Decolonising the museum : the curation of indigenous contemporary art in Brazil /

"This monograph focuses on the current boom in Indigenous contemporary art in Brazil, exploring in particular the way that this work interfaces with the art world through exhibitions, and the scope that there is for Indigenous curatorial agency in this relationship. After a brief introduction t...

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Detalles Bibliográficos
Autor principal: Pitman, Thea
Formato: Libro
Lenguaje:Inglés
Publicado: Woodbridge, Suffolk, UK ; Rochester, NY : Tamesis Books, 2021.
Edición:1st ed.
Colección:Tamesis studies in popular and digital cultures ; v. 2.
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Aporte de:Registro referencial: Solicitar el recurso aquí
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020 |a 9781855663480 
020 |a 1855663481 
035 |a (OCoLC)1308956017 
035 |a (OCoLC)on1308956017 
040 |a U@S  |b spa  |c U@S 
043 |a s-bl--- 
049 |a U@SA 
050 4 |a N908.B7  |b P58 2021 
100 1 |a Pitman, Thea. 
245 1 0 |a Decolonising the museum :  |b the curation of indigenous contemporary art in Brazil /  |c Thea Pitman. 
246 3 0 |a Curation of indigenous contemporary art in Brazil 
250 |a 1st ed. 
260 |a Woodbridge, Suffolk, UK ;  |a Rochester, NY :  |b Tamesis Books,  |c 2021. 
300 |a xiv, 131 p. :  |b il. ;  |c 23 cm. 
490 1 |a Tamesis studies in popular and digital cultures ;  |v vol. 2 
504 |a Incluye referencias bibliográficas e índice. 
505 0 |a Introduction -- 1. Indigenous art and its curation in contemporary Brazil -- 2. Decolonial and indigenous curatorial theory and practice in Brazil -- 3. The "Arte Eletrônica Indígena" exhibition : scratching the surface -- 4. "AEI: Uma Mostra Interativa" : an ethnographic reading of indigenous curatorial agency -- Conclusions : Being indigenous, being there. 
520 |a "This monograph focuses on the current boom in Indigenous contemporary art in Brazil, exploring in particular the way that this work interfaces with the art world through exhibitions, and the scope that there is for Indigenous curatorial agency in this relationship. After a brief introduction to Indigenous art, it gives an overview of the evolving relationship between Indigenous art and the art world, exploring in particular the nature of decolonial and/or Indigenous curatorial practice both in Brazil and elsewhere in the world. It then hones in on a recent exhibition: 'Arte Eletrônica Indígena' [Indigenous Electronic Art], held at the Museum of Modern Art of Bahia in Salvador in August 2018. Based on participant observation and interviews, it provides an ethnographic reading of the opening weekend of the exhibition, looking at the alternative modalities of Indigenous curatorial agency that were exercised by the Indigenous people present. The conclusion explores the legacy of the 'Arte Eletrônica Indígena' exhibition, particularly for the Indigenous communities involved, and looks to the evidence provided by the exhibition for lessons to be learned for future exhibitions"--Descripción del editor. 
650 0 |a Art, Brazilian  |x Collectors and collecting  |z Brazil. 
650 0 |a Art museums  |x Collection management  |z Brazil. 
650 0 |a Indigenous art  |x Collectors and collecting  |z Brazil. 
650 0 |a Indian art  |x Collectors and collecting  |z Brazil. 
650 0 |a Museums and Indians  |z Brazil  |y 21st century. 
650 0 |a Video art  |x Social aspects  |z Brazil. 
650 7 |a Arte brasileño  |x Coleccionistas y colecciones  |z Brasil.  |2 UDESA 
650 7 |a Museos de arte  |x Administración de la colección  |z Brasil.  |2 UDESA 
650 7 |a Arte autóctono  |x Coleccionistas y colecciones  |z Brasil.  |2 UDESA 
650 7 |a Arte indígena  |x Coleccionistas y colecciones  |z Brasil.  |2 UDESA 
650 7 |a Museos e indígenas  |z Brasil  |y Siglo XXI.  |2 UDESA 
650 7 |a Video arte  |x Aspectos sociales  |z Brasil.  |2 UDESA 
830 0 |a Tamesis studies in popular and digital cultures ;  |v v. 2.