Archaeology of art. The imaginary and the real in rock art

Rock art constitutes a universe of images that continues having a disturbing character for the archaeological research. Its study is not independent from the epistemologic-cultural horizons that have developed since it was discovered and admitted its genuineness. This paper examines reflectively dif...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Rocchietti, Ana María
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Museo de Antropología 2009
Materias:
Acceso en línea:https://revistas.unc.edu.ar/index.php/antropologia/article/view/5404
Aporte de:
id I10-R10article-5404
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic arte rupestre
imaginario
real
teoría
rock art
imaginary
reality
theory
symbolical walls
spellingShingle arte rupestre
imaginario
real
teoría
rock art
imaginary
reality
theory
symbolical walls
Rocchietti, Ana María
Archaeology of art. The imaginary and the real in rock art
topic_facet arte rupestre
imaginario
real
teoría
rock art
imaginary
reality
theory
symbolical walls
author Rocchietti, Ana María
author_facet Rocchietti, Ana María
author_sort Rocchietti, Ana María
title Archaeology of art. The imaginary and the real in rock art
title_short Archaeology of art. The imaginary and the real in rock art
title_full Archaeology of art. The imaginary and the real in rock art
title_fullStr Archaeology of art. The imaginary and the real in rock art
title_full_unstemmed Archaeology of art. The imaginary and the real in rock art
title_sort archaeology of art. the imaginary and the real in rock art
description Rock art constitutes a universe of images that continues having a disturbing character for the archaeological research. Its study is not independent from the epistemologic-cultural horizons that have developed since it was discovered and admitted its genuineness. This paper examines reflectively different aspects of its problematic nature. Rock art supposes the importance of bear, colour and texture, administration of light and shadow, perceptive frames that offer the diaclasas and drip of water. The walls symbolize and give an imaginary; do not «sustain» only. The signs in the rock go back «marks» or registrations in which the real-objective disappears; construct a real new (dreams, fantasies, disclosures). Its real character is decided by officiant like part of a process of truth. Rock art has a no normative «quality» in the dimension of it variations and, therefore, it is anticultural.
publisher Facultad de Filosofía y Humanidades. Museo de Antropología
publishDate 2009
url https://revistas.unc.edu.ar/index.php/antropologia/article/view/5404
work_keys_str_mv AT rocchiettianamaria archaeologyofarttheimaginaryandtherealinrockart
AT rocchiettianamaria arqueologiadelarteloimaginarioylorealenelarterupestre
bdutipo_str Revistas
_version_ 1764819783732166659