Appropriation /
"Many influential artists today draw on a legacy of 'stealing' images and forms from other makers. The term appropriation is particularly associated with the 'Pictures' generation, centred [sic] on New York in the 1980s; this anthology provides a far wider context. Historica...
Guardado en:
| Otros Autores: | |
|---|---|
| Formato: | Libro |
| Lenguaje: | Inglés |
| Publicado: |
London : Cambridge, Mass. :
Whitechapel ; MIT Press,
2009.
|
| Colección: | Documents of contemporary art series
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| Materias: | |
| Aporte de: | Registro referencial: Solicitar el recurso aquí |
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| 001 | 990000560440204151 | ||
| 005 | 20180214134830.0 | ||
| 008 | 080820s2009 enk b 001 0 eng | ||
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| 019 | |a 441153251 | ||
| 020 | |a 9780854881611 (Whitechapel Gallery : pbk. : alk. paper) | ||
| 020 | |a 0854881611 (Whitechapel Gallery : pbk. : alk. paper) | ||
| 020 | |a 9780262550703 (MIT Press : pbk. : alk. paper) | ||
| 020 | |a 0262550709 (MIT Press : pbk. : alk. paper) | ||
| 020 | |a 9780854881628 (Paper) | ||
| 020 | |a 085488162X (Paper) | ||
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| 035 | |a (OCoLC)244476577 |z (OCoLC)441153251 | ||
| 035 | |a (OCoLC)990000560440204151 | ||
| 040 | |a DLC |c DLC |d BTCTA |d YDXCP |d C#P |d BWX |d CDX |d VP@ |d GZM |d YHM |d NLGGC |d UKTTE |d ALAUL |d GZW |d MEAUC |d DGN |d U@S | ||
| 049 | |a U@SA | ||
| 050 | 0 | 0 | |a N6494.A66 |b A67 2009 |
| 082 | 0 | 0 | |a 709.04 |2 22 |
| 245 | 0 | 0 | |a Appropriation / |c edited by David Evans. |
| 260 | |a London : |b Whitechapel ; |a Cambridge, Mass. : |b MIT Press, |c 2009. | ||
| 300 | |a 238 p. ; |c 21 cm. | ||
| 490 | 1 | |a Documents of contemporary art | |
| 504 | |a Includes bibliographical references (p. 231-232) and index. | ||
| 505 | 0 | |a Precursors -- Agitprop -- The situationist legacy -- Simulation -- Feminist critique -- Postcolonialism -- Postcommunism -- Postproduction -- Appraisals. | |
| 520 | |a "Many influential artists today draw on a legacy of 'stealing' images and forms from other makers. The term appropriation is particularly associated with the 'Pictures' generation, centred [sic] on New York in the 1980s; this anthology provides a far wider context. Historically, it reappraises a diverse lineage of precedents - from the Dadaist readymade to Situationist détournement - while contemporary 'art after appropriation' is considered from multiple perspectives within a global context." --back cover. | ||
| 650 | 0 | |a Appropriation (Art) | |
| 650 | 0 | |a Art, Modern |y 20th century. | |
| 600 | 1 | 0 | |a Burgin, Victor. |
| 600 | 1 | 0 | |a McQueen, Steve, |d 1969- |
| 600 | 1 | 0 | |a Prince, Richard, |d 1949- |
| 600 | 1 | 0 | |a Sherman, Cindy. |
| 600 | 1 | 0 | |a Warhol, Andy, |d 1928-1987. |
| 600 | 1 | 0 | |a Stezaker, John, |d 1949- |
| 600 | 1 | 0 | |a Kruger, Barbara, |d 1945- |
| 600 | 1 | 0 | |a Groĭs, Boris. |
| 700 | 1 | |a Evans, David. | |
| 830 | 0 | |a Documents of contemporary art series | |