Tamburrini by Caetano: from testimony to horror film

The aim of this article is to analyze the process of filmic adaptation of Claudio Tamburrini’s testimony, Pase libre. La fuga de la Mansión Seré (2002), into Israel Adrián Caetano’s Chronicle of an Escape (Crónica de una fuga, 2006). The paper considers the problem of transformation of point of view...

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Detalles Bibliográficos
Autor principal: Dillon, Alfredo
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2019
Materias:
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/23892
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id I10-R10article-23892
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Adaptación
Transposición cinematográfica
Testimonio
Cine de terror
Crónica de una fuga
Adaptation
Cinematographic transposition
Testimony
Horror films
Chronicle of an Escape
spellingShingle Adaptación
Transposición cinematográfica
Testimonio
Cine de terror
Crónica de una fuga
Adaptation
Cinematographic transposition
Testimony
Horror films
Chronicle of an Escape
Dillon, Alfredo
Tamburrini by Caetano: from testimony to horror film
topic_facet Adaptación
Transposición cinematográfica
Testimonio
Cine de terror
Crónica de una fuga
Adaptation
Cinematographic transposition
Testimony
Horror films
Chronicle of an Escape
author Dillon, Alfredo
author_facet Dillon, Alfredo
author_sort Dillon, Alfredo
title Tamburrini by Caetano: from testimony to horror film
title_short Tamburrini by Caetano: from testimony to horror film
title_full Tamburrini by Caetano: from testimony to horror film
title_fullStr Tamburrini by Caetano: from testimony to horror film
title_full_unstemmed Tamburrini by Caetano: from testimony to horror film
title_sort tamburrini by caetano: from testimony to horror film
description The aim of this article is to analyze the process of filmic adaptation of Claudio Tamburrini’s testimony, Pase libre. La fuga de la Mansión Seré (2002), into Israel Adrián Caetano’s Chronicle of an Escape (Crónica de una fuga, 2006). The paper considers the problem of transformation of point of view in the transposition of a first person testimony, as well as the use of horror genre codes in the cinematographic representation of concentration camps in Argentina’s last military dictatorship (1976-1983). The construction of characters and the effects of suspension of morality inside the clandestine center of detention and torture are also studied. Finally, the article discusses the limits of literary and audiovisual representation of horror, in order to avoid spectacularization and sensationalism.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2019
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/23892
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