Testimony of the lost image
The following research work is about the Cambodian film L’ image manquante (original title).This documentary was produced in 2013, written and directed by Rithty Panh. The film shows the genocide that took place in Cambodia between 1975 and 1979 during the dictatorial regime of Pol Pot and the Khmer...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2017
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19621 |
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I10-R10-article-196212019-07-27T12:50:31Z Testimony of the lost image El testimonio de la imagen perdida: representación cinematográfica de la masacre histórica López Delacruz, Santiago Martín Cine-documental historia estética cinematográfica representación Documentary films History Cinematographic Aesthetic Representation The following research work is about the Cambodian film L’ image manquante (original title).This documentary was produced in 2013, written and directed by Rithty Panh. The film shows the genocide that took place in Cambodia between 1975 and 1979 during the dictatorial regime of Pol Pot and the Khmer Rouges’ army. This research follows three lines of study: observing the representation nuisance in the subjective documentary, resolving the relationship between cinema and reality and examining the aesthetic condition of the representation through image. This work aims to offer an approach to the cinematographic representation of genocide or a historical massacre, using the story of a historical world through the concept of representation. Altogether using image like a testimony of lived moments through memory and remembrance. El presente trabajo de investigación tiene como objeto de estudio el filme camboyano La imagen perdida (L’image manquante según su título original). Realizado en el año 2013, es un documental escrito y dirigido por Rithy Panh que expone el genocidio ocurrido en Camboya entre 1975 y 1979 durante el régimen dictatorial comandado por Pol Pot y el ejército de los Jemeres Rojos. El análisis se enmarca sobre tres líneas de estudio: observar la problemática de la representación en el documental subjetivo, aproximarse a la relación que existe entre el cine y realidad, y examinar la condición estética de dicha representación a través de la utilización de la imagen. El objetivo del trabajo es ofrecer un acercamiento a la forma de representación cinematográfica cuando debe retratar un genocidio o una masacre histórica, donde se apela al relato de un mundo histórico a través del concepto de la representación, y a la imagen como testimonio de lo vivido a través de la memoria y el recuerdo. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2017-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19621 Ética y Cine Journal; Vol. 7 Núm. 3 (2017): Memoria(s) en el cine, memoria(s) del cine; 23-30 2250-5415 2250-5660 10.31056/2250.5415.v7.n3 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19621/19856 Derechos de autor 2017 Ética&Cine Journal |
| institution |
Universidad Nacional de Córdoba |
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I-10 |
| repository_str |
R-10 |
| container_title_str |
Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
Cine-documental historia estética cinematográfica representación Documentary films History Cinematographic Aesthetic Representation |
| spellingShingle |
Cine-documental historia estética cinematográfica representación Documentary films History Cinematographic Aesthetic Representation López Delacruz, Santiago Martín Testimony of the lost image |
| topic_facet |
Cine-documental historia estética cinematográfica representación Documentary films History Cinematographic Aesthetic Representation |
| author |
López Delacruz, Santiago Martín |
| author_facet |
López Delacruz, Santiago Martín |
| author_sort |
López Delacruz, Santiago Martín |
| title |
Testimony of the lost image |
| title_short |
Testimony of the lost image |
| title_full |
Testimony of the lost image |
| title_fullStr |
Testimony of the lost image |
| title_full_unstemmed |
Testimony of the lost image |
| title_sort |
testimony of the lost image |
| description |
The following research work is about the Cambodian film L’ image manquante (original title).This documentary was produced in 2013, written and directed by Rithty Panh. The film shows the genocide that took place in Cambodia between 1975 and 1979 during the dictatorial regime of Pol Pot and the Khmer Rouges’ army. This research follows three lines of study: observing the representation nuisance in the subjective documentary, resolving the relationship between cinema and reality and examining the aesthetic condition of the representation through image. This work aims to offer an approach to the cinematographic representation of genocide or a historical massacre, using the story of a historical world through the concept of representation. Altogether using image like a testimony of lived moments through memory and remembrance. |
| publisher |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
| publishDate |
2017 |
| url |
https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19621 |
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AT lopezdelacruzsantiagomartin testimonyofthelostimage AT lopezdelacruzsantiagomartin eltestimoniodelaimagenperdidarepresentacioncinematograficadelamasacrehistorica |
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2022-08-20T01:04:34Z |
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2022-08-20T01:04:34Z |
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1770717278380228608 |