Saber ser siervo. La negación del Estado de derecho en El médico de San Luis (1860)
El médico de San Luis is a socio-sentimental novel (Molina) that fictionalizes, through the mechanism of idealization (López), and within a Christian matrix, the life of a family in the 1860´s. We propose that the novel is constructed throughout the tension of two divergent morals. Following previou...
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2020
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I10-R10-article-294162021-07-27T22:46:01Z Saber ser siervo. La negación del Estado de derecho en El médico de San Luis (1860) Crespo, Natalia Eduarda Mansilla moral socio-sentimental novel Rosas 1860 Eduarda Mansilla moral novela socio-sentimental Rosas 1860 El médico de San Luis is a socio-sentimental novel (Molina) that fictionalizes, through the mechanism of idealization (López), and within a Christian matrix, the life of a family in the 1860´s. We propose that the novel is constructed throughout the tension of two divergent morals. Following previous texts about the novel (Viñas, 1974; Molina; Chikiar Bauer, 2013), we seek to offer a reading which highlights the implicit moral, the one not mentioned but suggested along the plot. According to this hidden moral, the economy of violence that, within a State of right, is exerted by the Judicial Power is here carried out by one citizen, who has positioned himself in the role of the master. Through a textual close reading, we intend to demonstrate that the authority of the master is based in certain recurrences: his birth and family privileges, his semiotic monopoly, his tendency to plan a future society and his rhetoric capability of constructing his place of enunciation as the one mediating men and God. We conclude that this novel, conservative and hispano-creole, narrates the story of a revenge, in which certain political gestures are condensed: a hard criticism to 1860 Argentine government, the nostalgia of the past during Rosismo and the point of view of a federal member of the social elite. El médico de San Luis es una novela socio-sentimental (Molina) que ficcionaliza, a través de la idealización (López, 1845), con matriz cristiana, la vida de una familia de 1860. Nuestra hipótesis es que la novela se construye sobre la tensión de dos morales divergentes. El objetivo de este artículo es ofrecer una lectura que, siguiendo las propuestas de Viñas (1974), Chikiar Bauer (2013) y Molina, dé cuenta de la moral implícita, aquella que queda sugerida en la trama. Según esta moral, la economía de la violencia, que en un Estado de derecho debe ser ejercida por el poder judicial, es ejercida aquí por un único ciudadano, discursivamente ubicado en el lugar del amo: el médico. A partir del análisis textual, intentamos demostrar que la autoridad del amo se cimenta en algunas recurrencias: los privilegios de cuna y apellido, el monopolio del poder semiótico, su don de planificación de una sociedad futura y su capacidad retórica para construirse como intermediario entre los hombres y Dios. Concluimos con que la novela, hispano-criolla y conservadora, narra la historia de una venganza: en ella se condensan la crítica al Gobierno de 1860, la nostalgia por el rosismo y la mirada de una patricia federal. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2020-07-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/29416 Recial; Vol. 11 Núm. 17 (2020): Dossier: Últimas tendencias en la poesía hispanoamericana (1960-2019): de las literaturas nacionales a la construcción de un canon transatlántico; 74-95 2718-658X 1853-4112 10.53971/2718.658x.v11.n17 spa https://revistas.unc.edu.ar/index.php/recial/article/view/29416/30214 https://revistas.unc.edu.ar/index.php/recial/article/view/29416/30215 https://creativecommons.org/licenses/by-nc-sa/4.0 |
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Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-10 |
container_title_str |
Revistas de la UNC |
language |
Español |
format |
Artículo revista |
topic |
Eduarda Mansilla moral socio-sentimental novel Rosas 1860 Eduarda Mansilla moral novela socio-sentimental Rosas 1860 |
spellingShingle |
Eduarda Mansilla moral socio-sentimental novel Rosas 1860 Eduarda Mansilla moral novela socio-sentimental Rosas 1860 Crespo, Natalia Saber ser siervo. La negación del Estado de derecho en El médico de San Luis (1860) |
topic_facet |
Eduarda Mansilla moral socio-sentimental novel Rosas 1860 Eduarda Mansilla moral novela socio-sentimental Rosas 1860 |
author |
Crespo, Natalia |
author_facet |
Crespo, Natalia |
author_sort |
Crespo, Natalia |
title |
Saber ser siervo. La negación del Estado de derecho en El médico de San Luis (1860) |
title_short |
Saber ser siervo. La negación del Estado de derecho en El médico de San Luis (1860) |
title_full |
Saber ser siervo. La negación del Estado de derecho en El médico de San Luis (1860) |
title_fullStr |
Saber ser siervo. La negación del Estado de derecho en El médico de San Luis (1860) |
title_full_unstemmed |
Saber ser siervo. La negación del Estado de derecho en El médico de San Luis (1860) |
title_sort |
saber ser siervo. la negación del estado de derecho en el médico de san luis (1860) |
description |
El médico de San Luis is a socio-sentimental novel (Molina) that fictionalizes, through the mechanism of idealization (López), and within a Christian matrix, the life of a family in the 1860´s. We propose that the novel is constructed throughout the tension of two divergent morals. Following previous texts about the novel (Viñas, 1974; Molina; Chikiar Bauer, 2013), we seek to offer a reading which highlights the implicit moral, the one not mentioned but suggested along the plot. According to this hidden moral, the economy of violence that, within a State of right, is exerted by the Judicial Power is here carried out by one citizen, who has positioned himself in the role of the master. Through a textual close reading, we intend to demonstrate that the authority of the master is based in certain recurrences: his birth and family privileges, his semiotic monopoly, his tendency to plan a future society and his rhetoric capability of constructing his place of enunciation as the one mediating men and God. We conclude that this novel, conservative and hispano-creole, narrates the story of a revenge, in which certain political gestures are condensed: a hard criticism to 1860 Argentine government, the nostalgia of the past during Rosismo and the point of view of a federal member of the social elite. |
publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
publishDate |
2020 |
url |
https://revistas.unc.edu.ar/index.php/recial/article/view/29416 |
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AT cresponatalia sabersersiervolanegaciondelestadodederechoenelmedicodesanluis1860 |
first_indexed |
2022-08-20T01:13:31Z |
last_indexed |
2022-08-20T01:13:31Z |
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