The Quai Branly-Jean Chirac Museum. The museology normative discourse

Today, as in the past, many museums of ethnography or museums of the world’s cultures, continues to stage a hegemonic established social order. In them the normative discourse of the Eurocentric culture manages to impose itself from the conception of its narrative structure, the selection of its obj...

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Autor principal: Galindo, Luis Adrián
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Museo de Antropología 2019
Materias:
Acceso en línea:https://revistas.unc.edu.ar/index.php/antropologia/article/view/18036
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id I10-R10article-18036
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic eurocentrismo
museología
diversidad cultural
interculturalidad
museums
cultural diversity
Quai Branly Museum
museology.
spellingShingle eurocentrismo
museología
diversidad cultural
interculturalidad
museums
cultural diversity
Quai Branly Museum
museology.
Galindo, Luis Adrián
The Quai Branly-Jean Chirac Museum. The museology normative discourse
topic_facet eurocentrismo
museología
diversidad cultural
interculturalidad
museums
cultural diversity
Quai Branly Museum
museology.
author Galindo, Luis Adrián
author_facet Galindo, Luis Adrián
author_sort Galindo, Luis Adrián
title The Quai Branly-Jean Chirac Museum. The museology normative discourse
title_short The Quai Branly-Jean Chirac Museum. The museology normative discourse
title_full The Quai Branly-Jean Chirac Museum. The museology normative discourse
title_fullStr The Quai Branly-Jean Chirac Museum. The museology normative discourse
title_full_unstemmed The Quai Branly-Jean Chirac Museum. The museology normative discourse
title_sort quai branly-jean chirac museum. the museology normative discourse
description Today, as in the past, many museums of ethnography or museums of the world’s cultures, continues to stage a hegemonic established social order. In them the normative discourse of the Eurocentric culture manages to impose itself from the conception of its narrative structure, the selection of its objects of exhibition and the staging, thus strengthening the neoliberal thought that promotes the cultural diversity as the summation of the cultures which share the same territory, without contradictions, without asymmetries, without social tensions, in an apparent «social peace» and in a natural relationship with the environment. The Quai Branly-Jean Chirac Museum is a good example of this.
publisher Facultad de Filosofía y Humanidades. Museo de Antropología
publishDate 2019
url https://revistas.unc.edu.ar/index.php/antropologia/article/view/18036
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