Collector or archivist? Juan Carlos Romero, between whim and history
In the following pages, we look into two aspects of conservation in the work of Juan Carlos Romero, visual artist from Buenos Aires (1931-2017). On the one hand, we reflect on his interest in collecting and, on the other hand, we consider his archival commitment. Both tasks are part of a horizon for...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/35740 |
| Aporte de: |
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I10-R10article-35740 |
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ojs |
| institution |
Universidad Nacional de Córdoba |
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I-10 |
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R-10 |
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Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
collector archive Argentinian visual poetry signboard contemporary art coleccionismo archivo poesía visual argentina cartel arte contemporáneo |
| spellingShingle |
collector archive Argentinian visual poetry signboard contemporary art coleccionismo archivo poesía visual argentina cartel arte contemporáneo Paula La Rocca Collector or archivist? Juan Carlos Romero, between whim and history |
| topic_facet |
collector archive Argentinian visual poetry signboard contemporary art coleccionismo archivo poesía visual argentina cartel arte contemporáneo |
| author |
Paula La Rocca |
| author_facet |
Paula La Rocca |
| author_sort |
Paula La Rocca |
| title |
Collector or archivist? Juan Carlos Romero, between whim and history |
| title_short |
Collector or archivist? Juan Carlos Romero, between whim and history |
| title_full |
Collector or archivist? Juan Carlos Romero, between whim and history |
| title_fullStr |
Collector or archivist? Juan Carlos Romero, between whim and history |
| title_full_unstemmed |
Collector or archivist? Juan Carlos Romero, between whim and history |
| title_sort |
collector or archivist? juan carlos romero, between whim and history |
| description |
In the following pages, we look into two aspects of conservation in the work of Juan Carlos Romero, visual artist from Buenos Aires (1931-2017). On the one hand, we reflect on his interest in collecting and, on the other hand, we consider his archival commitment. Both tasks are part of a horizon for the imagination of history, since, as we will try to show, they propose an aesthetic matrix focusing on the minor aspects of some collective episodes. For Romero, history is the narrative of life in a given time through its materials. This article deals with the process of moving from his collection to the archive. We will then analyze the internal fictions that bind together the documents, the ways of acquiring the pieces, and their documentary direction. In this sense, we come to the conclusion that the collection pieces are waiting for new dispositions to give sense to the present. |
| publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/35740 |
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AT paulalarocca collectororarchivistjuancarlosromerobetweenwhimandhistory AT paulalarocca coleccionistaoarchivistajuancarlosromeroentreelcaprichoylahistoria |
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Revistas |
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