Portrait of a lady on fire (2019): staging vulnerability
Cultural productions in their vast extension (literature, cinema, theater, radio, television, music, among others) spread discourses on love and interpersonal relationships that seek to homogenize affections, circumscribing them to characteristics associated with “good” ways of love. Intrinsically r...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/30773 |
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I10-R10-article-30773 |
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I10-R10-article-307732021-12-02T04:17:31Z Portrait of a lady on fire (2019): staging vulnerability Retrato de una mujer en llamas (2019): la puesta en escena de la vulnerabilidad Pérez Lence, Francisca feminism love contemporary audiovisual productions art-films feminismos amor producciones audiovisuales contemporáneas cine Cultural productions in their vast extension (literature, cinema, theater, radio, television, music, among others) spread discourses on love and interpersonal relationships that seek to homogenize affections, circumscribing them to characteristics associated with “good” ways of love. Intrinsically related ways with heterosexuality, monogamy and the reproduction of capitalism as the only way of being in the world. In this work we will interrogate the film Portrait of a woman on fire (2019) by Céline Sciamma, to draw an answer around which tools can be used by cinematographic discourses to expand fictional limits and (re)create, through of a turn in the stylistic-narrative decisions, other modes linking that advocate the staging of stories that inhabit the margins of the “correct” ways of loving. __ ARK: http://id.caicyt.gov.ar/ark:/s22504524/9qkenrrqb Las producciones culturales en su vasta extensión (literatura, cine, teatro, radio, televisión, música, entre otras) difunden discursos sobre el amor y las relaciones interpersonales que buscan una homogeneización de los afectos, circunscribiéndolos a características asociadas a “buenos” modos de amar. Modos intrínsecamente relacionados con la heterosexualidad, la monogamia y la reproducción del capitalismo como única forma de estar en el mundo. En este trabajo interrogaremos el filme Retrato de una mujer en llamas (2019) dirigido por Céline Sciamma, para bocetar algunas respuestas alrededor de las herramientas al alcance de los discursos cinematográficos para expandir los límites ficcionales y (re)crear, por medio de un viraje en las decisiones estilístico-narrativas, otros modos vinculares que habiten los márgenes de las “correctas” formas de amar. __ ARK: http://id.caicyt.gov.ar/ark:/s22504524/9qkenrrqb Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2020-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/30773 Toma Uno; No. 8 (2020): Gender, Dissent and Diversities in Cinema and Audiovisual Arts TOMA UNO; Núm. 8 (2020): Género, disidencias y diversidades en el Cine y las Artes Audiovisuales 2250-4524 2313-9692 10.55442/tomauno.n8.2020 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/30773/31451 https://revistas.unc.edu.ar/index.php/toma1/article/view/30773/31452 https://revistas.unc.edu.ar/index.php/toma1/article/view/30773/31453 http://creativecommons.org/licenses/by-nc-nd/2.5/ar/ |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-10 |
| container_title_str |
Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
feminism love contemporary audiovisual productions art-films feminismos amor producciones audiovisuales contemporáneas cine |
| spellingShingle |
feminism love contemporary audiovisual productions art-films feminismos amor producciones audiovisuales contemporáneas cine Pérez Lence, Francisca Portrait of a lady on fire (2019): staging vulnerability |
| topic_facet |
feminism love contemporary audiovisual productions art-films feminismos amor producciones audiovisuales contemporáneas cine |
| author |
Pérez Lence, Francisca |
| author_facet |
Pérez Lence, Francisca |
| author_sort |
Pérez Lence, Francisca |
| title |
Portrait of a lady on fire (2019): staging vulnerability |
| title_short |
Portrait of a lady on fire (2019): staging vulnerability |
| title_full |
Portrait of a lady on fire (2019): staging vulnerability |
| title_fullStr |
Portrait of a lady on fire (2019): staging vulnerability |
| title_full_unstemmed |
Portrait of a lady on fire (2019): staging vulnerability |
| title_sort |
portrait of a lady on fire (2019): staging vulnerability |
| description |
Cultural productions in their vast extension (literature, cinema, theater, radio, television, music, among others) spread discourses on love and interpersonal relationships that seek to homogenize affections, circumscribing them to characteristics associated with “good” ways of love. Intrinsically related ways with heterosexuality, monogamy and the reproduction of capitalism as the only way of being in the world.
In this work we will interrogate the film Portrait of a woman on fire (2019) by Céline Sciamma, to draw an answer around which tools can be used by cinematographic discourses to expand fictional limits and (re)create, through of a turn in the stylistic-narrative decisions, other modes linking that advocate the staging of stories that inhabit the margins of the “correct” ways of loving.
__
ARK: http://id.caicyt.gov.ar/ark:/s22504524/9qkenrrqb |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/30773 |
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AT perezlencefrancisca portraitofaladyonfire2019stagingvulnerability AT perezlencefrancisca retratodeunamujerenllamas2019lapuestaenescenadelavulnerabilidad |
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