Apology of Listening as an Active Phenomenon

By placing performance as a fundamental axis of the happening and the theatre as an intrinsically collective phenomenon, we wonder about the place that the other holds in the possibility of creating happenings. We think that to emancipate the actor, it is necessary to encourage the development of as...

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Detalles Bibliográficos
Autor principal: Piumetti, Joaquín Andres
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2022
Materias:
actor
perception
encounter
Actor
escucha
encuentro
Acceso en línea:https://revistas.unc.edu.ar/index.php/sendas/article/view/39500
Aporte de:
Sendas de Universidad Nacional de Córdoba
id I10-R309-article-39500
record_format ojs
spelling I10-R309-article-395002025-03-21T17:13:43Z Apology of Listening as an Active Phenomenon HaSer actoral: Apología de la escucha como fenómeno activo Piumetti, Joaquín Andres actor perception encounter Actor escucha encuentro By placing performance as a fundamental axis of the happening and the theatre as an intrinsically collective phenomenon, we wonder about the place that the other holds in the possibility of creating happenings. We think that to emancipate the actor, it is necessary to encourage the development of asking for an intelligence of the binding. This study is not a search for a methodological scene work, but an ethical gaze over it that allows us to horizontalize the practice in favor of dialogue, so that the unique and hierarchical visions of art are not the only ones to prevail. Situando a la actuación como el eje fundamental de la experiencia escénica y entendiendo el teatro como un fenómeno intrínsecamente colectivo, me pregunto acerca del lugar que ocupa el otro en la posibilidad de crear acontecimiento. Considero que para emancipar al actxr será necesario fomentar el desarrollo de la pregunta por una inteligencia vincular. Esta investigación no trata de la búsqueda de una metodología para el trabajo escénico, sino de ofrecer una mirada ética sobre este que permita horizontalizar la práctica en favor del diálogo, para que no prevalezcan las visiones únicas y dominantes del arte. Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2022-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/sendas/article/view/39500 Sendas; Vol. 5 (2022): Writing from works. Territories from the arts; 29-43 Sendas; Vol. 5 (2022): Escritura desde las obras. Territorios desde las artes; 29-43 2618-2254 spa https://revistas.unc.edu.ar/index.php/sendas/article/view/39500/39618 https://revistas.unc.edu.ar/index.php/sendas/article/view/39500/39510 https://revistas.unc.edu.ar/index.php/sendas/article/view/39500/39511 Derechos de autor 2022 Joaquín Andres Piumetti https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-309
container_title_str Sendas
language Español
format Artículo revista
topic actor
perception
encounter
Actor
escucha
encuentro
spellingShingle actor
perception
encounter
Actor
escucha
encuentro
Piumetti, Joaquín Andres
Apology of Listening as an Active Phenomenon
topic_facet actor
perception
encounter
Actor
escucha
encuentro
author Piumetti, Joaquín Andres
author_facet Piumetti, Joaquín Andres
author_sort Piumetti, Joaquín Andres
title Apology of Listening as an Active Phenomenon
title_short Apology of Listening as an Active Phenomenon
title_full Apology of Listening as an Active Phenomenon
title_fullStr Apology of Listening as an Active Phenomenon
title_full_unstemmed Apology of Listening as an Active Phenomenon
title_sort apology of listening as an active phenomenon
description By placing performance as a fundamental axis of the happening and the theatre as an intrinsically collective phenomenon, we wonder about the place that the other holds in the possibility of creating happenings. We think that to emancipate the actor, it is necessary to encourage the development of asking for an intelligence of the binding. This study is not a search for a methodological scene work, but an ethical gaze over it that allows us to horizontalize the practice in favor of dialogue, so that the unique and hierarchical visions of art are not the only ones to prevail.
publisher Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
publishDate 2022
url https://revistas.unc.edu.ar/index.php/sendas/article/view/39500
work_keys_str_mv AT piumettijoaquinandres apologyoflisteningasanactivephenomenon
AT piumettijoaquinandres haseractoralapologiadelaescuchacomofenomenoactivo
first_indexed 2024-09-03T20:28:15Z
last_indexed 2025-03-27T05:13:22Z
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