The utilization of indigenous designs in the collections of the Museo Etnográfico at the University of Buenos Aires at the beginning of XX century: actors, activities and objects
This article focuses on the use of the collections of the Ethnographic Museum during the first decades of the twentieth century, in a context of recovering indigenous “art” representing the Americas and local art, This event was also accompanied by the development of production spaces and tissue exh...
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| Formato: | Artículo revista |
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Facultad de Filosofía y Humanidades. Museo de Antropología
2017
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/antropologia/article/view/14490 |
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I10-R10-article-144902022-08-24T16:08:18Z The utilization of indigenous designs in the collections of the Museo Etnográfico at the University of Buenos Aires at the beginning of XX century: actors, activities and objects El uso de motivos indígenas de colecciones del Museo Etnográfico de la UBA en los inicios del Siglo XX: actores, actividades y objetos Pegoraro, Andrea Ethnographic Museum indigenous motifs textiles ethnographic objects Clemente Onelli Argentine Patriotic League Museo Etnográfico motivos indígenas textiles objetos etnográficos Clemente Onelli Liga Patriótica Argentina This article focuses on the use of the collections of the Ethnographic Museum during the first decades of the twentieth century, in a context of recovering indigenous “art” representing the Americas and local art, This event was also accompanied by the development of production spaces and tissue exhibitions inspired partly by motifs or designs of objects stored in Argentine museums. While the Museum arranged school visits and groups of university students and artists in order to record indigenous motifs from artistic pieces, schools and workshops of weaving led by Clemente Onelli were created. In addition, a similar program was developed by the Liga Patriotica Argentina which, through Loom Exhibitions presented annually indigenous motifs, both archaeological and ethnographic ones, taken from the ceramics and fabrics of museums, which were to be learned and reproduced by knitters from inland regions of the country Este artículo se concentra en examinar el uso que se hizo de las colecciones del Museo Etnográfico durante las primeras décadas del siglo XX en un contexto de recuperación del “arte” indígena como representante de lo americano y local, que también fue acompañado por el desarrollo de espacios de producción y exposición de tejidos inspirados, en parte, en motivos o diseños de objetos que se almacenaban en museos de la Argentina. Al mismo tiempo que en el Museo se recibían visitas escolares, grupos de estudiantes universitarios y artistas plásticos para registrar los motivos indígenas de las piezas, se creaban escuelas y talleres de tejidos y telares impulsados por Clemente Onelli. A su vez, todo esto se combinó con un programa similar impulsado por la Liga Patriótica Argentina, que a través de las Exposiciones de Telares, presentaba todos los años motivos de piezas indígenas, tanto arqueológicas como etnográficas, extraídos de las cerámicas y tejidos de los museos para que fueran aprendidos y reproducidos por tejedoras del interior del país. Facultad de Filosofía y Humanidades. Museo de Antropología 2017-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo revisado por pares Artigo revisado por pares application/pdf https://revistas.unc.edu.ar/index.php/antropologia/article/view/14490 Revista del Museo de Antropología; Vol 10 (2017) NÚMERO 1; 27-36 Revista del Museo de Antropología; Vol 10 (2017) NÚMERO 1; 27-36 Revista del Museo de Antropología; Vol 10 (2017) NÚMERO 1; 27-36 1852-4826 1852-060X 10.31048/1852.4826.v10.n1 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/14490/17106 Derechos de autor 2017 Andrea Pegoraro |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-10 |
| container_title_str |
Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
Ethnographic Museum indigenous motifs textiles ethnographic objects Clemente Onelli Argentine Patriotic League Museo Etnográfico motivos indígenas textiles objetos etnográficos Clemente Onelli Liga Patriótica Argentina |
| spellingShingle |
Ethnographic Museum indigenous motifs textiles ethnographic objects Clemente Onelli Argentine Patriotic League Museo Etnográfico motivos indígenas textiles objetos etnográficos Clemente Onelli Liga Patriótica Argentina Pegoraro, Andrea The utilization of indigenous designs in the collections of the Museo Etnográfico at the University of Buenos Aires at the beginning of XX century: actors, activities and objects |
| topic_facet |
Ethnographic Museum indigenous motifs textiles ethnographic objects Clemente Onelli Argentine Patriotic League Museo Etnográfico motivos indígenas textiles objetos etnográficos Clemente Onelli Liga Patriótica Argentina |
| author |
Pegoraro, Andrea |
| author_facet |
Pegoraro, Andrea |
| author_sort |
Pegoraro, Andrea |
| title |
The utilization of indigenous designs in the collections of the Museo Etnográfico at the University of Buenos Aires at the beginning of XX century: actors, activities and objects |
| title_short |
The utilization of indigenous designs in the collections of the Museo Etnográfico at the University of Buenos Aires at the beginning of XX century: actors, activities and objects |
| title_full |
The utilization of indigenous designs in the collections of the Museo Etnográfico at the University of Buenos Aires at the beginning of XX century: actors, activities and objects |
| title_fullStr |
The utilization of indigenous designs in the collections of the Museo Etnográfico at the University of Buenos Aires at the beginning of XX century: actors, activities and objects |
| title_full_unstemmed |
The utilization of indigenous designs in the collections of the Museo Etnográfico at the University of Buenos Aires at the beginning of XX century: actors, activities and objects |
| title_sort |
utilization of indigenous designs in the collections of the museo etnográfico at the university of buenos aires at the beginning of xx century: actors, activities and objects |
| description |
This article focuses on the use of the collections of the Ethnographic Museum during the first decades of the twentieth century, in a context of recovering indigenous “art” representing the Americas and local art, This event was also accompanied by the development of production spaces and tissue exhibitions inspired partly by motifs or designs of objects stored in Argentine museums. While the Museum arranged school visits and groups of university students and artists in order to record indigenous motifs from artistic pieces, schools and workshops of weaving led by Clemente Onelli were created. In addition, a similar program was developed by the Liga Patriotica Argentina which, through Loom Exhibitions presented annually indigenous motifs, both archaeological and ethnographic ones, taken from the ceramics and fabrics of museums, which were to be learned and reproduced by knitters from inland regions of the country |
| publisher |
Facultad de Filosofía y Humanidades. Museo de Antropología |
| publishDate |
2017 |
| url |
https://revistas.unc.edu.ar/index.php/antropologia/article/view/14490 |
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2022-08-20T01:11:37Z |
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2022-10-04T12:39:05Z |
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