Making repetition a craft: a review of the essays in Ahuecar la mano

These words seek to unravel some procedures -knowing that others escape their fate- in the creation of the stage proposal Ahuecar la mano (2023). As a moving scribe, I work with what I did not see to defend what we can know without looking: with intuition and groping, on this side of the stage and r...

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Detalles Bibliográficos
Autor principal: Stalldecker, Florencia
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2023
Materias:
Performance
Rehearsal
Notebooks
Movement
Ensayo
Cuadernos
Movimiento
Acceso en línea:https://revistas.unc.edu.ar/index.php/etcetera/article/view/43759
Aporte de:
Etcétera. Revista del Área de Ciencias Sociales del CIFFyH de Universidad Nacional de Córdoba
id I10-R300-article-43759
record_format ojs
spelling I10-R300-article-437592023-12-22T00:54:07Z Making repetition a craft: a review of the essays in Ahuecar la mano Hacer de la repetición un oficio: reseña de los ensayos de Ahuecar la mano Stalldecker, Florencia Performance Rehearsal Notebooks Movement Performance Ensayo Cuadernos Movimiento These words seek to unravel some procedures -knowing that others escape their fate- in the creation of the stage proposal Ahuecar la mano (2023). As a moving scribe, I work with what I did not see to defend what we can know without looking: with intuition and groping, on this side of the stage and rehearsal. I also make room for the hand recording of those traces that remain after the slogans of movement, when the thought is as hot as the muscles. To share -or to give the joy-, I follow the notes in the notebooks of those of us who made Ahuecar la mano as one who looks for an idea by going with his back to meet it: passing the pages from back to front. I reread what is mine and what is not mine. What I wrote for myself and what others wrote without imagining that I would read it. Estas palabras buscan desenredar algunos procedimientos –sabiendo que otros se escapan a su suerte– de la creación de la propuesta escénica Ahuecar la mano (2023). Como escriba moviente, trabajo con lo que no vi para defender aquello que podemos saber sin mirar: con la intuición y a tientas, de este lado de la escena y el ensayo. También doy lugar al registro a mano de aquellos rastros que quedan después de las consignas de movimiento, cuando el pensamiento está tan caliente como los músculos. Para compartir –o dar la dicha–, sigo las anotaciones en los cuadernos de quienes hicimos Ahuecar la mano como quien busca una idea yendo con la espalda a su encuentro: pasando las hojas de atrás hacia adelante. Releo lo mío y lo ajeno. Aquello que escribí para mí misma y lo que otrxs escribieron sin imaginar que iba a leerlo. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2023-12-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/etcetera/article/view/43759 Etcétera. Revista del Área de Ciencias Sociales del CIFFyH; Núm. 13 (2023) 2618-4281 spa https://revistas.unc.edu.ar/index.php/etcetera/article/view/43759/44086 Derechos de autor 2023 Etcétera. Revista del Área de Ciencias Sociales del CIFFyH https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-300
container_title_str Etcétera. Revista del Área de Ciencias Sociales del CIFFyH
language Español
format Artículo revista
topic Performance
Rehearsal
Notebooks
Movement
Performance
Ensayo
Cuadernos
Movimiento
spellingShingle Performance
Rehearsal
Notebooks
Movement
Performance
Ensayo
Cuadernos
Movimiento
Stalldecker, Florencia
Making repetition a craft: a review of the essays in Ahuecar la mano
topic_facet Performance
Rehearsal
Notebooks
Movement
Performance
Ensayo
Cuadernos
Movimiento
author Stalldecker, Florencia
author_facet Stalldecker, Florencia
author_sort Stalldecker, Florencia
title Making repetition a craft: a review of the essays in Ahuecar la mano
title_short Making repetition a craft: a review of the essays in Ahuecar la mano
title_full Making repetition a craft: a review of the essays in Ahuecar la mano
title_fullStr Making repetition a craft: a review of the essays in Ahuecar la mano
title_full_unstemmed Making repetition a craft: a review of the essays in Ahuecar la mano
title_sort making repetition a craft: a review of the essays in ahuecar la mano
description These words seek to unravel some procedures -knowing that others escape their fate- in the creation of the stage proposal Ahuecar la mano (2023). As a moving scribe, I work with what I did not see to defend what we can know without looking: with intuition and groping, on this side of the stage and rehearsal. I also make room for the hand recording of those traces that remain after the slogans of movement, when the thought is as hot as the muscles. To share -or to give the joy-, I follow the notes in the notebooks of those of us who made Ahuecar la mano as one who looks for an idea by going with his back to meet it: passing the pages from back to front. I reread what is mine and what is not mine. What I wrote for myself and what others wrote without imagining that I would read it.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2023
url https://revistas.unc.edu.ar/index.php/etcetera/article/view/43759
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first_indexed 2024-09-03T20:22:14Z
last_indexed 2024-09-03T20:22:14Z
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