Photojornalism and subjectivity in dictatorship time: production of senses and their relationships with feminisms

This article aims to reflect about the divergences printed in the construction of the photojournalistic look crossed by the binary cultural logic, which is divided between masculine and feminine. From the photojournalistic productions of Rosa Gauditano and Evandro Teixeira, carried out during the br...

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Autor principal: Schmitt, Elaine
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Historia 2019
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Acceso en línea:https://revistas.unc.edu.ar/index.php/RIHALC/article/view/26668
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spelling I10-R10-article-266682020-02-13T20:58:14Z Photojornalism and subjectivity in dictatorship time: production of senses and their relationships with feminisms Fotojornalismo e subjetividade em tempos de ditadura: produção de sentidos e suas relações com os feminismos Schmitt, Elaine Fotojornalismo Feminismos Ditadura militar This article aims to reflect about the divergences printed in the construction of the photojournalistic look crossed by the binary cultural logic, which is divided between masculine and feminine. From the photojournalistic productions of Rosa Gauditano and Evandro Teixeira, carried out during the brazilian’s military dictatorship of 1964, and from testimonies of other brazilian photojournalists, we provoke an interdisciplinary re-reading about the possible division of looks in comparison with texts of Veiga (2012), Hall (2006), Alvarez (2016), among others. The preliminary results reveal the existence of a possibly transformative element in the production process of brazilian’s female photojournalists: the influence of feminist movements.     Este artigo busca refletir sobre as divergências impressas na construção do olhar fotojornalístico atravessado pela lógica cultural binária, que se divide entre masculino e feminino. A partir de produções fotojornalísticas de Rosa Gauditano e Evandro Teixeira, realizadas durante a ditadura militar brasileira de 1964, e de depoimentos de outras fotojornalistas brasileiras, provocamos uma releitura interdisciplinar sobre a possível divisão de olhares em cotejamento com os textos de Veiga (2012), Hall (2006), Alvarez (2016), entre outros e outras. Os resultados preliminares revelam a existência de um elemento possivelmente transformador no processo de produção de mulheres fotojornalistas brasileiras: a influência dos movimentos feministas.   Facultad de Filosofía y Humanidades. Escuela de Historia 2019-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/RIHALC/article/view/26668 Journal Red Intercátedras de Historia de América Latina Contemporánea ; No. 11 (2019): Revista de la Red Intercátedras de Historia de América Latina Contemporánea. December 2019-May 2020; 99-123 Revista de la Red Intercátedras de Historia de América Latina Contemporánea; Núm. 11 (2019): Revista de la Red Intercátedras de Historia de América Latina Contemporánea. Diciembre 2019-Mayo 2020; 99-123 Revista da Rede Intercátedras de História Contemporânea da América Latina ; n. 11 (2019): Revista de la Red Intercátedras de Historia de América Latina Contemporánea. Dezembro 2019-Maio 2020; 99-123 2250-7264 spa https://revistas.unc.edu.ar/index.php/RIHALC/article/view/26668/28362 https://revistas.unc.edu.ar/index.php/RIHALC/article/view/26668/28382
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Fotojornalismo
Feminismos
Ditadura militar
spellingShingle Fotojornalismo
Feminismos
Ditadura militar
Schmitt, Elaine
Photojornalism and subjectivity in dictatorship time: production of senses and their relationships with feminisms
topic_facet Fotojornalismo
Feminismos
Ditadura militar
author Schmitt, Elaine
author_facet Schmitt, Elaine
author_sort Schmitt, Elaine
title Photojornalism and subjectivity in dictatorship time: production of senses and their relationships with feminisms
title_short Photojornalism and subjectivity in dictatorship time: production of senses and their relationships with feminisms
title_full Photojornalism and subjectivity in dictatorship time: production of senses and their relationships with feminisms
title_fullStr Photojornalism and subjectivity in dictatorship time: production of senses and their relationships with feminisms
title_full_unstemmed Photojornalism and subjectivity in dictatorship time: production of senses and their relationships with feminisms
title_sort photojornalism and subjectivity in dictatorship time: production of senses and their relationships with feminisms
description This article aims to reflect about the divergences printed in the construction of the photojournalistic look crossed by the binary cultural logic, which is divided between masculine and feminine. From the photojournalistic productions of Rosa Gauditano and Evandro Teixeira, carried out during the brazilian’s military dictatorship of 1964, and from testimonies of other brazilian photojournalists, we provoke an interdisciplinary re-reading about the possible division of looks in comparison with texts of Veiga (2012), Hall (2006), Alvarez (2016), among others. The preliminary results reveal the existence of a possibly transformative element in the production process of brazilian’s female photojournalists: the influence of feminist movements.    
publisher Facultad de Filosofía y Humanidades. Escuela de Historia
publishDate 2019
url https://revistas.unc.edu.ar/index.php/RIHALC/article/view/26668
work_keys_str_mv AT schmittelaine photojornalismandsubjectivityindictatorshiptimeproductionofsensesandtheirrelationshipswithfeminisms
AT schmittelaine fotojornalismoesubjetividadeemtemposdeditaduraproducaodesentidosesuasrelacoescomosfeminismos
first_indexed 2022-08-20T01:15:54Z
last_indexed 2022-08-20T01:15:54Z
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