Histories/Histoire(s). Images of Walter Benjamin and Jean-Luc Godard
Taking as our starting point Jean-Luc Godard´s film Histoire(s) du cinéma, we intend to review some basic concepts of Walter Benjamin’s philosophy of history. This implies the return to montage as a historic procedure and also to the way in which the re-writing of history enables new political views...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2013
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/9329 |
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I10-R10-article-93292020-11-01T03:56:49Z Histories/Histoire(s). Images of Walter Benjamin and Jean-Luc Godard Historia/Histoire(s). Las imágenes de Walter Benjamin y Jean-Luc Godard Taccetta, Natalia Godard Benjamin Histoire(s) du cinema Film History Godard Benjamin Histoire(s) du cinéma Historia del cine Taking as our starting point Jean-Luc Godard´s film Histoire(s) du cinéma, we intend to review some basic concepts of Walter Benjamin’s philosophy of history. This implies the return to montage as a historic procedure and also to the way in which the re-writing of history enables new political views according to the benjaminian notion of “history against the grain”. In this sense, it becomes unavoidable the notion of “ruin” that allows an unorthodox look at History, different from those which propose a single historical meaning or the teleological rationalization of events. A partir de Histoire(s) du cinéma de Jean-Luc Godard, se intenta revisar algunas nociones fundamentales de la filosofía de la historia de Walter Benjamin. Esto implica volver sobre la importancia del montaje como mecánica historiadora y sobre el modo en que la re-escritura de la historia posibilita miradas políticamente informadas más acordes con la “historia a contrapelo” benjaminiana. En este sentido, se vuelve ineludible la noción de “ruina” que permite volver sobre la mirada heterodoxa de Benjamin, opuesta a los sentidos históricos únicos y la racionalización teleológica de los acontecimientos. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2013-10-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/9329 Toma Uno; No. 2 (2013): El cine y las otras artes; 87-102 TOMA UNO; Núm. 2 (2013): El cine y las otras artes; 87-102 2250-4524 2313-9692 10.55442/tomauno.n2.2013 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/9329/10051 |
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Universidad Nacional de Córdoba |
| institution_str |
I-10 |
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R-10 |
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Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
Godard Benjamin Histoire(s) du cinema Film History Godard Benjamin Histoire(s) du cinéma Historia del cine |
| spellingShingle |
Godard Benjamin Histoire(s) du cinema Film History Godard Benjamin Histoire(s) du cinéma Historia del cine Taccetta, Natalia Histories/Histoire(s). Images of Walter Benjamin and Jean-Luc Godard |
| topic_facet |
Godard Benjamin Histoire(s) du cinema Film History Godard Benjamin Histoire(s) du cinéma Historia del cine |
| author |
Taccetta, Natalia |
| author_facet |
Taccetta, Natalia |
| author_sort |
Taccetta, Natalia |
| title |
Histories/Histoire(s). Images of Walter Benjamin and Jean-Luc Godard |
| title_short |
Histories/Histoire(s). Images of Walter Benjamin and Jean-Luc Godard |
| title_full |
Histories/Histoire(s). Images of Walter Benjamin and Jean-Luc Godard |
| title_fullStr |
Histories/Histoire(s). Images of Walter Benjamin and Jean-Luc Godard |
| title_full_unstemmed |
Histories/Histoire(s). Images of Walter Benjamin and Jean-Luc Godard |
| title_sort |
histories/histoire(s). images of walter benjamin and jean-luc godard |
| description |
Taking as our starting point Jean-Luc Godard´s film Histoire(s) du cinéma, we intend to review some basic concepts of Walter Benjamin’s philosophy of history. This implies the return to montage as a historic procedure and also to the way in which the re-writing of history enables new political views according to the benjaminian notion of “history against the grain”. In this sense, it becomes unavoidable the notion of “ruin” that allows an unorthodox look at History, different from those which propose a single historical meaning or the teleological rationalization of events. |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2013 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/9329 |
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AT taccettanatalia historieshistoiresimagesofwalterbenjaminandjeanlucgodard AT taccettanatalia historiahistoireslasimagenesdewalterbenjaminyjeanlucgodard |
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2022-08-20T01:14:42Z |
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2022-08-20T01:14:42Z |
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