Infinity and improvisation in Life is a dream
Pedro Calderón de la Barca's La vida es sueño dramatizes the effects of the demise of the Ptolemaic conception of the universe and its replacement by ideas derived from the Copernican revolution and its effects. The main one was a conception of the cosmos as infinite, which tested the limits of...
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/22691 |
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I10-R10-article-226912018-12-20T12:58:28Z Infinity and improvisation in Life is a dream Infinito e improvisación en La vida es sueño González Echevarría, Roberto Ptolemy Copernicus infinite improvisation politics Tolomeo Copérnico infinito improvisación política Pedro Calderón de la Barca's La vida es sueño dramatizes the effects of the demise of the Ptolemaic conception of the universe and its replacement by ideas derived from the Copernican revolution and its effects. The main one was a conception of the cosmos as infinite, which tested the limits of other codes regulating politics and art. Caught in an infinite universe King Basilio and his son, Prince Segismundo, resort to improvisation, the first with disastrous results, and the second by becoming monarch himself at the second try. The Baroque deals with codes that are now known to be empty, such as Ptolemy's organization of the stellar system and classical mythology, which are elaborately deployed to cover their vacuity. La vida es sueño, de Pedro Calderón de la Barca, dramatiza los efectos de la caída del concepto tolemaico del universo y su reemplazo por ideas derivadas de la revolución copernicana y sus efectos. El principal fue la concepción del universo como infinito, lo cual cuestionaba los límites de otros códigos que regulaban la política y el arte. Atrapado en un universo infinito el Rey Basilio y su hijo, el Príncipe Segismundo, tienen que acudir a la improvisación, el primero con resultados desastrosos, el segundo para convertirse en monarca a la segunda intentona. El Barroco se basa en códigos que sabe son vacíos, como el tolemaico y la mitología clásica, que despliega de forma elaborada para cubrir su vaciedad. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/22691 Recial; Vol. 9 Núm. 14 (2018): Dossier: Del Barroco y el Neobarroco 2718-658X 1853-4112 10.53971/2718.658x.v9.n14 spa https://revistas.unc.edu.ar/index.php/recial/article/view/22691/22303 https://revistas.unc.edu.ar/index.php/recial/article/view/22691/html Derechos de autor 2018 Recial |
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Universidad Nacional de Córdoba |
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Artículo revista |
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Ptolemy Copernicus infinite improvisation politics Tolomeo Copérnico infinito improvisación política |
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Ptolemy Copernicus infinite improvisation politics Tolomeo Copérnico infinito improvisación política González Echevarría, Roberto Infinity and improvisation in Life is a dream |
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Ptolemy Copernicus infinite improvisation politics Tolomeo Copérnico infinito improvisación política |
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González Echevarría, Roberto |
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González Echevarría, Roberto |
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González Echevarría, Roberto |
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Infinity and improvisation in Life is a dream |
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Infinity and improvisation in Life is a dream |
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Infinity and improvisation in Life is a dream |
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Infinity and improvisation in Life is a dream |
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Infinity and improvisation in Life is a dream |
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infinity and improvisation in life is a dream |
| description |
Pedro Calderón de la Barca's La vida es sueño dramatizes the effects of the demise of the Ptolemaic conception of the universe and its replacement by ideas derived from the Copernican revolution and its effects. The main one was a conception of the cosmos as infinite, which tested the limits of other codes regulating politics and art. Caught in an infinite universe King Basilio and his son, Prince Segismundo, resort to improvisation, the first with disastrous results, and the second by becoming monarch himself at the second try. The Baroque deals with codes that are now known to be empty, such as Ptolemy's organization of the stellar system and classical mythology, which are elaborately deployed to cover their vacuity. |
| publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
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2018 |
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https://revistas.unc.edu.ar/index.php/recial/article/view/22691 |
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2022-08-20T01:13:19Z |
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