The ethics of representation in documentary film

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Unlike fiction films, documentary refers to reality with the intention of “expressing truth”, which is why filmmakers have an obligation to both viewers (that represented facts are true) and to the subjects / characters. However, these obligations are not explicitly outlined, as the documentary trea...

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Autor principal: Lanza, Pablo
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2016
Materias:
Cine documental
Personajes
Ética
Documentary film
Characters
Ethics
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/14860
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-14860
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Cine documental
Personajes
Ética
Documentary film
Characters
Ethics
spellingShingle Cine documental
Personajes
Ética
Documentary film
Characters
Ethics
Lanza, Pablo
The ethics of representation in documentary film
topic_facet Cine documental
Personajes
Ética
Documentary film
Characters
Ethics
author Lanza, Pablo
author_facet Lanza, Pablo
author_sort Lanza, Pablo
title The ethics of representation in documentary film
title_short The ethics of representation in documentary film
title_full The ethics of representation in documentary film
title_fullStr The ethics of representation in documentary film
title_full_unstemmed The ethics of representation in documentary film
title_sort ethics of representation in documentary film
description Unlike fiction films, documentary refers to reality with the intention of “expressing truth”, which is why filmmakers have an obligation to both viewers (that represented facts are true) and to the subjects / characters. However, these obligations are not explicitly outlined, as the documentary treats reality in a creative way, which forces us to talk about ethics, understood as codesof human behavior. These codes are not unchangeable, but vary from society to society and from age to age, but a constant is the inequality of power between the subjects and the filmmakers. This article proposes to investigate a number of specific axes such as the necessary conditions to consider a given consent as valid, the strategies adopted to conducting interviews and the representation of death from the analysis of three recent Argentine documentary: Yo no sé qué me han hecho tus ojos (2003, Sergio Wolf & Lorena Muñoz), Yo presidente (2006, Gastón Duprat & Mariano Cohn) and Bye bye life (2008, Enrique Piñeyro).
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2016
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/14860
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