Ethics and art as overcoming the deformed relations of late capitalism. A. Lunacharsky, A. Scriabin and the problem of bourgeois’ artistic heritage in revolutionary Russia

This article analyzes the ways in which operated the recovering of the revolutionary bourgeois artistic heritage, following the main ideas of Theodor W. Adorno’s Minima Moralia. The event that we will analyze is revolutionary Russia and, within it, the recovery that A. Lunacharsky makes of the compo...

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Autor principal: Baña, Martín
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudios Históricos Profesor Carlos S. A. Segreti 2011
Materias:
Theodor W. Adorno
revolución rusa
A. Lunacharsky
A. Scriabin
Russian Revolution
Acceso en línea:https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/23026
Aporte de:
Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti de Universidad Nacional de Córdoba
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spelling I10-R307-article-230262021-06-01T21:54:45Z Ethics and art as overcoming the deformed relations of late capitalism. A. Lunacharsky, A. Scriabin and the problem of bourgeois’ artistic heritage in revolutionary Russia La ética y el arte como superación de las relaciones deformadas del capitalismo tardío. A. Lunacharsky, A. Scriabin y el problema de la herencia artística burguesa en la Rusia revolucionaria Baña, Martín Theodor W. Adorno revolución rusa A. Lunacharsky A. Scriabin Theodor W. Adorno Russian Revolution A. Lunacharsky A. Scriabin This article analyzes the ways in which operated the recovering of the revolutionary bourgeois artistic heritage, following the main ideas of Theodor W. Adorno’s Minima Moralia. The event that we will analyze is revolutionary Russia and, within it, the recovery that A. Lunacharsky makes of the composer A. Scriabin and his work. Our hypothesis is that art can play a key role in thinking critically the society from an ethical perspective. Lunacharsky tried to interrelate the two issues in the pursuit of building a new society. Thus, two aspects traditionally disdained by the left tradition, ethics and bourgeois artistic heritage, are recovered and placed in a revolutionary context to develop critical thinking about the old and the new society. The work is divided into two parts. In the first, we discuss the contributions of Adorno to the thinking of the problem of social criticism from ethics and art. In the second, we analyze the specific case of Lunacharsky, showing how his recovery of Scriabin’s work was vital to devise an emancipated society. Este trabajo pretende analizar una de las formas en las cuales operó la recuperación revolucionaria de la herencia artística burguesa a partir del planteo teórico desarrollado por Theodor W. Adorno en Minima Moralia. El caso que nos convoca es el de la Rusia revolucionaria y, dentro de él, el rescate que hace A. Lunacharsky del músico A. Scriabin y su obra. La hipótesis del trabajo es que el arte puede jugar un papel fundamental a la hora de pensar críticamente a la sociedad desde una perspectiva ética. Así, dos aspectos tradicionalmente desdeñados por la tradición de izquierda, la ética y la herencia artística burguesa, son recuperados y puestos en un contexto revolucionario para desarrollar la crítica de la vieja sociedad y pensar la nueva. El trabajo está dividido en dos partes: en la primera, se discuten los aportes de Adorno para pensar el problema de la crítica social a partir de la ética y el arte; en la segunda, se analiza el caso concreto de Lunacharsky, demostrando cómo la recuperación de la obra del compositor Scriabin fue de vital importancia para idear la sociedad emancipada. Centro de Estudios Históricos Profesor Carlos S. A. Segreti 2011-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículos de investigación libres application/pdf https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/23026 10.52885/2683-9164.v0.n11.23026 Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti; Núm. 11 (2011); 173-187 2683-9164 1666-6836 10.52885/2683-9164.v0.n11 spa https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/23026/22784 Derechos de autor 2011 Martín Baña
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-307
container_title_str Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti
language Español
format Artículo revista
topic Theodor W. Adorno
revolución rusa
A. Lunacharsky
A. Scriabin
Theodor W. Adorno
Russian Revolution
A. Lunacharsky
A. Scriabin
spellingShingle Theodor W. Adorno
revolución rusa
A. Lunacharsky
A. Scriabin
Theodor W. Adorno
Russian Revolution
A. Lunacharsky
A. Scriabin
Baña, Martín
Ethics and art as overcoming the deformed relations of late capitalism. A. Lunacharsky, A. Scriabin and the problem of bourgeois’ artistic heritage in revolutionary Russia
topic_facet Theodor W. Adorno
revolución rusa
A. Lunacharsky
A. Scriabin
Theodor W. Adorno
Russian Revolution
A. Lunacharsky
A. Scriabin
author Baña, Martín
author_facet Baña, Martín
author_sort Baña, Martín
title Ethics and art as overcoming the deformed relations of late capitalism. A. Lunacharsky, A. Scriabin and the problem of bourgeois’ artistic heritage in revolutionary Russia
title_short Ethics and art as overcoming the deformed relations of late capitalism. A. Lunacharsky, A. Scriabin and the problem of bourgeois’ artistic heritage in revolutionary Russia
title_full Ethics and art as overcoming the deformed relations of late capitalism. A. Lunacharsky, A. Scriabin and the problem of bourgeois’ artistic heritage in revolutionary Russia
title_fullStr Ethics and art as overcoming the deformed relations of late capitalism. A. Lunacharsky, A. Scriabin and the problem of bourgeois’ artistic heritage in revolutionary Russia
title_full_unstemmed Ethics and art as overcoming the deformed relations of late capitalism. A. Lunacharsky, A. Scriabin and the problem of bourgeois’ artistic heritage in revolutionary Russia
title_sort ethics and art as overcoming the deformed relations of late capitalism. a. lunacharsky, a. scriabin and the problem of bourgeois’ artistic heritage in revolutionary russia
description This article analyzes the ways in which operated the recovering of the revolutionary bourgeois artistic heritage, following the main ideas of Theodor W. Adorno’s Minima Moralia. The event that we will analyze is revolutionary Russia and, within it, the recovery that A. Lunacharsky makes of the composer A. Scriabin and his work. Our hypothesis is that art can play a key role in thinking critically the society from an ethical perspective. Lunacharsky tried to interrelate the two issues in the pursuit of building a new society. Thus, two aspects traditionally disdained by the left tradition, ethics and bourgeois artistic heritage, are recovered and placed in a revolutionary context to develop critical thinking about the old and the new society. The work is divided into two parts. In the first, we discuss the contributions of Adorno to the thinking of the problem of social criticism from ethics and art. In the second, we analyze the specific case of Lunacharsky, showing how his recovery of Scriabin’s work was vital to devise an emancipated society.
publisher Centro de Estudios Históricos Profesor Carlos S. A. Segreti
publishDate 2011
url https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/23026
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first_indexed 2024-09-03T20:25:49Z
last_indexed 2024-09-03T20:25:49Z
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