Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work
In the following paper I would like to approach the work of the artist Graciela Sacco from an unexplored dimension that I will characterize as spectral performativity, observable in the artist's treatment of the human body through archival images. This will be an experimental approach to a part...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/37664 |
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I10-R310-article-376642025-03-28T18:45:45Z Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work Performatividad espectral. Manifestaciones fantasmales en la obra de Graciela Sacco Antuña, Jesús Graciela Sacco espectralidad performance imágenes Graciela Sacco spectrality performance images In the following paper I would like to approach the work of the artist Graciela Sacco from an unexplored dimension that I will characterize as spectral performativity, observable in the artist's treatment of the human body through archival images. This will be an experimental approach to a particular aspect that is transversal in Sacco's work, although we will concentrate especially on her series Bocanada and Cuerpo a Cuerpo, which she exhibited at the 23rd São Paulo Biennial in 1996. Her participation in this biennial marked the artist's entry into the international art scene and it would be the first of a succession of invitations to biennials during the 1990s and early 2000s, such as Havana and Venice. My particular interest in this exhibition responds to the need to think about her artistic production during the nineties, considering the continuities and ruptures of her work with respect to the avant-garde of the sixties. En el siguiente trabajo quisiera acercarme a la obra de la artista Graciela Sacco a partir de una dimensión poco explorada que caracterizaré como performatividad espectral, observable en el tratamiento que la artista realiza del cuerpo humano a través de las imágenes de archivo. Se tratará de un acercamiento de tipo experimental a un aspecto particular que es transversal en la obra de Sacco, aunque nos concentraremos especialmente en sus series Bocanada y Cuerpo a Cuerpo, que exhibió en la 23° Bienal de San Pablo en 1996. Su participación en esta bienal marcó el ingreso de la artista en el circuito internacional, y fue la primera de una sucesión de invitaciones a bienales, como las de La Habana y Venecia, durante la década del noventa y comienzos del dos mil. Mi interés particular en esta exposición responde a la necesidad de pensar la producción artística durante la década del noventa, considerando las continuidades y rupturas de su obra con respecto a las vanguardias de la década del sesenta. Editorial de la Facultad de Artes 2022-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/37664 Avances; Núm. 31 (2022) 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/37664/38204 https://revistas.unc.edu.ar/index.php/avances/article/view/37664/38068 https://revistas.unc.edu.ar/index.php/avances/article/view/37664/38069 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-310 |
| container_title_str |
Avances |
| language |
Español |
| format |
Artículo revista |
| topic |
Graciela Sacco espectralidad performance imágenes Graciela Sacco spectrality performance images |
| spellingShingle |
Graciela Sacco espectralidad performance imágenes Graciela Sacco spectrality performance images Antuña, Jesús Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work |
| topic_facet |
Graciela Sacco espectralidad performance imágenes Graciela Sacco spectrality performance images |
| author |
Antuña, Jesús |
| author_facet |
Antuña, Jesús |
| author_sort |
Antuña, Jesús |
| title |
Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work |
| title_short |
Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work |
| title_full |
Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work |
| title_fullStr |
Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work |
| title_full_unstemmed |
Spectral Performativity. Phantasmal choreographies in Graciela Sacco's work |
| title_sort |
spectral performativity. phantasmal choreographies in graciela sacco's work |
| description |
In the following paper I would like to approach the work of the artist Graciela Sacco from an unexplored dimension that I will characterize as spectral performativity, observable in the artist's treatment of the human body through archival images. This will be an experimental approach to a particular aspect that is transversal in Sacco's work, although we will concentrate especially on her series Bocanada and Cuerpo a Cuerpo, which she exhibited at the 23rd São Paulo Biennial in 1996. Her participation in this biennial marked the artist's entry into the international art scene and it would be the first of a succession of invitations to biennials during the 1990s and early 2000s, such as Havana and Venice. My particular interest in this exhibition responds to the need to think about her artistic production during the nineties, considering the continuities and ruptures of her work with respect to the avant-garde of the sixties. |
| publisher |
Editorial de la Facultad de Artes |
| publishDate |
2022 |
| url |
https://revistas.unc.edu.ar/index.php/avances/article/view/37664 |
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AT antunajesus spectralperformativityphantasmalchoreographiesingracielasaccoswork AT antunajesus performatividadespectralmanifestacionesfantasmalesenlaobradegracielasacco |
| first_indexed |
2024-09-03T20:28:41Z |
| last_indexed |
2025-05-10T05:09:08Z |
| _version_ |
1831708916514291712 |