Peri in Brocéliande: The Desert-Forest in José de Alencar’s O Guarani (1857)

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This article seeks to articulate the representation of the landscape and its connection with the character of the hero in O guarani, by José de Alencar, the masterpiece of Brazilian Romanticism; in other words, it sseks to articulate space and normativity as essential components of narrative.Since G...

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Autor principal: Peres, Marcos Flamínio
Formato: Artículo revista
Lenguaje:Portugués
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2019
Materias:
Romanticism
Chrétien de Troyes
novel
space
normativity
Romanticismo
novela
espacio
normatividad
Romantismo
romance
espaço
normatividade
Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/24821
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
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record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Portugués
format Artículo revista
topic Romanticism
Chrétien de Troyes
novel
space
normativity
Romanticismo
Chrétien de Troyes
novela
espacio
normatividad
Romantismo
Chrétien de Troyes
romance
espaço
normatividade
spellingShingle Romanticism
Chrétien de Troyes
novel
space
normativity
Romanticismo
Chrétien de Troyes
novela
espacio
normatividad
Romantismo
Chrétien de Troyes
romance
espaço
normatividade
Peres, Marcos Flamínio
Peri in Brocéliande: The Desert-Forest in José de Alencar’s O Guarani (1857)
topic_facet Romanticism
Chrétien de Troyes
novel
space
normativity
Romanticismo
Chrétien de Troyes
novela
espacio
normatividad
Romantismo
Chrétien de Troyes
romance
espaço
normatividade
author Peres, Marcos Flamínio
author_facet Peres, Marcos Flamínio
author_sort Peres, Marcos Flamínio
title Peri in Brocéliande: The Desert-Forest in José de Alencar’s O Guarani (1857)
title_short Peri in Brocéliande: The Desert-Forest in José de Alencar’s O Guarani (1857)
title_full Peri in Brocéliande: The Desert-Forest in José de Alencar’s O Guarani (1857)
title_fullStr Peri in Brocéliande: The Desert-Forest in José de Alencar’s O Guarani (1857)
title_full_unstemmed Peri in Brocéliande: The Desert-Forest in José de Alencar’s O Guarani (1857)
title_sort peri in brocéliande: the desert-forest in josé de alencar’s o guarani (1857)
description This article seeks to articulate the representation of the landscape and its connection with the character of the hero in O guarani, by José de Alencar, the masterpiece of Brazilian Romanticism; in other words, it sseks to articulate space and normativity as essential components of narrative.Since Gaston Bachelard, space has been configured as an important instance for fiction, but only from the analysis of Iuri Lotman and Henri Mitterand it will cease to be accessory, in order to become decisive for the organization of the plot. Lotman coined the notion of frontier, while Mitterand proposed the concept of overcoming frontiers. Both definitions are fundamental to understand the process of constitution of the hero in Alencar´s novel, since Peri will be the only character to move freely through the spaces of the “house” and the “forest”, incorporating values of one and the other. Dialoging with the medieval narratives of Chrétien de Troyes, particularly “Le chevalier au lion” and “Le conte du Graal”, the hero of O guarani breaks, however, with the chivalrous code of honour by adopting treason as a regular procedure. It will be the forest, as the central topos of the medieval imagery (Le Goff), which will provide such a hybrid and ambivalent stature of the hero.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2019
url https://revistas.unc.edu.ar/index.php/recial/article/view/24821
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bdutipo_str Revistas
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