The time of the acacia: The representation in El árbol of Gustavo Fontán

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This paper is an approach of the film El árbol (2006) de Gustavo Fontán, the first movie of the Ciclo de la casa, masterpiece that introduces into a distinctive manner of production in the producer filmography. Fontán submerges himself into the universe of his parents home so that he can narrate the...

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Autor principal: Genero, Pablo
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2018
Materias:
Representación
Cine de lo real
Cine argentino
Gustavo Fontán
Representation
Cinema of the real
Argentinian films
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/20903
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-20903
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Representación
Cine de lo real
Cine argentino
Gustavo Fontán
Representation
Cinema of the real
Argentinian films
Gustavo Fontán
spellingShingle Representación
Cine de lo real
Cine argentino
Gustavo Fontán
Representation
Cinema of the real
Argentinian films
Gustavo Fontán
Genero, Pablo
The time of the acacia: The representation in El árbol of Gustavo Fontán
topic_facet Representación
Cine de lo real
Cine argentino
Gustavo Fontán
Representation
Cinema of the real
Argentinian films
Gustavo Fontán
author Genero, Pablo
author_facet Genero, Pablo
author_sort Genero, Pablo
title The time of the acacia: The representation in El árbol of Gustavo Fontán
title_short The time of the acacia: The representation in El árbol of Gustavo Fontán
title_full The time of the acacia: The representation in El árbol of Gustavo Fontán
title_fullStr The time of the acacia: The representation in El árbol of Gustavo Fontán
title_full_unstemmed The time of the acacia: The representation in El árbol of Gustavo Fontán
title_sort time of the acacia: the representation in el árbol of gustavo fontán
description This paper is an approach of the film El árbol (2006) de Gustavo Fontán, the first movie of the Ciclo de la casa, masterpiece that introduces into a distinctive manner of production in the producer filmography. Fontán submerges himself into the universe of his parents home so that he can narrate the subsistence of an acacia that lives in the sidewalk of the house. Through various cinematographic language resources he proposes a way the representation that escapes from any category and gender to integrate them in a narration inhabitated by the cotidianity of an elderly couple. The text proposes an analysis of the representation used by the director to recognize the universe builted with the cinematographic language resources.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2018
url https://revistas.unc.edu.ar/index.php/toma1/article/view/20903
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AT generopablo timeoftheacaciatherepresentationinelarbolofgustavofontan
bdutipo_str Revistas
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