Like a Shooting Star, the Suspended Trace of a Subject on the Run Storms. The Nomad Lyrical Subjectivity of Alejandra Pizarnik

This article aims to analyze Alejandra Pizarnik’s poetic work to see how the lyric deconstructs the modern idea of identity, sustained in the uniqueness and homogeneity of the subject. In effect, the latter is presented in a fragmentary and discontinuous way, that is, it is in flight and permanent e...

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Autor principal: Esquivel, Camila Victoria
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2024
Materias:
Alejandra Pizarnik
literatura argentina
subjetividad lírica
nomadismo
Karoline von Günderrode
argentine literature
lyrical subjectivity
nomadism
Acceso en línea:https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44573
Aporte de:
Nota al margen de Universidad Nacional de Córdoba
id I10-R278-article-44573
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spelling I10-R278-article-445732024-07-05T21:12:35Z Like a Shooting Star, the Suspended Trace of a Subject on the Run Storms. The Nomad Lyrical Subjectivity of Alejandra Pizarnik Como estrella fugaz, acomete el rastro suspendido de un sujeto en fuga. La subjetividad lírica nómade en Alejandra Pizarnik Esquivel, Camila Victoria Alejandra Pizarnik literatura argentina subjetividad lírica nomadismo Karoline von Günderrode Alejandra Pizarnik argentine literature lyrical subjectivity nomadism Karoline von Günderrode This article aims to analyze Alejandra Pizarnik’s poetic work to see how the lyric deconstructs the modern idea of identity, sustained in the uniqueness and homogeneity of the subject. In effect, the latter is presented in a fragmentary and discontinuous way, that is, it is in flight and permanent evolution. She sets out to demonstrate the configuration of a nomadic lyrical subjectivity: it is only identifiable at the moment when its temporary trace bursts into the poetic space. From this, in constellation with other metatextual materials, we analyze the poem “Caroline de Gunderode” (1959). Here, in dialogue with the tradition of German romanticism and surrealism, Pizarnik attributes a repertoire of masks to the suffering, romantic and suicidal poetess and presents the problem of lyrical subjectivity, revealing its character of fictional construction. el presente artículo pretende analizar la obra poética de Alejandra Pizarnik para ver cómo la lírica deconstruye la idea moderna de identidad, sostenida en la unicidad y homogeneidad del sujeto. En efecto, este último se presenta de forma fragmentaria y discontinua, es decir, se encuentra en fuga y devenir permanente. Se propone demostrar, entonces, la configuración de una subjetividad lírica nómade: solo es identificable en el momento en que su rastro temporario irrumpe en el espacio poético. En constelación con otros materiales metatextuales, se analiza el poema ‘‘Caroline de Gunderode’’ (1959). Aquí, en diálogo con la tradición del romanticismo alemán y el surrealismo, Pizarnik le atribuye un repertorio de máscaras a la poetisa sufriente, romántica y suicida, y presenta el problema del sujeto, develando su carácter de construcción ficcional. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2024-07-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado a ciegas por pares application/pdf text/html application/pdf https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44573 Nota al margen; Vol. 2 No. 3 (2024); 11-28 Nota al margen; Vol. 2 Núm. 3 (2024); 11-28 3008-7015 spa https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44573/45572 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44573/45573 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44573/45574 Derechos de autor 2024 Camila Victoria Esquivel https://creativecommons.org/licenses/by-nc/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-278
container_title_str Nota al margen
language Español
format Artículo revista
topic Alejandra Pizarnik
literatura argentina
subjetividad lírica
nomadismo
Karoline von Günderrode
Alejandra Pizarnik
argentine literature
lyrical subjectivity
nomadism
Karoline von Günderrode
spellingShingle Alejandra Pizarnik
literatura argentina
subjetividad lírica
nomadismo
Karoline von Günderrode
Alejandra Pizarnik
argentine literature
lyrical subjectivity
nomadism
Karoline von Günderrode
Esquivel, Camila Victoria
Like a Shooting Star, the Suspended Trace of a Subject on the Run Storms. The Nomad Lyrical Subjectivity of Alejandra Pizarnik
topic_facet Alejandra Pizarnik
literatura argentina
subjetividad lírica
nomadismo
Karoline von Günderrode
Alejandra Pizarnik
argentine literature
lyrical subjectivity
nomadism
Karoline von Günderrode
author Esquivel, Camila Victoria
author_facet Esquivel, Camila Victoria
author_sort Esquivel, Camila Victoria
title Like a Shooting Star, the Suspended Trace of a Subject on the Run Storms. The Nomad Lyrical Subjectivity of Alejandra Pizarnik
title_short Like a Shooting Star, the Suspended Trace of a Subject on the Run Storms. The Nomad Lyrical Subjectivity of Alejandra Pizarnik
title_full Like a Shooting Star, the Suspended Trace of a Subject on the Run Storms. The Nomad Lyrical Subjectivity of Alejandra Pizarnik
title_fullStr Like a Shooting Star, the Suspended Trace of a Subject on the Run Storms. The Nomad Lyrical Subjectivity of Alejandra Pizarnik
title_full_unstemmed Like a Shooting Star, the Suspended Trace of a Subject on the Run Storms. The Nomad Lyrical Subjectivity of Alejandra Pizarnik
title_sort like a shooting star, the suspended trace of a subject on the run storms. the nomad lyrical subjectivity of alejandra pizarnik
description This article aims to analyze Alejandra Pizarnik’s poetic work to see how the lyric deconstructs the modern idea of identity, sustained in the uniqueness and homogeneity of the subject. In effect, the latter is presented in a fragmentary and discontinuous way, that is, it is in flight and permanent evolution. She sets out to demonstrate the configuration of a nomadic lyrical subjectivity: it is only identifiable at the moment when its temporary trace bursts into the poetic space. From this, in constellation with other metatextual materials, we analyze the poem “Caroline de Gunderode” (1959). Here, in dialogue with the tradition of German romanticism and surrealism, Pizarnik attributes a repertoire of masks to the suffering, romantic and suicidal poetess and presents the problem of lyrical subjectivity, revealing its character of fictional construction.
publisher Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2024
url https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44573
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first_indexed 2024-09-03T22:37:56Z
last_indexed 2025-02-05T22:15:54Z
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