The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996).
This paper aims to discuss some questions about the processes of nationhood narration present in two films of what is called Cinema da Retomada in Brazil. Through the analysis of the films Terra Estrangeira (1995), directed by Walter Salles and Daniela Thomas and Como nascem os anjos (1996), directe...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2018
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/20896 |
| Aporte de: |
| id |
I10-R10-article-20896 |
|---|---|
| record_format |
ojs |
| spelling |
I10-R10-article-208962020-11-01T03:56:09Z The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996). Uma proposta de narração do nacional no Cinema da Retomada: A comunidade imaginada Brasil em Terra Estrangeira (1995) e Como nascem os anjos (1996) Dias Fonseca, Eduardo Cinema da retomada Narración Nacional Cine brasileiro Mundialización Cinema da retomada Narration Naciohood Brazilian Cinema Globalization This paper aims to discuss some questions about the processes of nationhood narration present in two films of what is called Cinema da Retomada in Brazil. Through the analysis of the films Terra Estrangeira (1995), directed by Walter Salles and Daniela Thomas and Como nascem os anjos (1996), directed by Murilo Salles we seek to highlight the filmic procedures that suggest a reading of the construction of the nationhood. What are the characteristics of the nationhood we can find in the movies? This is the main question that guides the film analysis in this paper. In an age of discussion about the local and the global, our goal is to find characteristics of a way of presence of the national in the face of the globalization of cultures. El presente artículo tiene por objeto problematizar los procesos narrativos relacionados con la construcción de la nación presentes en dos películas del Cinema da Retomada en Brasil. Mediante el análisis de las películas Terra Estrangeira (1995), dirigida por Walter Salles y Daniela Thomas, y Como nascem os anjos (1996), dirigida por Murilo Salles, buscamos resaltar los procedimientos fílmicos empleados para abordar este tema. ¿Qué aspectos característicos de la nación se encuentran en las películas? Esta es la pregunta principal que plantea el trabajo. En una época en la que se discute la relación entre lo local y lo global, nos proponemos mostrar de qué modo se presentan en estas obras fílmicas lo nacional ante la mundialización de las culturas. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2018-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/20896 Toma Uno; No. 6 (2018): Breakthrough cinemas: New ways of making and thinking about cinema throughout history.; 79-91 TOMA UNO; Núm. 6 (2018): Cines de ruptura: Nuevas formas de hacer y pensar el cine a lo largo de la historia; 79-91 2250-4524 2313-9692 10.55442/tomauno.n6.2018 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/20896/20496 Derechos de autor 2018 Eduardo Dias Fonseca http://creativecommons.org/licenses/by-nc-nd/2.5/ar/ |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-10 |
| container_title_str |
Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
Cinema da retomada Narración Nacional Cine brasileiro Mundialización Cinema da retomada Narration Naciohood Brazilian Cinema Globalization |
| spellingShingle |
Cinema da retomada Narración Nacional Cine brasileiro Mundialización Cinema da retomada Narration Naciohood Brazilian Cinema Globalization Dias Fonseca, Eduardo The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996). |
| topic_facet |
Cinema da retomada Narración Nacional Cine brasileiro Mundialización Cinema da retomada Narration Naciohood Brazilian Cinema Globalization |
| author |
Dias Fonseca, Eduardo |
| author_facet |
Dias Fonseca, Eduardo |
| author_sort |
Dias Fonseca, Eduardo |
| title |
The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996). |
| title_short |
The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996). |
| title_full |
The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996). |
| title_fullStr |
The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996). |
| title_full_unstemmed |
The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996). |
| title_sort |
narration of the nationhood in brazilian´s cinema da retomada: the imagined community in foreign land (1995) and how the angels are born (1996). |
| description |
This paper aims to discuss some questions about the processes of nationhood narration present in two films of what is called Cinema da Retomada in Brazil. Through the analysis of the films Terra Estrangeira (1995), directed by Walter Salles and Daniela Thomas and Como nascem os anjos (1996), directed by Murilo Salles we seek to highlight the filmic procedures that suggest a reading of the construction of the nationhood. What are the characteristics of the nationhood we can find in the movies? This is the main question that guides the film analysis in this paper. In an age of discussion about the local and the global, our goal is to find characteristics of a way of presence of the national in the face of the globalization of cultures. |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2018 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/20896 |
| work_keys_str_mv |
AT diasfonsecaeduardo thenarrationofthenationhoodinbrazilianscinemadaretomadatheimaginedcommunityinforeignland1995andhowtheangelsareborn1996 AT diasfonsecaeduardo umapropostadenarracaodonacionalnocinemadaretomadaacomunidadeimaginadabrasilemterraestrangeira1995ecomonascemosanjos1996 AT diasfonsecaeduardo narrationofthenationhoodinbrazilianscinemadaretomadatheimaginedcommunityinforeignland1995andhowtheangelsareborn1996 |
| first_indexed |
2022-08-20T01:14:58Z |
| last_indexed |
2022-08-20T01:14:58Z |
| _version_ |
1770718088841396224 |