THE ART OF PRODUCING DIFFERENCES: A LOOK ON PROPOSALS BY PACO GIMÉNEZ FOR A CREATION AGAINST UNIFORMITY AND THE CONSTANT REPETITION OF HIMSELF

In this writing we will observe practices proposed by Professor Paco Giménez in his classes of Actoral Training III of the Degree in Theater of the Faculty of Arts of the UNC and that have the objective of facing the student to a different production of himself for the production of a becoming-diver...

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Autor principal: Comandú, Marcelo
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2020
Materias:
actuación
devenir
diferencia
singularidad
performance
becoming
difference
singularity
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/28735
Aporte de:
Avances de Universidad Nacional de Córdoba
id I10-R310-article-28735
record_format ojs
spelling I10-R310-article-287352025-04-12T18:01:30Z THE ART OF PRODUCING DIFFERENCES: A LOOK ON PROPOSALS BY PACO GIMÉNEZ FOR A CREATION AGAINST UNIFORMITY AND THE CONSTANT REPETITION OF HIMSELF EL ARTE DE PRODUCIR DIFERENCIAS: UNA MIRADA SOBRE PROPUESTAS DE PACO GIMÉNEZ PARA UNA CREACIÓN EN CONTRA DE LA UNIFORMIDAD Y LA CONSTANTE REPETICIÓN DE SÍ MISMO/A Comandú, Marcelo actuación devenir diferencia singularidad performance becoming difference singularity In this writing we will observe practices proposed by Professor Paco Giménez in his classes of Actoral Training III of the Degree in Theater of the Faculty of Arts of the UNC and that have the objective of facing the student to a different production of himself for the production of a becoming-diverse to what has been exposed so far during his career journey. We will reflect on the value of the production of differences in creation, based on the words of the teacher and the observation of their classes, analyzing some of the proposed exercises and discovering the conceptions that sustain them. The teacher's proposal is based on a look at the actor/actress as a dramatist and a builder of his own events on the scene, a methodology deeply rooted in Córdoba and from which Paco Giménez has become one of his greatest referents. En este escrito observaremos prácticas propuestas por el profesor Paco Giménez en sus clases de Formación Actoral III de la Licenciatura en Teatro de la Facultad de Artes de la UNC, que tienen el objetivo de enfrentar al/la estudiante a una producción diferente de sí mismo/a, para la producción de un devenir-diverso a lo expuesto hasta el momento durante su recorrido en la carrera. Reflexionaremos sobre el valor de la producción de diferencias en la creación, a partir de las palabras del docente y la observación de sus clases, analizando algunos de los ejercicios propuestos y descubriendo las concepciones que los sustentan. La propuesta del docente se cimenta en una mirada sobre el/la actor/actriz como dramaturgo/a y constructor/a de su propio acontecer en la escena, metodología muy arraigada en Córdoba y de la que Paco Giménez se ha convertido en uno de los mayores referentes. Editorial de la Facultad de Artes 2020-07-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/28735 Avances; Núm. 29 (2020); 71-88 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/28735/30087 https://revistas.unc.edu.ar/index.php/avances/article/view/28735/30088 https://revistas.unc.edu.ar/index.php/avances/article/view/28735/30089 Derechos de autor 2020 Dr. Marcelo Comandú https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic actuación
devenir
diferencia
singularidad
performance
becoming
difference
singularity
spellingShingle actuación
devenir
diferencia
singularidad
performance
becoming
difference
singularity
Comandú, Marcelo
THE ART OF PRODUCING DIFFERENCES: A LOOK ON PROPOSALS BY PACO GIMÉNEZ FOR A CREATION AGAINST UNIFORMITY AND THE CONSTANT REPETITION OF HIMSELF
topic_facet actuación
devenir
diferencia
singularidad
performance
becoming
difference
singularity
author Comandú, Marcelo
author_facet Comandú, Marcelo
author_sort Comandú, Marcelo
title THE ART OF PRODUCING DIFFERENCES: A LOOK ON PROPOSALS BY PACO GIMÉNEZ FOR A CREATION AGAINST UNIFORMITY AND THE CONSTANT REPETITION OF HIMSELF
title_short THE ART OF PRODUCING DIFFERENCES: A LOOK ON PROPOSALS BY PACO GIMÉNEZ FOR A CREATION AGAINST UNIFORMITY AND THE CONSTANT REPETITION OF HIMSELF
title_full THE ART OF PRODUCING DIFFERENCES: A LOOK ON PROPOSALS BY PACO GIMÉNEZ FOR A CREATION AGAINST UNIFORMITY AND THE CONSTANT REPETITION OF HIMSELF
title_fullStr THE ART OF PRODUCING DIFFERENCES: A LOOK ON PROPOSALS BY PACO GIMÉNEZ FOR A CREATION AGAINST UNIFORMITY AND THE CONSTANT REPETITION OF HIMSELF
title_full_unstemmed THE ART OF PRODUCING DIFFERENCES: A LOOK ON PROPOSALS BY PACO GIMÉNEZ FOR A CREATION AGAINST UNIFORMITY AND THE CONSTANT REPETITION OF HIMSELF
title_sort art of producing differences: a look on proposals by paco giménez for a creation against uniformity and the constant repetition of himself
description In this writing we will observe practices proposed by Professor Paco Giménez in his classes of Actoral Training III of the Degree in Theater of the Faculty of Arts of the UNC and that have the objective of facing the student to a different production of himself for the production of a becoming-diverse to what has been exposed so far during his career journey. We will reflect on the value of the production of differences in creation, based on the words of the teacher and the observation of their classes, analyzing some of the proposed exercises and discovering the conceptions that sustain them. The teacher's proposal is based on a look at the actor/actress as a dramatist and a builder of his own events on the scene, a methodology deeply rooted in Córdoba and from which Paco Giménez has become one of his greatest referents.
publisher Editorial de la Facultad de Artes
publishDate 2020
url https://revistas.unc.edu.ar/index.php/avances/article/view/28735
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