actuado el estilo en la alfarería entre los grupos cazadores recolectores, tomando en consideración el modelo planteado para la zona que sostiene un aumento demográfico que comenzó hace aproximadamente 1100 años AP e incentivó paralelamente una mayor fragmentación social. Se plantea como hipótesis principal que los rasgos más visibles de las vasijas, tales como las representaciones iconográficas, pudieron ser empleadas para reflejar el establecimiento de límites sociales más estrictos. En este sentido, se comparan las colecciones cerámicas de cuatro sitios (Médanos de Escobar, Túmulo de Campana 2, Anahí, Punta Canal) que permiten abordar un rango cronológico extendido para comparar las técnicas decorativas y los motivos estilísticos a lo largo de este proceso. Se espera encontrar a partir de los 1100 años AP, una mayor estandarización de las técnicas decorativas y la presencia de motivos más complejos con la finalidad de construir un estilo homogéneo y distintivo.   Os grupos de caçadores-coletores que habitavam a bacia do baixo rio Paraná produziram um grande número de recipientes de cerâmica utilizados para cozinhar, armazenar e transportar alimentos. Estas peças foram reconstruídas como tigelas ou tigelas com formas abertas e contornos simples. Embora a forma de fabricação tenha refletido práticas compartilhadas, a decoração mostra uma maior variabilidade. O objetivo deste trabalho é analisar como o estilo de cerâmica tem atuado entre os grupos de caçadores-coletores, levando em consideração o modelo proposto para a área, o qual suporta um aumento demográfico que começou aproximadamente 1100 anos BP e incentivou uma maior fragmentação social em paralelo. A hipótese principal é que as características mais visíveis das embarcações, tais como representações iconográficas, podem ter sido utilizadas para refletir o estabelecimento de fronteiras sociais mais estritas. Neste sentido, são comparadas coleções de cerâmica de quatro locais (Médanos de Escobar, Túmulo de Campana 2, Anahí, Punta Canal), o que permite uma extensa faixa cronológica a ser abordada a fim de comparar técnicas decorativas e motivos estilísticos ao longo deste processo. Espera-se que a partir de 1100 a.C., seja encontrada uma maior padronização das técnicas decorativas e a presença de motivos mais complexos, com o objetivo de construir um estilo homogêneo e distinto. Centro de Estudios Históricos. UA CONICET 2021-07-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text Texto application/pdf https://revistas.unc.edu.ar/index.php/comechingonia/article/view/28983 10.37603/2250.7728.v25.n2.28983 Comechingonia. Revista de Arqueología; Vol. 25 No. 2 (2021): Comechingonia Revista de Arqueología. ; 211-237 Comechingonia. Revista de Arqueología; Vol. 25 Núm. 2 (2021): Comechingonia Revista de Arqueología. ; 211-237 Comechingonia. Revista de Arqueología; v. 25 n. 2 (2021): Comechingonia Revista de Arqueología. ; 211-237 2250-7728 0326-7911 10.37603/2250.7728.v25.n2 spa https://revistas.unc.edu.ar/index.php/comechingonia/article/view/28983/34116 Derechos de autor 2020 Comechingonia. Revista de Arqueología http://creativecommons.org/licenses/by-sa/4.0

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