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|a Compiled and Edited, with Notes / Carl Parrish. -- CONTENTS : Foreword. -- Abbreviations. -- Ambrosian psalmellus for Quadragesima: Redee Mihi. -- Gallican Improperia for Good Friday: Popule meus. -- Mozarabic antiphon for Easter: Gaudete populi. -- Gregorian hymn for Whitsunday: Veni Creator Spiritus. -- Liturgical drama: Infantem Vidimus (11th - 12th century). -- Troubador canso: Be m'an perdut, Bernart de Ventadorn (d. 1195). -- Cantiga: Gran dereit', Alfonso El Sabio (1221-1284). -- Lauda: Ogne homo (13th - 14th century). -- Organum duplum: Viderunt omnes, Leonin (12th century). -- Motet: Ave gloriosa mater-Ave Virgo-Domino (13 th century). -- Instrumental motet (Hocket): In seculum longum (13 th century). -- Vocal motet: Je n'amerai autre-In seculum (13 th sçcentury). -- Agnus Dei from the Mass of Tournai (14 th century). -- Polyphonic trope: Kyrie Jhesu dulcissime, Fronciaco (14th centuty). -- Organ paraphrase of a Kyrie (14 th century). -- Caccia: Con brachi assai, Giovanni da Firenze (14th century). -- Ballade: Notes pour moi, Anthonello de Caserta 814th century). -- Isorhythmic motet: Veni Sancte Spiritus, John Dunstable (d. 1453). -- Villancico: Soy contento y vos servido, Juan del Encina (ca. 1468- ca.1530). -- Frottola: O mia cieca e dura sorte, Marchetto Cara (d. ca. 1530). -- Lute transcription: O mia cieca e dura sorte, Vincenzo Capirola (16th century). -- Meistersinger melody: Gesangweise, Hans Sachs (1494-1576). -- Magnificat octavi toni, Cristobal Morales (ca. 1500-1553). -- Chorale : Komm, Gott Schöpfer, heiliger Geist, Johann Walter (1496-1570). -- Psalm setting, French Psalter of 1564: Mon Dieu me paist, Claude Goudimel (d. 1572). -- Psalm setting, French Psalter of 1565: Mon Dieu me paist, Claude Goudimel. -- Anthem: Heare the voyce and prayer of thy servaunts, Thomas Tallis (ca. 1505-1585). -- Polychoral motet: Laudate Dominum, Hans Leo Hassler (1564-1612). -- Organ toccata: Toccata Quinta, Secondo Tuono, Claudio <merulo (1533-1604). -- Pavana for the virginial: John Bull (1563-1628). -- Quodlibet: Fricassée (16th century). -- Lied: Oho, so geb' der Mann ein'n Pfenning, Ludwig Senfl (ca. 1490-ca. 1556). -- Madrigal : Moro lasso, Carlo Gesualdo (ca. 1560 - 1613). -- Lute ayre : My Thoughts Are Wing'd With Hope, John Dowland (1563-1626). -- Instrumental dance: Passamezzo d' Italie (16th century). -- Viol consort : In Nomine, Orlando Gibbons (1583-1625). -- Oratorio scene: Rappresentatione di Anima e di Corpo, Emilio de'Cavalieri (ca. 1550-1602). - Chorale concerto: Erschienene ist der herrliche Tag, Johann Hermann Schein (1586-1630). -- Lute piece: Tombeau de Mademoiselle Gaultier, Denis Gaultier (ca. 1603-1672). -- Harpsichord piece: Capticcio über das Hennengeschrey, Alessandro Poglietti (d. 1683). -- Organ Chorales prelude: Nun komm, der Heiden Heiland, Dietrich Buxtehude (1673-1707). -- Oratorio scene: Le Reniement de St-Pierre, Marc-Antoine Charpentier (1634-1704). -- Anglican canticle: Jubilate Deo, John Blow (ca. 1648-1708). -- Sinfonia to the opera, La Caduta de Decem Viri, Alessandro Scarlatti (1659-1725). -- Chaconne from the opera-ballet, Les Fêtes Vénitiennes, André Campra (1660-1744). -- Opera seria: Aria from Croesus, "Hoffe noch", Reinhard Keiser (1674-1739). -- Concerto: La primavera (Allegro), Antonio Vivaldi (ca. 1678-1741). -- Fantasie for violin solo, Georg Philipp Telemann (1681-1767). -- Cantata da Camera : Recitative and Aria from Stravaganze d'Amore, "Amor tu sei", Benedetto Marcello (1688-1739). -- Opera buffa: Recitative and Arie from Livietta e Tracollo, "Misero", Giovanni Battista Pergolesi (1710-1736). -- Index.
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