"She will crush your head": Saint Mary of Guadalupe defeats the serpent on the feast of Potosí (1601)

In Potosí, on September 30, 1601, one of the paratheatrical segments of the juego de la sortija, a tournament that occurred in the festivities in honor of Saint Mary of Guadalupe, was designed to prove that when God cursed the serpent in Genesis 3:15 and predicted that its head would be cru...

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Autor principal: Peña, Beatriz Carolina
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2022
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Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/39356
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spelling I10-R10-article-393562022-12-08T18:54:14Z "She will crush your head": Saint Mary of Guadalupe defeats the serpent on the feast of Potosí (1601) “Ella te aplastará la cabeza”: Santa María de Guadalupe vence a la serpiente en la fiesta de Potosí (1601) Peña, Beatriz Carolina Colonial festivals Saint Mary of Guadalupe Friar Diego de Ocaña juego de la sortija Counter-Reformation fiestas coloniales Santa María de Guadalupe fray Diego de Ocaña juego de la sortija Contrarreforma In Potosí, on September 30, 1601, one of the paratheatrical segments of the juego de la sortija, a tournament that occurred in the festivities in honor of Saint Mary of Guadalupe, was designed to prove that when God cursed the serpent in Genesis 3:15 and predicted that its head would be crushed, He referred to Mary as the enemy of the temptress and that, in effect, it was the Virgin who executed this act of dominion over Evil. The visual discourse, encrypted in a dense but entertaining performance, opposed Luther's teachings and, in general, the condemnations of the Protestants, who perceived Mariolatry in that attribution. For Lutherans, Genesis 3:15 is a Protoevangelium, that is, a prophecy only about the coming of Christ to restore humanity from sin. This work analyzes the emblem, the processional float, the characters, and other elements of the iconographical program of the Príncipe Tartáreo to decode the symbolic elements that, in a Counter-Reformation effort, attributed to the Virgin Mary a crucial role in salvation. En Potosí, el 30 de septiembre de 1601, uno de los cuadros parateatrales del juego de la sortija, un torneo programado en las fiestas en honor de Santa María de Guadalupe, se diseñó para demostrar que cuando Dios maldijo a la serpiente en Génesis 3:15 y le pronosticó que su cabeza sería pisada, se refería a María como la enemiga de la tentadora y que, en efecto, fue la Virgen quien ejecutó este acto de dominio sobre el Mal. Tal discurso visual cifrado en un performance denso, pero muy divertido, se oponía a las enseñanzas de Lutero y, en general, a las condenas de los protestantes, quienes percibían mariolatría en esa atribución. Para los luteranos, Génesis 3:15 consiste en un protoevangelio, es decir, una profecía sobre la venida de Cristo a restaurar a la humanidad del pecado. Este trabajo analiza la divisa, el carro triunfal, los personajes y otros elementos del programa iconográfico del Príncipe Tartáreo para desentrañar el entramado de los valores simbólicos que, en un afán contrarreformista, atribuyen a María un papel clave en la salvación. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2022-12-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/39356 Recial; Vol. 13 Núm. 22 (2022): Dossier: La cuestión andina y sus letras coloniales. Homenaje a la Dra. Elena Altuna; 198-235 2718-658X 1853-4112 10.53971/2718.658x.v13.n22 spa https://revistas.unc.edu.ar/index.php/recial/article/view/39356/39716 https://revistas.unc.edu.ar/index.php/recial/article/view/39356/39717 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Colonial festivals
Saint Mary of Guadalupe
Friar Diego de Ocaña
juego de la sortija
Counter-Reformation
fiestas coloniales
Santa María de Guadalupe
fray Diego de Ocaña
juego de la sortija
Contrarreforma
spellingShingle Colonial festivals
Saint Mary of Guadalupe
Friar Diego de Ocaña
juego de la sortija
Counter-Reformation
fiestas coloniales
Santa María de Guadalupe
fray Diego de Ocaña
juego de la sortija
Contrarreforma
Peña, Beatriz Carolina
"She will crush your head": Saint Mary of Guadalupe defeats the serpent on the feast of Potosí (1601)
topic_facet Colonial festivals
Saint Mary of Guadalupe
Friar Diego de Ocaña
juego de la sortija
Counter-Reformation
fiestas coloniales
Santa María de Guadalupe
fray Diego de Ocaña
juego de la sortija
Contrarreforma
author Peña, Beatriz Carolina
author_facet Peña, Beatriz Carolina
author_sort Peña, Beatriz Carolina
title "She will crush your head": Saint Mary of Guadalupe defeats the serpent on the feast of Potosí (1601)
title_short "She will crush your head": Saint Mary of Guadalupe defeats the serpent on the feast of Potosí (1601)
title_full "She will crush your head": Saint Mary of Guadalupe defeats the serpent on the feast of Potosí (1601)
title_fullStr "She will crush your head": Saint Mary of Guadalupe defeats the serpent on the feast of Potosí (1601)
title_full_unstemmed "She will crush your head": Saint Mary of Guadalupe defeats the serpent on the feast of Potosí (1601)
title_sort "she will crush your head": saint mary of guadalupe defeats the serpent on the feast of potosí (1601)
description In Potosí, on September 30, 1601, one of the paratheatrical segments of the juego de la sortija, a tournament that occurred in the festivities in honor of Saint Mary of Guadalupe, was designed to prove that when God cursed the serpent in Genesis 3:15 and predicted that its head would be crushed, He referred to Mary as the enemy of the temptress and that, in effect, it was the Virgin who executed this act of dominion over Evil. The visual discourse, encrypted in a dense but entertaining performance, opposed Luther's teachings and, in general, the condemnations of the Protestants, who perceived Mariolatry in that attribution. For Lutherans, Genesis 3:15 is a Protoevangelium, that is, a prophecy only about the coming of Christ to restore humanity from sin. This work analyzes the emblem, the processional float, the characters, and other elements of the iconographical program of the Príncipe Tartáreo to decode the symbolic elements that, in a Counter-Reformation effort, attributed to the Virgin Mary a crucial role in salvation.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2022
url https://revistas.unc.edu.ar/index.php/recial/article/view/39356
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