Notes on Alain Badiou and the cinema

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This article reviews some of Alain Badiou’s main ideas about cinema, collected from different texts through his work. The writing is organized in twelve sections: 1) cinema is a new art that was born in the 20th century; 2) cinema is a mass art; 3) cinema is an ontological art; 4) the cinema makes t...

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Detalles Bibliográficos
Autor principal: Laso, Eduardo
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2021
Materias:
Alain Badiou
Cinema
Philosophy
Cine
Filosofía
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/34196
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-34196
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Alain Badiou
Cinema
Philosophy
Alain Badiou
Cine
Filosofía
spellingShingle Alain Badiou
Cinema
Philosophy
Alain Badiou
Cine
Filosofía
Laso, Eduardo
Notes on Alain Badiou and the cinema
topic_facet Alain Badiou
Cinema
Philosophy
Alain Badiou
Cine
Filosofía
author Laso, Eduardo
author_facet Laso, Eduardo
author_sort Laso, Eduardo
title Notes on Alain Badiou and the cinema
title_short Notes on Alain Badiou and the cinema
title_full Notes on Alain Badiou and the cinema
title_fullStr Notes on Alain Badiou and the cinema
title_full_unstemmed Notes on Alain Badiou and the cinema
title_sort notes on alain badiou and the cinema
description This article reviews some of Alain Badiou’s main ideas about cinema, collected from different texts through his work. The writing is organized in twelve sections: 1) cinema is a new art that was born in the 20th century; 2) cinema is a mass art; 3) cinema is an ontological art; 4) the cinema makes time visible; 5) cinema as the most-one of the other arts; 6) cinema is an impure art; 7) each film is a singular real object, which exposes the passage of an idea according to the shot and the montage; 8) the art of cinema as a visitation of an idea; 9) cinema as an ethical setting; 10) the three ways of talking about a film; 11) a film is a point-subject of an artistic configuration; 12) from tragic cinema to cinema as a moving image of eternity. These ideas are presented in conjunction with various films: The Birth of a Nation (Griffith, 1915), Pasaron las grullas (Kalatozov, 1957), Last Year at Marienbad (Renais, 1961), Death in Venice (Visconti, 1971) , False Movement (Wenders, 1975), Stalker (Tarkovski, 1979), Barton Fink (Coen and Coen, 1991), 2001: A Space Odyssey (Kubrick, 2001), Joker (Phillips, 2019) and Nomadland (Zhao, 2020).
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2021
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/34196
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bdutipo_str Revistas
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