Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work

In the following paper I would like to approach the work of the artist Graciela Sacco from an unexplored dimension that I will characterize as spectral performativity, observable in the artist's treatment of the human body through archival images. This will be an experimental approach to a part...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Antuña, Jesús
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2022
Materias:
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/37664
Aporte de:
id I10-R310-article-37664
record_format ojs
spelling I10-R310-article-376642025-03-28T18:45:45Z Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work Performatividad espectral. Manifestaciones fantasmales en la obra de Graciela Sacco Antuña, Jesús Graciela Sacco espectralidad performance imágenes Graciela Sacco spectrality performance images In the following paper I would like to approach the work of the artist Graciela Sacco from an unexplored dimension that I will characterize as spectral performativity, observable in the artist's treatment of the human body through archival images. This will be an experimental approach to a particular aspect that is transversal in Sacco's work, although we will concentrate especially on her series Bocanada and Cuerpo a Cuerpo, which she exhibited at the 23rd São Paulo Biennial in 1996. Her participation in this biennial marked the artist's entry into the international art scene and it would be the first of a succession of invitations to biennials during the 1990s and early 2000s, such as Havana and Venice. My particular interest in this exhibition responds to the need to think about her artistic production during the nineties, considering the continuities and ruptures of her work with respect to the avant-garde of the sixties. En el siguiente trabajo quisiera acercarme a la obra de la artista Graciela Sacco a partir de una dimensión poco explorada que caracterizaré como performatividad espectral, observable en el tratamiento que la artista realiza del cuerpo humano a través de las imágenes de archivo. Se tratará de un acercamiento de tipo experimental a un aspecto particular que es transversal en la obra de Sacco, aunque nos concentraremos especialmente en sus series Bocanada y Cuerpo a Cuerpo, que exhibió en la 23° Bienal de San Pablo en 1996. Su participación en esta bienal marcó el ingreso de la artista en el circuito internacional, y fue la primera de una sucesión de invitaciones a bienales, como las de La Habana y Venecia, durante la década del noventa y comienzos del dos mil. Mi interés particular en esta exposición responde a la necesidad de pensar la producción artística durante la década del noventa, considerando las continuidades y rupturas de su obra con respecto a las vanguardias de la década del sesenta. Editorial de la Facultad de Artes 2022-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/37664 Avances; Núm. 31 (2022) 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/37664/38204 https://revistas.unc.edu.ar/index.php/avances/article/view/37664/38068 https://revistas.unc.edu.ar/index.php/avances/article/view/37664/38069 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic Graciela Sacco
espectralidad
performance
imágenes
Graciela Sacco
spectrality
performance
images
spellingShingle Graciela Sacco
espectralidad
performance
imágenes
Graciela Sacco
spectrality
performance
images
Antuña, Jesús
Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work
topic_facet Graciela Sacco
espectralidad
performance
imágenes
Graciela Sacco
spectrality
performance
images
author Antuña, Jesús
author_facet Antuña, Jesús
author_sort Antuña, Jesús
title Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work
title_short Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work
title_full Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work
title_fullStr Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work
title_full_unstemmed Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work
title_sort spectral performativity. phantasmal choreographies in graciela sacco's work
description In the following paper I would like to approach the work of the artist Graciela Sacco from an unexplored dimension that I will characterize as spectral performativity, observable in the artist's treatment of the human body through archival images. This will be an experimental approach to a particular aspect that is transversal in Sacco's work, although we will concentrate especially on her series Bocanada and Cuerpo a Cuerpo, which she exhibited at the 23rd São Paulo Biennial in 1996. Her participation in this biennial marked the artist's entry into the international art scene and it would be the first of a succession of invitations to biennials during the 1990s and early 2000s, such as Havana and Venice. My particular interest in this exhibition responds to the need to think about her artistic production during the nineties, considering the continuities and ruptures of her work with respect to the avant-garde of the sixties.
publisher Editorial de la Facultad de Artes
publishDate 2022
url https://revistas.unc.edu.ar/index.php/avances/article/view/37664
work_keys_str_mv AT antunajesus spectralperformativityphantasmalchoreographiesingracielasaccoswork
AT antunajesus performatividadespectralmanifestacionesfantasmalesenlaobradegracielasacco
first_indexed 2024-09-03T20:28:41Z
last_indexed 2025-05-10T05:09:08Z
_version_ 1831708916514291712