The eye of the camera and the rhetoric of the image

The article is based on an analytic clinical of adolescents mobilizing in film sessions. Next, the themes of memory and recollection in their Freudian aspects are classically considered; as well as the links and distances between Freud, cinema and psychoanalysis. The rhetoric (in the sense of Yates...

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Autor principal: Bonnet, Christian
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018
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Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22754
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id I10-R10article-22754
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Memoria
Retórica
Ética
Análisis estructural
Mirada a la cámara
Mirada a través de la cámara
Memory
Rhetoric
Ethics
Structural Analysis
Looking at the camera
Looking by the camera
spellingShingle Memoria
Retórica
Ética
Análisis estructural
Mirada a la cámara
Mirada a través de la cámara
Memory
Rhetoric
Ethics
Structural Analysis
Looking at the camera
Looking by the camera
Bonnet, Christian
The eye of the camera and the rhetoric of the image
topic_facet Memoria
Retórica
Ética
Análisis estructural
Mirada a la cámara
Mirada a través de la cámara
Memory
Rhetoric
Ethics
Structural Analysis
Looking at the camera
Looking by the camera
author Bonnet, Christian
author_facet Bonnet, Christian
author_sort Bonnet, Christian
title The eye of the camera and the rhetoric of the image
title_short The eye of the camera and the rhetoric of the image
title_full The eye of the camera and the rhetoric of the image
title_fullStr The eye of the camera and the rhetoric of the image
title_full_unstemmed The eye of the camera and the rhetoric of the image
title_sort eye of the camera and the rhetoric of the image
description The article is based on an analytic clinical of adolescents mobilizing in film sessions. Next, the themes of memory and recollection in their Freudian aspects are classically considered; as well as the links and distances between Freud, cinema and psychoanalysis. The rhetoric (in the sense of Yates and Arasse) is articulated with the figuration to propose a classical connection in the structuralist field (Barthes, Foucault) between speech and cinema. The author proposes a specific articulation between rhetoric, aesthetics and political engagement in the cinema. The resources of the structural analysis of the narratives lead to propose a model of the narrative formulas of the theme of the struggles. Finally a singular opening is proposed by mobilizing the expression of the eye to the camera and linking it to the concept of film analysis of the look at the camera (Vernet) to propose the design of the look by the camera. This one would be an original modality, specific of the adolescent processes, as the adolescent exposes himself to the image which “looks at him” and especially the article indicates that: This look by the camera is tied to the transfer.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2018
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22754
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