1st ANNUAL EXHIBITION OF FINE ARTS OF PARANÁ (1930): SCENE OF ARGENTINIAN ART BETWEEN TRADITION AND RENEWAL. STRATEGY AND LEGITIMATION

Since 2016 and with the support of the Provincial Museum of Fine Arts and the Faculty of Humanities, Arts and Social Sciences (UADER) we have been studying the foundational years of this Museum, the decisive role of Pedro Ernesto Martínez in its organization and the institutionalization of his first...

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Autores principales: Musich, Walter Nelson, Spahn, Karen
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2020
Materias:
Museo Provincial de Bellas Artes
1° Salón Anual de Bellas Artes de Paraná
escenario artístico nacional
Provincial Museum of Fine Arts
1st Annual Exhibition of Fine Arts of Paraná
national art scene
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/28742
Aporte de:
Avances de Universidad Nacional de Córdoba
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institution Universidad Nacional de Córdoba
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language Español
format Artículo revista
topic Museo Provincial de Bellas Artes
1° Salón Anual de Bellas Artes de Paraná
escenario artístico nacional
Provincial Museum of Fine Arts
1st Annual Exhibition of Fine Arts of Paraná
national art scene
spellingShingle Museo Provincial de Bellas Artes
1° Salón Anual de Bellas Artes de Paraná
escenario artístico nacional
Provincial Museum of Fine Arts
1st Annual Exhibition of Fine Arts of Paraná
national art scene
Musich, Walter Nelson
Spahn, Karen
1st ANNUAL EXHIBITION OF FINE ARTS OF PARANÁ (1930): SCENE OF ARGENTINIAN ART BETWEEN TRADITION AND RENEWAL. STRATEGY AND LEGITIMATION
topic_facet Museo Provincial de Bellas Artes
1° Salón Anual de Bellas Artes de Paraná
escenario artístico nacional
Provincial Museum of Fine Arts
1st Annual Exhibition of Fine Arts of Paraná
national art scene
author Musich, Walter Nelson
Spahn, Karen
author_facet Musich, Walter Nelson
Spahn, Karen
author_sort Musich, Walter Nelson
title 1st ANNUAL EXHIBITION OF FINE ARTS OF PARANÁ (1930): SCENE OF ARGENTINIAN ART BETWEEN TRADITION AND RENEWAL. STRATEGY AND LEGITIMATION
title_short 1st ANNUAL EXHIBITION OF FINE ARTS OF PARANÁ (1930): SCENE OF ARGENTINIAN ART BETWEEN TRADITION AND RENEWAL. STRATEGY AND LEGITIMATION
title_full 1st ANNUAL EXHIBITION OF FINE ARTS OF PARANÁ (1930): SCENE OF ARGENTINIAN ART BETWEEN TRADITION AND RENEWAL. STRATEGY AND LEGITIMATION
title_fullStr 1st ANNUAL EXHIBITION OF FINE ARTS OF PARANÁ (1930): SCENE OF ARGENTINIAN ART BETWEEN TRADITION AND RENEWAL. STRATEGY AND LEGITIMATION
title_full_unstemmed 1st ANNUAL EXHIBITION OF FINE ARTS OF PARANÁ (1930): SCENE OF ARGENTINIAN ART BETWEEN TRADITION AND RENEWAL. STRATEGY AND LEGITIMATION
title_sort 1st annual exhibition of fine arts of paraná (1930): scene of argentinian art between tradition and renewal. strategy and legitimation
description Since 2016 and with the support of the Provincial Museum of Fine Arts and the Faculty of Humanities, Arts and Social Sciences (UADER) we have been studying the foundational years of this Museum, the decisive role of Pedro Ernesto Martínez in its organization and the institutionalization of his first artistic collection between 1925 and 1936. With this presentation we offer a new advance in the investigation, trying to contribute knowledge and readings on the 1st Annual Exhibition of Fine Arts of Paraná, held in 1930 in the provisional facilities that the Museum had in the Centennial School; event that summoned in the city to the wide and diverse scene of the plastic arts of the country, in a particularly significant year. In the first part, we recover some issues already analyzed previously about the foundation of the Museum, the prominence of certain actors in its realization and the first steps related to its artistic heritage; then, we analyze the journalistic coverage of the event and, finally, we make a brief analysis of the works acquired in the Exhibition by the Government of the Province of Entre Ríos through the Museum, thus constituting one of the modalities of entry to the founding collection. This article gives preeminent place to documentary quotes for the purpose of socializing and putting into consideration, in a systematic and explanatory way, unpublished or scarcely known testimonies about the artistic heritage of Entre Ríos.
publisher Editorial de la Facultad de Artes
publishDate 2020
url https://revistas.unc.edu.ar/index.php/avances/article/view/28742
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spelling I10-R310-article-287422025-04-12T18:20:15Z 1st ANNUAL EXHIBITION OF FINE ARTS OF PARANÁ (1930): SCENE OF ARGENTINIAN ART BETWEEN TRADITION AND RENEWAL. STRATEGY AND LEGITIMATION 1° SALÓN ANUAL DE BELLAS ARTES DE PARANÁ (1930): ESCENARIO DEL ARTE ARGENTINO ENTRE LA TRADICIÓN Y LA RENOVACIÓN. ESTRATEGIA Y LEGITIMACIÓN Musich, Walter Nelson Spahn, Karen Museo Provincial de Bellas Artes 1° Salón Anual de Bellas Artes de Paraná escenario artístico nacional Provincial Museum of Fine Arts 1st Annual Exhibition of Fine Arts of Paraná national art scene Since 2016 and with the support of the Provincial Museum of Fine Arts and the Faculty of Humanities, Arts and Social Sciences (UADER) we have been studying the foundational years of this Museum, the decisive role of Pedro Ernesto Martínez in its organization and the institutionalization of his first artistic collection between 1925 and 1936. With this presentation we offer a new advance in the investigation, trying to contribute knowledge and readings on the 1st Annual Exhibition of Fine Arts of Paraná, held in 1930 in the provisional facilities that the Museum had in the Centennial School; event that summoned in the city to the wide and diverse scene of the plastic arts of the country, in a particularly significant year. In the first part, we recover some issues already analyzed previously about the foundation of the Museum, the prominence of certain actors in its realization and the first steps related to its artistic heritage; then, we analyze the journalistic coverage of the event and, finally, we make a brief analysis of the works acquired in the Exhibition by the Government of the Province of Entre Ríos through the Museum, thus constituting one of the modalities of entry to the founding collection. This article gives preeminent place to documentary quotes for the purpose of socializing and putting into consideration, in a systematic and explanatory way, unpublished or scarcely known testimonies about the artistic heritage of Entre Ríos. Desde el año 2016 y con el apoyo del Museo Provincial de Bellas Artes y de la Facultad de Humanidades, Artes y Ciencias Sociales (Universidad Autónoma de Entre Ríos), venimos estudiando los años fundacionales de dicho Museo, el papel decisivo de Pedro Ernesto Martínez en su organización y la institucionalización de su primer acervo artístico entre 1925 y 1936. Con esta presentación, damos cuenta de un nuevo avance en la investigación, procurando aportar conocimientos y lecturas sobre el 1° Salón Anual de Bellas Artes de Paraná, realizado en 1930 en las instalaciones provisorias con las que contaba el Museo en la Escuela Centenario; evento que convocó en la ciudad a la amplia y diversa escena de las artes plásticas del país, en un año particularmente significativo.  En una primera parte, recuperamos algunas cuestiones ya analizadas con anterioridad sobre la fundación del Museo, el protagonismo de ciertos actores en su realización y las primeras gestiones vinculadas con su acervo artístico; a continuación, analizamos la cobertura periodística del encuentro y, finalmente, efectuamos un somero análisis de las obras adquiridas en el Salón por el Gobierno de la Provincia de Entre Ríos, a través del Museo, constituyendo así una de las modalidades de ingreso a la colección fundacional.  El artículo otorga un lugar preeminente a las citas documentales a los fines de socializar y poner en consideración, de forma sistemática y explicativa, testimonios –inéditos o escasamente conocidos– relacionados con el patrimonio artístico de Entre Ríos. Editorial de la Facultad de Artes 2020-07-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/28742 Avances; Núm. 29 (2020); 193-212 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/28742/30108 https://revistas.unc.edu.ar/index.php/avances/article/view/28742/30109 https://revistas.unc.edu.ar/index.php/avances/article/view/28742/30110 Derechos de autor 2020 Prof. Walter Nelson Musich, Karen Spahn https://creativecommons.org/licenses/by-nc-sa/4.0

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