Cinema as “nucleus of political action” in Los hijos de Fierro by Fernando Solanas

In an article published in the magazine Third World Cinema in 1969 the filmmakers Fernando Solanas and Octavio Getino —members of the Liberation Film Group— criticized the movie Martín Fierro directed by Leopoldo Torre Nilsson (1968) for establishing a distorted view of history that eliminated the p...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Oulego, Daniela
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2021
Materias:
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/35789
Aporte de:
id I10-R10article-35789
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic militant cinema
Liberation Film Group
Martin Fierro
peronism
popular memory
cine militante
Grupo Cine Liberación
Martín Fierro
memoria popular
peronismo
spellingShingle militant cinema
Liberation Film Group
Martin Fierro
peronism
popular memory
cine militante
Grupo Cine Liberación
Martín Fierro
memoria popular
peronismo
Oulego, Daniela
Cinema as “nucleus of political action” in Los hijos de Fierro by Fernando Solanas
topic_facet militant cinema
Liberation Film Group
Martin Fierro
peronism
popular memory
cine militante
Grupo Cine Liberación
Martín Fierro
memoria popular
peronismo
author Oulego, Daniela
author_facet Oulego, Daniela
author_sort Oulego, Daniela
title Cinema as “nucleus of political action” in Los hijos de Fierro by Fernando Solanas
title_short Cinema as “nucleus of political action” in Los hijos de Fierro by Fernando Solanas
title_full Cinema as “nucleus of political action” in Los hijos de Fierro by Fernando Solanas
title_fullStr Cinema as “nucleus of political action” in Los hijos de Fierro by Fernando Solanas
title_full_unstemmed Cinema as “nucleus of political action” in Los hijos de Fierro by Fernando Solanas
title_sort cinema as “nucleus of political action” in los hijos de fierro by fernando solanas
description In an article published in the magazine Third World Cinema in 1969 the filmmakers Fernando Solanas and Octavio Getino —members of the Liberation Film Group— criticized the movie Martín Fierro directed by Leopoldo Torre Nilsson (1968) for establishing a distorted view of history that eliminated the presence of masses in line with the ideological interests of the military government. On the contrary, the transposition Los hijos de Fierro (1972-75) by Fernando Solanas intended to distance itself from the movie by Torre Nilsson through the inclusion of people in a political rereading that proposed an analogy between the literary work and the peronist resistance. Because of this, the aim of the present paper is to study in the film Los hijos de Fierro by Solanas the use of literature in militant cinema for political practice. For that reason, it’ll investigate the figure of the gaucho Martín Fierro as representative of people (Marechal, 1998), integrated by “the sons of Fierro” (Astrada, 2006). Besides, the analysis will focus on the role of militant cinema as “nucleus of political action” (González, 2007) which politically committed actions produced effects on the same history that it was telling in an audiovisual way.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2021
url https://revistas.unc.edu.ar/index.php/toma1/article/view/35789
work_keys_str_mv AT oulegodaniela cinemaasnucleusofpoliticalactioninloshijosdefierrobyfernandosolanas
AT oulegodaniela elcinecomonucleodeactuacionpoliticaenloshijosdefierrodefernandosolanas
bdutipo_str Revistas
_version_ 1764819783319027712