Evolution of crime narrative on Ricardo Piglia's literature and literary criticism
This article proposes, based on a brief characterization of the contemporary police genre, to investigate the hypothesis of Ricardo Piglia (1941-2017) about the developments of the black story until its paranoid fiction version: resulting from police hybridization-science fiction (Piglia, 1991). Thi...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2020
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/etcetera/article/view/29623 |
| Aporte de: |
| Sumario: | This article proposes, based on a brief characterization of the contemporary police genre, to investigate the hypothesis of Ricardo Piglia (1941-2017) about the developments of the black story until its paranoid fiction version: resulting from police hybridization-science fiction (Piglia, 1991). This series of categories constitutes one of the key axes around which our author has articulated relevant problematizations for a certain critical tradition of Latin American Cultural Studies: we return in this direction the interdisciplinary instruments provided by Frederick Jameson (1989), to understand the writing as a socially symbolic act, and attending to the historical-social mediations of the Piglian critical-literary production. In this direction, we aspire to understand some of the key readings of Piglia's critical corpus about noir literature, in its link with the global development of a culture of fear (Lotman, 1999) and its anchorage in new social control devices (Deleuze, 1995). |
|---|