Barbarism and alochrony in Marcelo Bórmida`s ethnological project
The article interprets two works by the Italo-Argentinean scientist Marcelo Bórmida that were very significative for Argentine anthropology towards the end of the 1950s. Those texts implied a rupture - from within - with the German diffusionism, a widespread paradigm in the local academy since the e...
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Facultad de Filosofía y Humanidades. Museo de Antropología
2019
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Acceso en línea: | https://revistas.unc.edu.ar/index.php/antropologia/article/view/23054 |
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I10-R10-article-230542022-08-24T16:25:24Z Barbarism and alochrony in Marcelo Bórmida`s ethnological project Barbarie y alocronía en el proyecto etnológico de Marcelo Bórmida Silla, Rolando Bórmida Ethnology Barbarians Alochrony Bórmida Etnología Bárbaros Alocronismo The article interprets two works by the Italo-Argentinean scientist Marcelo Bórmida that were very significative for Argentine anthropology towards the end of the 1950s. Those texts implied a rupture - from within - with the German diffusionism, a widespread paradigm in the local academy since the end of the 19th century. The author points out two central concepts for his ethnological project: barbarism and dynchronization of the synchronic. Both texts try to recreate a history of ethnology that goes beyond the usual canons of this type of narratives. First, due its historical depth; second because it does not close on the local sphere (in other words, it denies making a “history of anthropology in Argentina” to pursue a general history of Anthropology, or more specifically, of Ethnology); and third because it prioritizes Latin (Spanish and Italian) and Germans authors instead of French and Anglo-Saxons. Se realiza un comentario sobre dos trabajos del antropólogo ítalo-argentino Marcelo Bórmida que hacia finales de la década de 1950 impactaron en la antropología argentina, pues implicaban una ruptura -pero desde dentro de la escuela- con la tradición difusionista alemana de amplio alcance en la tradición local desde fines del siglo XIX. El autor acuña dos conceptos centrales para su proyecto etnológico: barbarie y diacronización de lo sincrónico. Además, ambos textos intentan recrear una historia de la disciplina que se sale de los cánones habituales de ese tipo de relatos; primero por su profundidad histórica; segundo porque no se cierra al ámbito local, a hacer una “historia de la antropología en Argentina” sino a solo hacer una historia de la Antropología, o más específicamente, de la Etnología; y tercero porque prioriza autores latinos -españoles e italianos- y alemanes en vez de franceses y anglosajones. Facultad de Filosofía y Humanidades. Museo de Antropología 2019-08-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo revisado por pares Historia de la antropología Artigo revisado por pares application/pdf https://revistas.unc.edu.ar/index.php/antropologia/article/view/23054 Revista del Museo de Antropología; Vol 12 (2019) NÚMERO 2; 101-112 Revista del Museo de Antropología; Vol 12 (2019) NÚMERO 2; 101-112 Revista del Museo de Antropología; Vol 12 (2019) NÚMERO 2; 101-112 1852-4826 1852-060X 10.31048/1852.4826.v12.n2 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/23054/24494 Derechos de autor 2019 Rolando Silla |
institution |
Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-10 |
container_title_str |
Revistas de la UNC |
language |
Español |
format |
Artículo revista |
topic |
Bórmida Ethnology Barbarians Alochrony Bórmida Etnología Bárbaros Alocronismo |
spellingShingle |
Bórmida Ethnology Barbarians Alochrony Bórmida Etnología Bárbaros Alocronismo Silla, Rolando Barbarism and alochrony in Marcelo Bórmida`s ethnological project |
topic_facet |
Bórmida Ethnology Barbarians Alochrony Bórmida Etnología Bárbaros Alocronismo |
author |
Silla, Rolando |
author_facet |
Silla, Rolando |
author_sort |
Silla, Rolando |
title |
Barbarism and alochrony in Marcelo Bórmida`s ethnological project |
title_short |
Barbarism and alochrony in Marcelo Bórmida`s ethnological project |
title_full |
Barbarism and alochrony in Marcelo Bórmida`s ethnological project |
title_fullStr |
Barbarism and alochrony in Marcelo Bórmida`s ethnological project |
title_full_unstemmed |
Barbarism and alochrony in Marcelo Bórmida`s ethnological project |
title_sort |
barbarism and alochrony in marcelo bórmida`s ethnological project |
description |
The article interprets two works by the Italo-Argentinean scientist Marcelo Bórmida that were very significative for Argentine anthropology towards the end of the 1950s. Those texts implied a rupture - from within - with the German diffusionism, a widespread paradigm in the local academy since the end of the 19th century. The author points out two central concepts for his ethnological project: barbarism and dynchronization of the synchronic. Both texts try to recreate a history of ethnology that goes beyond the usual canons of this type of narratives. First, due its historical depth; second because it does not close on the local sphere (in other words, it denies making a “history of anthropology in Argentina” to pursue a general history of Anthropology, or more specifically, of Ethnology); and third because it prioritizes Latin (Spanish and Italian) and Germans authors instead of French and Anglo-Saxons. |
publisher |
Facultad de Filosofía y Humanidades. Museo de Antropología |
publishDate |
2019 |
url |
https://revistas.unc.edu.ar/index.php/antropologia/article/view/23054 |
work_keys_str_mv |
AT sillarolando barbarismandalochronyinmarcelobormidasethnologicalproject AT sillarolando barbarieyalocroniaenelproyectoetnologicodemarcelobormida |
first_indexed |
2022-08-20T01:11:58Z |
last_indexed |
2022-10-04T12:39:27Z |
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1770717841861902336 |