Emerge. The traumatic image in Gus Van Sant

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Gus Van Sant’s cinema is full of characters who have been confronted with a traumatic event. It is difficult to ignore the recurrence of trauma in the filmmaker’s work, from the very first films to the last. In this work, we examine some modalities of narrative treatment through the exemplary case o...

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Autor principal: Hammerli, Frédérique
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018
Materias:
Trauma
Overcoming the event
Image
Power
Function of cinema
Superación del acontecimiento
Imagen
Poder
Función del cine
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22758
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-22758
record_format ojs
spelling I10-R10-article-227582019-07-31T12:45:37Z Emerge. The traumatic image in Gus Van Sant Emerger. La imagen traumática en Gus Van Sant Hammerli, Frédérique Trauma Overcoming the event Image Power Function of cinema Trauma Superación del acontecimiento Imagen Poder Función del cine Gus Van Sant’s cinema is full of characters who have been confronted with a traumatic event. It is difficult to ignore the recurrence of trauma in the filmmaker’s work, from the very first films to the last. In this work, we examine some modalities of narrative treatment through the exemplary case of Paranoid park to highlight the fact that Gus van Sant is less interested, from the point of view of the character, the trauma itself or his painful consequences, only to a possible overtaking of the event through its elaboration. This will bring out what this motif reveals about the filmmaker’s work, his approach to the image and the power it exerts on the viewer, and thus its very conception of the function of cinema. El cine de Gus Van Sant rebosa de personajes que se han enfrentado a un evento traumático. Es difícil ignorar la recurrencia del trauma en la obra del cineasta, desde las primeras películas hasta las últimas. En este trabajo examinaremos algunas modalidades del tratamiento narrativo de este tópico a través del caso ejemplar de Paranoid Park, con el objetivo de evidenciar el hecho de que Gus Van Sant no se interesa tanto, desde el punto de vista del personaje, en el trauma en sí o en sus consecuencias dolorosas, sino más bien en una posible superación del acontecimiento por medio de su elaboración. Esto permitirá extraer lo que este tópico revela del trabajo del cineasta, de su enfoque de la imagen y del poder que esta ejerce sobre el espectador, es decir, de su concepción misma de la función del cine Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018-07-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22758 Ética y Cine Journal; Vol. 8 Núm. 2 (2018): Cine y Psicoanálisis: Memorias y luchas; 43-51 2250-5415 2250-5660 10.31056/2250.5415.v8.n2 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22758/23050 Derechos de autor 2018 Ética&Cine Journal
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Trauma
Overcoming the event
Image
Power
Function of cinema
Trauma
Superación del acontecimiento
Imagen
Poder
Función del cine
spellingShingle Trauma
Overcoming the event
Image
Power
Function of cinema
Trauma
Superación del acontecimiento
Imagen
Poder
Función del cine
Hammerli, Frédérique
Emerge. The traumatic image in Gus Van Sant
topic_facet Trauma
Overcoming the event
Image
Power
Function of cinema
Trauma
Superación del acontecimiento
Imagen
Poder
Función del cine
author Hammerli, Frédérique
author_facet Hammerli, Frédérique
author_sort Hammerli, Frédérique
title Emerge. The traumatic image in Gus Van Sant
title_short Emerge. The traumatic image in Gus Van Sant
title_full Emerge. The traumatic image in Gus Van Sant
title_fullStr Emerge. The traumatic image in Gus Van Sant
title_full_unstemmed Emerge. The traumatic image in Gus Van Sant
title_sort emerge. the traumatic image in gus van sant
description Gus Van Sant’s cinema is full of characters who have been confronted with a traumatic event. It is difficult to ignore the recurrence of trauma in the filmmaker’s work, from the very first films to the last. In this work, we examine some modalities of narrative treatment through the exemplary case of Paranoid park to highlight the fact that Gus van Sant is less interested, from the point of view of the character, the trauma itself or his painful consequences, only to a possible overtaking of the event through its elaboration. This will bring out what this motif reveals about the filmmaker’s work, his approach to the image and the power it exerts on the viewer, and thus its very conception of the function of cinema.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2018
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/22758
work_keys_str_mv AT hammerlifrederique emergethetraumaticimageingusvansant
AT hammerlifrederique emergerlaimagentraumaticaengusvansant
first_indexed 2022-08-20T01:04:40Z
last_indexed 2022-08-20T01:04:40Z
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