1999 AIC Paintings Specialty Group postprints : papers presented at the twenty-seventh Annual Meeting of the American Institute for Conservation of Historic and Artistic Works, St. Louis, Missouri, June 8-13, 1999 /

Guardado en:
Detalles Bibliográficos
Autor Corporativo: American Institute for Conservation of Historic and Artistic Works. Paintings Specialty Group
Otros Autores: Wallace, Frederick A. (ed.)
Formato: Libro
Lenguaje:Inglés
Publicado: Washington, D.C. : American Institute for Conservation of Historic and Artistic Works, [1999].
Materias:
Aporte de:Registro referencial: Solicitar el recurso aquí
LEADER 02499nam a2200253 a 4500
003 AR-SmUSM
005 20191220095623.0
008 180418s1999 xxuao b 100 0 eng d
999 |c 50681  |d 50681 
040 |a IIPC  |b spa  |c IIPC 
082 0 |a 751.62  |b A2883 1999  |2 20 
245 0 0 |a 1999 AIC Paintings Specialty Group postprints :   |b papers presented at the twenty-seventh Annual Meeting of the American Institute for Conservation of Historic and Artistic Works, St. Louis, Missouri, June 8-13, 1999 /   |c compiled by Frederick A. Wallace. 
260 |a Washington, D.C. :   |b American Institute for Conservation of Historic and Artistic Works,   |c [1999]. 
300 |a [4], 90 p. :   |b fot., il. ;   |c 28 cm. 
504 |a Incluye referencias bibliográficas. 
505 2 |a Cap. 1. Investigation of fatty acid migration in alizarin crimson oil paint in two works by Frank Stella ; Cap. 2. Rembrandt: a study in complexity ; Cap. 3. From the ground up: the ground in 19th-century American pictures ; Cap. 4. The physical history and conservation treatment of Thomas Hart Benton's Indiana murals ; Cap. 5. Unveiling Monet ; Cap. 6. The sinking (and resurrection) of the Titanic: Max Beckmann's early masterpiece at the Saint Louis Art Museum ; Cap. 7. Translating significance into value: musing of a conservator and an appraiser ; Cap. 8. Changes in place, changes in context: the conservation of an Ethiopian icon ; Cap. 9. Treatment of blanching in an Italian landscape by Jan Both ; Cap. 10. A simple hot air tool from a de-soldering iron and black gloves for inpainting ; Cap. 11. Fixing paintings in work stretchers without flattening the tacking margin ; Cap. 12. An inexpresive mini-suction table ; Cap. 13. Studio tips: tear repair, consolidation, inpainting ; Cap. 14. A tip on mica pigments, and a note on my experience with hydrogenated hydrocarbon varnishes. 
611 |a American Institute for Conservation of Historic and Artistic Works. Meeting   |n (27th :   |d 1999 :   |c St. Louis, Missouri)  |9 61965 
650 7 |a Conservación de obras de arte.  |2 unesco  |9 5616 
650 7 |a Técnica de conservación.  |2 unesco  |9 7431 
650 7 |a Pintura.  |2 unesco  |9 2215 
700 1 |a Wallace, Frederick A.  |9 61966  |e ed. 
710 2 |9 59718  |a American Institute for Conservation of Historic and Artistic Works.   |b Paintings Specialty Group 
942 |2 ddc  |c LIBRO 
952 |0 0  |1 0  |2 ddc  |4 0  |6 751_620000000000000_A2883_1999  |7 0  |8 GRAL  |9 73331  |a IIPC  |b IIPC  |d 2018-04-18  |e Donación  |l 0  |o 751.62 A2883 1999  |p A01788  |r 2018-04-18  |w 2018-04-18  |y LIBRO