Dear villa: The marginalist ecstasy on television and in the argentine narrative in the zero years
In the months before December 2001 and even in a stronger way in the years thatfollow, a significant interest in social exclusion seems to increase and take overjournalistic micros, series and documentaries in Argentine televisión. At the same time,different cultural manifestations like the cinema a...
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| Formato: | Artículo revista |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/29426 |
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I10-R10-article-294262021-07-27T22:46:01Z Dear villa: The marginalist ecstasy on television and in the argentine narrative in the zero years Villa querida: El éxtasis marginalista en la televisión y en la narrativa de la argentina en los años cero Panaia, Lucas aestheticization argentine narrative marginality mass medi villa miseria estetización marginalidad medios de comunicación narrativa argentina villa miseria In the months before December 2001 and even in a stronger way in the years thatfollow, a significant interest in social exclusion seems to increase and take overjournalistic micros, series and documentaries in Argentine televisión. At the same time,different cultural manifestations like the cinema and cumbia undertake the task ofnarrating the routine of those that live in the urban periphery. The fenomenon has itsreplica in literary fiction and thus many writers of the new generations begin to chronicle the social emergency in their narratives and focus their attention on the spaceof villa miseria. Among these texts there can be found Cuando me muera quiero que metoquen cumbia. Vida de pibes Chorros (2003) by Cristian Alarcón, Santería (2008) andSacrificio (2010) by Leonardo Oyola and La virgen cabeza (2009) by Gabriela CabezónCámara. Closer to fascination than to political denounciation, literature will swaybetween the aesthetization of desperate delinquency and the bizarre celebration ofmarginality. Such options bring together the narrative to the show put on by televisionprogrammes such as Policías en acción or Crónica TV reports. En los meses previos a diciembre de 2001 y aún con más fuerza en los años posteriores,un notorio interés por la exclusión social parece acrecentarse y copar microsperiodísticos, series y programas documentales de la televisión argentina. Al mismotiempo, distintas manifestaciones culturales, como el cine y la cumbia, asumen tambiénla tarea de contar la rutina de aquellos que viven en la periferia urbana. El fenómenotiene su réplica en la ficción literaria y, así, muchos escritores de las nuevaspromociones comienzan a referir la emergencia social en sus relatos y centran suatención en el espacio de la villa miseria. Entre estos textos se ubican Cuando me mueraquiero que me toquen cumbia. Vida de pibes Chorros (2003), de Cristian Alarcón,Santería (2008) y Sacrificio (2010), de Leonardo Oyola, y La virgen cabeza (2009), deGabriela Cabezón Cámara. Más cerca de la fascinación que de la denuncia política, laliteratura va a oscilar entre la estetización de la delincuencia desesperada y lacelebración bizarra de la marginalidad. Tales opciones acercan bastante la narrativa alshow que montan programas televisivos como Policías en acción o los informes deCrónica TV. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2020-07-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/29426 Recial; Vol. 11 Núm. 17 (2020): Dossier: Últimas tendencias en la poesía hispanoamericana (1960-2019): de las literaturas nacionales a la construcción de un canon transatlántico; 168- 186 2718-658X 1853-4112 10.53971/2718.658x.v11.n17 spa https://revistas.unc.edu.ar/index.php/recial/article/view/29426/30223 https://revistas.unc.edu.ar/index.php/recial/article/view/29426/30224 https://creativecommons.org/licenses/by-nc-sa/4.0 |
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Universidad Nacional de Córdoba |
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I-10 |
| repository_str |
R-10 |
| container_title_str |
Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
aestheticization argentine narrative marginality mass medi villa miseria estetización marginalidad medios de comunicación narrativa argentina villa miseria |
| spellingShingle |
aestheticization argentine narrative marginality mass medi villa miseria estetización marginalidad medios de comunicación narrativa argentina villa miseria Panaia, Lucas Dear villa: The marginalist ecstasy on television and in the argentine narrative in the zero years |
| topic_facet |
aestheticization argentine narrative marginality mass medi villa miseria estetización marginalidad medios de comunicación narrativa argentina villa miseria |
| author |
Panaia, Lucas |
| author_facet |
Panaia, Lucas |
| author_sort |
Panaia, Lucas |
| title |
Dear villa: The marginalist ecstasy on television and in the argentine narrative in the zero years |
| title_short |
Dear villa: The marginalist ecstasy on television and in the argentine narrative in the zero years |
| title_full |
Dear villa: The marginalist ecstasy on television and in the argentine narrative in the zero years |
| title_fullStr |
Dear villa: The marginalist ecstasy on television and in the argentine narrative in the zero years |
| title_full_unstemmed |
Dear villa: The marginalist ecstasy on television and in the argentine narrative in the zero years |
| title_sort |
dear villa: the marginalist ecstasy on television and in the argentine narrative in the zero years |
| description |
In the months before December 2001 and even in a stronger way in the years thatfollow, a significant interest in social exclusion seems to increase and take overjournalistic micros, series and documentaries in Argentine televisión. At the same time,different cultural manifestations like the cinema and cumbia undertake the task ofnarrating the routine of those that live in the urban periphery. The fenomenon has itsreplica in literary fiction and thus many writers of the new generations begin to chronicle the social emergency in their narratives and focus their attention on the spaceof villa miseria. Among these texts there can be found Cuando me muera quiero que metoquen cumbia. Vida de pibes Chorros (2003) by Cristian Alarcón, Santería (2008) andSacrificio (2010) by Leonardo Oyola and La virgen cabeza (2009) by Gabriela CabezónCámara. Closer to fascination than to political denounciation, literature will swaybetween the aesthetization of desperate delinquency and the bizarre celebration ofmarginality. Such options bring together the narrative to the show put on by televisionprogrammes such as Policías en acción or Crónica TV reports. |
| publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/29426 |
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2022-08-20T01:13:32Z |
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