The success of the religious
In this work we propose to outline responses to the success of some of the most popular series of the moment whose theme focuses on the religious. For this purpose, first, we will inquire about the success of the serial form, and then guide this brief journey in The Triumph of Religion&...
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Facultad de Psicología. Maestría en Teoría Psicoanalítica Lacaniana
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/lapso/article/view/37922 |
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I10-R318-article-379222022-06-08T16:54:25Z The success of the religious El éxito de lo religioso Battista, Gerardo Religion Catholicism | Judaism Orthodoxy Heresy Evangelism Religión Catolicismo Judaísmo Ortodoxia Herejía In this work we propose to outline responses to the success of some of the most popular series of the moment whose theme focuses on the religious. For this purpose, first, we will inquire about the success of the serial form, and then guide this brief journey in The Triumph of Religion (Lacan, 2005) as stated by Jacques Lacan. Finally, we will return to focus on the series Unorthodox (Netflix: 2020), The Handmaid’s Tale (HBO: 2017-2019), The young pope (HBO: 2016) and Ride Upon the Storm (Netflix: 2017-2018); also, in the rise of evangelism on Catholicism in Brazil. The success of the religions, circumscribed at the time of the fall of the father’s name, can be specified in two ways: 1- The triumph is no longer so much of the traditional religion but of the religious. We refer to those religious communities that enact at all costs with capitalism. 2- Traditional religions, such as Catholicism and Judaism, is «a return to tradition» increasingly radical and closed. In both modalities we place a nominal religious thrust, which shape the social bond and regulate the relationship of the speaking being to his body, bordering on «being named for.» (Lacan, 1974) “Being named to” verifies that in the face of the decline of the paternal and the power of the word, it is imposed as an iron order, returning in the real the father of jouissance, that is, the foundation of the modern superego. En este trabajo nos proponemos esbozar respuestas al éxito de algunas de las series más populares del momento cuya temática se centra en lo religioso. Para tal cometido, en primer lugar, indagaremos sobre el éxito de la forma “serie”, para luego orientar este breve recorrido en El triunfo de la religión (Lacan, 2005) tal como lo plantea Jacques Lacan. Finalmente, volveremos a centrarnos en las series Poco ortodoxa (Netflix: 2020), El cuento de la criada (HBO: 2017-2019), The young pope (HBO: 2016- ), Algo en que creer (Netflix: 2017-2018); y, asimismo, en el ascenso del evangelismo sobre el catolicismo en Brasil. El éxito de las religiones, circunscriptas en la época de la caída del Nombre del Padre, podemos precisarlas bajo dos modalidades: 1- El triunfo ya no es tanto de la religión tradicional sino de lo religioso. Nos referimos a aquellas comunidades religiosas que comulgan a ultranza con el capitalismo. 2- Las religiones tradicionales, como ser el catolicismo y el judaísmo, proponen “una vuelta a la tradición” cada vez más radicales y cerradas. En ambas modalidades ubicamos un empuje nominal religioso, que modela el lazo social y regula la relación del ser hablante a su cuerpo, que bordea el “ser nombrado para” (Lacan, 1974) “Ser nombrado para” verifica que ante el ocaso de lo paterno y del poder de la palabra, se impone como orden de hierro retornando en lo real el padre del goce, es decir, el fundamento del superyó moderno. Facultad de Psicología. Maestría en Teoría Psicoanalítica Lacaniana 2020-08-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo application/pdf application/pdf https://revistas.unc.edu.ar/index.php/lapso/article/view/37922 Lapso; Núm. 5 (2020): Hay tantas fes; 38-56 2525-0965 spa eng https://revistas.unc.edu.ar/index.php/lapso/article/view/37922/37847 https://revistas.unc.edu.ar/index.php/lapso/article/view/37922/37848 https://creativecommons.org/licenses/by-nc/4.0 |
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Universidad Nacional de Córdoba |
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I-10 |
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R-318 |
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Lapso |
| language |
Español Inglés |
| format |
Artículo revista |
| topic |
Religion Catholicism | Judaism Orthodoxy Heresy Evangelism Religión Catolicismo Judaísmo Ortodoxia Herejía |
| spellingShingle |
Religion Catholicism | Judaism Orthodoxy Heresy Evangelism Religión Catolicismo Judaísmo Ortodoxia Herejía Battista, Gerardo The success of the religious |
| topic_facet |
Religion Catholicism | Judaism Orthodoxy Heresy Evangelism Religión Catolicismo Judaísmo Ortodoxia Herejía |
| author |
Battista, Gerardo |
| author_facet |
Battista, Gerardo |
| author_sort |
Battista, Gerardo |
| title |
The success of the religious |
| title_short |
The success of the religious |
| title_full |
The success of the religious |
| title_fullStr |
The success of the religious |
| title_full_unstemmed |
The success of the religious |
| title_sort |
success of the religious |
| description |
In this work we propose to outline responses to the success of some of the most popular series of the moment whose theme focuses on the religious.
For this purpose, first, we will inquire about the success of the serial form, and then guide this brief journey in The Triumph of Religion (Lacan, 2005) as stated by Jacques Lacan. Finally, we will return to focus on the series Unorthodox (Netflix: 2020), The Handmaid’s Tale (HBO: 2017-2019), The young pope (HBO: 2016) and Ride Upon the Storm (Netflix: 2017-2018); also, in the rise of evangelism on Catholicism in Brazil.
The success of the religions, circumscribed at the time of the fall of the father’s name, can be specified in two ways:
1- The triumph is no longer so much of the traditional religion but of the religious. We refer to those religious communities that enact at all costs with capitalism.
2- Traditional religions, such as Catholicism and Judaism, is «a return to tradition» increasingly radical and closed.
In both modalities we place a nominal religious thrust, which shape the social bond and regulate the relationship of the speaking being to his body, bordering on «being named for.» (Lacan, 1974) “Being named to” verifies that in the face of the decline of the paternal and the power of the word, it is imposed as an iron order, returning in the real the father of jouissance, that is, the foundation of the modern superego. |
| publisher |
Facultad de Psicología. Maestría en Teoría Psicoanalítica Lacaniana |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/lapso/article/view/37922 |
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