An Object-Oriented Literary Analysis of the Technoliterary Works of Tisselli and Läufer

To our understanding, Eugenio Tisselli's Degenerativa and Regenerativa and Milton Läufer's El Aleph a Dieta can be considered technoliterary objects; therefore, this paper argues that they belong to an artistic-technical genealogy that challenges the capitalist narrative and the author...

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Autor principal: Leiro, Tobías
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2023
Materias:
tecnopoeticas
ontología orientada a objetos
técnica
digital
Läufer
Tisselli
technopoetics
technique
Object-Oriented Ontology
Acceso en línea:https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42441
Aporte de:
Nota al margen de Universidad Nacional de Córdoba
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spelling I10-R278-article-424412024-03-13T17:06:11Z An Object-Oriented Literary Analysis of the Technoliterary Works of Tisselli and Läufer Un análisis literario orientado a objetos de las obras tecnoliterarias de Tisselli y Läufer Leiro, Tobías tecnopoeticas ontología orientada a objetos técnica digital Läufer Tisselli technopoetics technique digital Tisselli Läufer Object-Oriented Ontology To our understanding, Eugenio Tisselli's Degenerativa and Regenerativa and Milton Läufer's El Aleph a Dieta can be considered technoliterary objects; therefore, this paper argues that they belong to an artistic-technical genealogy that challenges the capitalist narrative and the author-spectator relationship. Furthermore, Object-Oriented Ontology (OOO) is used to analyze how these works reveal duality between real objects (RO) and sensual objects (SO), and how time and space are generated from this relationship. The ability that these pieces of writing have to create disruptive aesthetic experiences which question capitalist linear temporality and, meanwhile, allow the emergence of perspectives other to the human, is highlighted. Finally, the collective construction of these works is discussed. Ultimately, we approach digital literature as a form of critical art that challenges the traditional conception of technology, literature and the interaction between humans and digital objects. Entendiendo las obras Degenerativa y Regenerativa de Eugenio Tisselli y El Aleph a Dieta de Milton Läufer como objetos tecnoliterarios, en el presente trabajo se argumenta que pertenecen a una genealogía artístico-técnica que desafía la narrativa capitalista y la relación entre autor y espectador. Asimismo, se utiliza la ontología orientada a objetos (OOO) para analizar cómo estas obras revelan la dualidad entre objetos reales (OR) y objetos sensuales (OS), y cómo el tiempo y el espacio se generan a partir de esta relación. Se destaca la capacidad de estas obras para crear experiencias estéticas disruptivas que cuestionan la temporalidad lineal capitalista y permiten la emergencia de perspectivas otras al humano. Por último, se discute la construcción colectiva de estas obras. En definitiva, abordamos la literatura digital como una forma de arte crítico que desafía la concepción tradicional de la tecnología, la literatura y la interacción entre humanos y objetos digitales.   Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2023-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado a ciegas por pares application/pdf text/html application/pdf https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42441 Nota al margen; Vol. 1 No. 2 (2023); 142-155 Nota al margen; Vol. 1 Núm. 2 (2023); 142-155 3008-7015 spa https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42441/43801 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42441/43802 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42441/43803 Derechos de autor 2023 Tobías Leiro https://creativecommons.org/licenses/by-nc/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-278
container_title_str Nota al margen
language Español
format Artículo revista
topic tecnopoeticas
ontología orientada a objetos
técnica
digital
Läufer
Tisselli
technopoetics
technique
digital
Tisselli
Läufer
Object-Oriented Ontology
spellingShingle tecnopoeticas
ontología orientada a objetos
técnica
digital
Läufer
Tisselli
technopoetics
technique
digital
Tisselli
Läufer
Object-Oriented Ontology
Leiro, Tobías
An Object-Oriented Literary Analysis of the Technoliterary Works of Tisselli and Läufer
topic_facet tecnopoeticas
ontología orientada a objetos
técnica
digital
Läufer
Tisselli
technopoetics
technique
digital
Tisselli
Läufer
Object-Oriented Ontology
author Leiro, Tobías
author_facet Leiro, Tobías
author_sort Leiro, Tobías
title An Object-Oriented Literary Analysis of the Technoliterary Works of Tisselli and Läufer
title_short An Object-Oriented Literary Analysis of the Technoliterary Works of Tisselli and Läufer
title_full An Object-Oriented Literary Analysis of the Technoliterary Works of Tisselli and Läufer
title_fullStr An Object-Oriented Literary Analysis of the Technoliterary Works of Tisselli and Läufer
title_full_unstemmed An Object-Oriented Literary Analysis of the Technoliterary Works of Tisselli and Läufer
title_sort object-oriented literary analysis of the technoliterary works of tisselli and läufer
description To our understanding, Eugenio Tisselli's Degenerativa and Regenerativa and Milton Läufer's El Aleph a Dieta can be considered technoliterary objects; therefore, this paper argues that they belong to an artistic-technical genealogy that challenges the capitalist narrative and the author-spectator relationship. Furthermore, Object-Oriented Ontology (OOO) is used to analyze how these works reveal duality between real objects (RO) and sensual objects (SO), and how time and space are generated from this relationship. The ability that these pieces of writing have to create disruptive aesthetic experiences which question capitalist linear temporality and, meanwhile, allow the emergence of perspectives other to the human, is highlighted. Finally, the collective construction of these works is discussed. Ultimately, we approach digital literature as a form of critical art that challenges the traditional conception of technology, literature and the interaction between humans and digital objects.
publisher Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2023
url https://revistas.unc.edu.ar/index.php/notalmargen/article/view/42441
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AT leirotobias objectorientedliteraryanalysisofthetechnoliteraryworksoftisselliandlaufer
first_indexed 2024-09-03T22:37:53Z
last_indexed 2024-09-03T22:37:53Z
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